Just a simple photo of a fire hydrant. It’s possible to make portraits of things, not just people.
Taken with my Rolleiflex 2.8E, Ilford FP4+, developed in Pyrocat HD.
Just a simple photo of a fire hydrant. It’s possible to make portraits of things, not just people.
Taken with my Rolleiflex 2.8E, Ilford FP4+, developed in Pyrocat HD.
This is my friend Sam Huang, one of the owners of Mad Momo’s, a Himalayan/fusion cuisine restaurant and beer deck in the Columbia Heights neighborhood here in Washington DC. He and another friend of mine took over a partially renovated space, finished the build-out, and turned it into this really cool restaurant with sidewalk seating, a dining room, lounge space, two bars, and front and rear roof decks. The food is inspired by traditional Himalayan dumplings, called momos, thus the name of the restaurant. I took this portrait of him in the front window of the main room using my Rolleiflex. Someone commented to me elsewhere seeing how much I’ve been using the Rollei lately that I’d better not wear it out… well, it’s only 57 years old now, so I figure as long as I do proper maintenance on it, it will outlast me.
Shot with Kodak Tri-X, developed in Pyrocat HD.
Two photos showing different perspectives on the Capital Bikeshare bikes. Shot with my Rolleiflex 2.8E on Kodak Tri-X, developed in Pyrocat HD. I had previously experimented with Rodinal as a developer for Tri-X trying to bring out the grain Tri-X is famous for. I don’t know if there was something I did wrong, or if my developer was old and no longer at full strength (Rodinal allegedly lasts forever, but mine was oh, a good eight years old, and the negs came out kinda flat). I ordered some new Rodinal to replace it to try at higher concentrations to see if I can get the look I was after. It’s nice to see though that if I switch to my tried and true Pyrocat, I can get negs that are as grainless as I want them to be on Tri-X.
Just a single image today – I see this tree almost every day when I go to lunch. Taken with my Rolleiflex on Ilford FP4+, developed in Pyrocat HD.
I called this one Philip Seymour Hoffman and my Shadow because the guy sitting against the Metro entrance wall just kinda looks like him, in full-on Method acting mode studying for a role.
This was taken around 10pm on the subway on my way home from Chinatown. I suspect these two were heading home after dinner and a long day (perhaps week!) at the office.
This image has me on the horns of a dilemma- would it have been better in color or as it is in black-and-white? I think it has a certain character in black-and-white that it wouldn’t have in color, but the western sky would definitely look different. Comments?
Here’s a 14×17 portrait I shot a while ago and just got around to developing. I love what I can do tonally with FP4+ and platinum/palladium, but when you are shooting this big, the slow speed starts to hurt – its tough getting the f-stops you need when a headshot is also a 1:1 macro and costs you two stops (or MORE) just from the bellows extension.
Here are the first few from my outing to the Arboretum with one of the camera clubs I joined recently. These are 6.5×8.5 (whole plate) sized negatives.
I’d been in a bit of a blue funk as far as darkroom work was concerned, but getting ready for Artomatic has helped me find new motivation to get back in there and start working again. That and teaching my class this coming weekend. Can’t wait to finish developing all my film and see the results!