I keep shooting this building and the surrounding intersection because the architecture provides all kinds of graphical possibilities. Here, today, the drum in front of the tower looks almost like polished metal, whereas in reality, it’s coarse concrete. And a 25-second daylight exposure eliminates all but traces of traffic and the most immobile of pedestrians.
The 6×18 pinhole, when kept plumb, level and square, is virtually distortionless. I’m going to try shooting this scene again but from a low angle, pointing up, to see how curved it gets.
Now, with working with the pinhole, Kodak Tri-X has really turned into my go-to film because I really need the extra speed even in daylight. And the grain of Tri-X, in 120, and in contact prints/scans, really is a non-issue.