Category Archives: News/Announcements

A Secret About a Secret – Photoworks Fall Fundraiser – Saturday October 20 @ Photoworks

Glen Echo Photoworks Annual Fall Fundraiser is just around the corner. The event will be held Saturday, October 20th, 2018 from 7pm to 10pm at Photoworks –

7300 MacArthur Boulevard, Glen Echo, Maryland 20812

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We are doing something really amazing to support our community of photographers and collectors and friends – with each ticket, while supplies last, we are giving away a box of 10+1 photographs by Photoworks faculty and community members to EACH PERSON who buys a ticket. So you’re guaranteed not only to have some wine, look at some art, learn something interesting, and support a great cause, but you’ll also leave with a boxed set of prints by some of the DC area’s best photographers! Win-Win!

This will be a fun evening of photography – we will have film screenings, a talk by Sarah Gordon, Independent Curator and Lecturer, wine and nibbly things, and lots of photography on display! There’s a great show up on the walls, Places We Find by Sandy Sugawara and Catiana Garcia Kilroy, that you can check out while you’re there. Donated items for the silent auction range from photographs by faculty members,  a home-cooked Italian dinner for four, a vacation cottage on Squam Lake, New Hampshire for a week for up to ten people, one-on-one tutorials, to autographed books and college application portfolio reviews. There are items in every price range, with items starting as low as $25, so you don’t have to be a millionaire to bid.

I have donated a print of the featured image on this blog post, “Antiguo Colegio de San Ildefonso”, an 8×16 inch palladium print hand made by me, edition #1 of 10, as part of the silent auction that will be held both onsite and online.

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I am also donating two one-on-one workshops in advanced darkroom printing and platinum/palladium printing, so this is your chance to get personal instruction while supporting a worthy cause!

Items for the silent auction are available for online bidding in advance.

http://glenechophotoworks.org/2018/10/06/10-photographs-event-online-auction-catalog/

For tickets to the fundraiser:

https://www.eventbrite.com/e/10-photographs-tickets-50622631654

I hope to see you all there!

 

Upcoming Class – Alternative Process Survey with Digital Negatives

I’ve got a class coming up soon – Thursday evenings starting September 27, co-taught with Mac Cosgrove-Davies. It’s an alternative process survey course, covering platinum/palladium, gum bichromate and cyanotype. We will be starting out by going through the process of making digital negatives for the platinum/palladium process, and then printing using platinum/palladium. I will be walking students through the process of how to create your own correction curve so that they will have the tools handy for making appropriate correction curves for their own personal environments and for whatever process(es) they want to work in. We will cover basic techniques, preferred materials and digital hardware.

In subsequent weeks, Mac Cosgrove-Davies will be teaching working with cyanotype and gum bichromate. Mac has been working with alternative processes, most specifically gum bichromate and cyanotype, for over 40 years.

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Two-color Gum Bichromate print. ©2007 Scott Davis

This will be my first time co-teaching with Mac, who is an outstanding instructor as well as a meticulous artist and technician with historic photo processes.

You can register at the link below. Course meets for five sessions on Thursdays from 7-9:30 PM, starting September 27, and runs through October 25. Tuition is $350.

Alternative Process Survey with Digital Negatives

Artists Statement – Mac Cosgrove Davies

Photography has been my passion for more than 50 years, first with silver printing, and for the last 40 years with the historic processes.  I still delight in the hand-crafted uniqueness of gum bichromate, cyanotype, carbon, and oil printing, all printed from in-camera negatives (i.e. film).  I also enjoy making the equipment, and sometimes the cameras, that I use.  Working with large cameras feeds the more contemplative side of me, especially  in the solitary space under the dark cloth where the bright image is my entire perception of the world.  A successful photograph conveys the artist’s emotional, aesthetic statement in an engaging manner.  For me this turns out to be in images small by today’s standards.  I prefer to think of them as an intimate discussion with the viewer.  It pleases me to pull a 5×5 inch portfolio box from my pocket to respond to the frequently asked question of what I do for fun.

Artist Statement – Scott Davis

Scott Davis is a large format photographer working with antique and historic photographic processes. His work has been exhibited across the United States and internationally. He is a published author on platinum/palladium printing, and teaches classes in platinum/palladium. His personal work includes the DC cityscape,  the human figure, and wherever he happens to be with a camera. He is currently developing an exhibition plan for Sinister Idyll: Historical Slavery in the Modern Landscape, his documentary series about how the landscape of Maryland, Virginia and Washington DC have been marked by the impact of African slavery and its echoes that reverberate today.

Examples of past student work from digitally enlarged negatives:

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Prints and digitally enlarged negatives

 

Come Meet Me, Get Judged!

Well, I’m not normally very judgmental (of people) but I will be judging Focus On The Story – 72 Hour Photo Challenge. To participate and get your work judged by me and my colleagues at Photoworks, just create an account at  EyeEm.com (its free!), upload your images from around DC shot this weekend, and tag them #EyeEmDC. Get it done by 9:00 AM on Sunday, then come down to the Johns Hopkins SAIS Campus at 3:50 PM to see the live judging!

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Intro to Platinum/Palladium Printing Sold Out and Waitlisted! May 5 & 12, 10am-4pm

OK- well, the title is a tad misleading – my class WAS sold-out with a wait list. I added additional slots to accommodate the wait list, and there is ONE additional spot left. If you’re interested, now’s the time to grab it before it’s gone. I will NOT expand the wait list again for this session. The class is my perennially popular Introduction to Platinum/Palladium Printing class, this time with an expanded digital negative how-to session. Based on the response, I’m also planning a fall Platinum/Palladium Printing Extended Project course that will provide a six-to-eight week guided seminar in printing.

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Pyramids, Teotihuacan, Mexico

The pyramids at Teotihuacan in Mexico was originally shot on a 2 1/4 x 4 1/4 inch roll film negative from my Lomo Belair X/6-12, then scanned and printed on Pictorico Premium OHP to make a 4 x 8 inch print.

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Stairs, National Gallery of Art, Washington DC

Ditto the above with this shot of the National Gallery of Art staircase in Washington DC.

Making a print is fun and easy.

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Potassium Oxalate Developer – 15 years old and going strong!

A frequently asked question: what about your developer chemistry? You mix up your Potassium Oxalate, replenish it as needed, and filter it periodically. But you keep on using the same batch of developer forever, unlike silver gelatin paper developers which have a finite lifespan, regardless of usage.

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Digitally enlarged negative

Here’s a digital negative printed on the Pictorico OHP transparency medium. Other printers will work, but the industry standard seems to be Epson Stylus Photo printers with Ultrachrome K3 inks (or newer). I’m using an Epson 3880 at the moment.

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Exposed, undeveloped print

Here’s an exposed print from the negative shown above. An exposed but undeveloped print will show a “ghost image” of the finished print. The development process happens VERY fast, as you can see in the video below.

And the finished print, washing in the final wash.

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Developed print in the wash

To register, click here Intro to Pt/Pd May 5&12

Upcoming Classes

I have two upcoming classes this spring at Glen Echo Photoworks, Introduction to Large Format Photography, and Introduction to Platinum/Palladium Printing. I’ve scheduled them so that students of Intro to Large Format can have somewhere to go with their new camera skills. Intro to Large Format runs March 11th – April 22. The course covers what you need to know to take advantage of the medium – we start with the basics of the cameras themselves – different camera types, their parts and how they work, why to choose one type over another, lenses and lens selection. We move on to film selection and film handling, loading film and developing it. There are modules on portraiture, still life/tabletop, landscape and architecture. For the Architecture module we’ll do a field trip down to the National Cathedral.

The Family – my set of student cameras (L to R): Speed Graphic, Sinar F, Sinar A1. The 5×7 Sinar Norma you see peeking in on the right is a personal camera.

Due to student interest, I’ve acquired several cameras for student use in-class. If the popularity continues, I’ll look into getting one or two more and setting up a rental program to allow students to check out cameras for the duration of the class.

The next class is Introduction to Platinum/Palladium Printing. I will be including a module on making and using digitally enlarged negatives for platinum/palladium printing with this course. This class runs May 5th and May 12th. This course covers the history of the medium, materials and techniques. We discuss the various tools for making prints – brushes vs coating rods, UV light sources (the sun, black-light fixtures, other options). We go over paper selection and paper handling. In this intro class we will make palladium prints because palladium is the easier medium to work with, but we will discuss and demonstrate the differences between platinum and palladium. Contrast control techniques will also be covered, and developer chemistry as well. We will work from both in-camera negatives that we make that weekend, and from digital files students bring and/or create from scans.

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Pyramids, Teotihuacan – palladium print 4″ x 8″ enlarged on Pictorico OHP using an Epson 3880 printer with Ultrachrome K3 inks from a 6cm x 12 cm in-camera negative

To register for the classes, click on the links below:

Introduction to Large Format, March 11-April 22   –  $250

Introduction to Platinum/Palladium Printing May 5 and 12  –  $250 plus $50 lab fee

 

 

Print Sale – 9 for $99

To celebrate an Instagram milestone, I’m offering a print sale. 

Pick any one (or multiple) images from the grid above. You’ll get a signed, numbered limited edition archival pigment print, six by six inches on 8×10 inch paper. Each edition is limited to  ten prints. $99 each, plus shipping. This sale runs through the end of October, or until the edition is sold out, whichever happens first, so act quickly. Makes a perfect gift for yourself or a loved one!

Email me through the blog: Scott at Dcphotoartist dot com and include “9for99” in the subject. Indicate which image(s) you want, #1 is top left, #9 is bottom right. Include your address to calculate shipping.  

Japanese Photographs acquired by the Hirshhorn

I’m thrilled to announce that two works by a brilliant Japanese daguerreotypist (and the man who taught me how to do daguerreotypes) have been acquired by the Smithsonian’s Hirshhorn Museum and Sculpture Garden.

I couldn’t find links to the images in question that were acquired by the Smithsonian, so I’m linking to two related images from his website.


A Maquette for a Multiple Monument for Fukushima Daiichi Nuclear Power Plant
2014, Daguerreotype, 67x280cm
and

The Atomic Bomb Dome, Hiroshima
2014, Daguerreotype, 25.2×19.3cm

ArtForum Article

You can see more of his work here, on his website:

Takashi Arai Studio