Category Archives: Color

Palacio De Bellas Artes, Mexico City


The last time I wanted to photograph the Palace of Fine Arts, the weather was not so accommodating and the skies were hazy and smoggy every day. This trip, the weather cooperated and you can see the glory that is the Palacio. The domes of the Palacio are so iconic a symbol of Mexico City, they’re even on the Starbucks mug! Next time I’m back, I’ll have to go in the Sears across the street and see if I can get a good shot out one of the third or fourth floor windows.

The interior is every bit as spectacular – The entrance lobby is a glory of Deco Mexicano – very much Art Deco, but with a distinct Mexican cultural twist – you can feel the stirrings of pride in indigenous Mexican heritage that were finding expression in stylized Aztec and Mayan motifs and the murals of Diego Rivera, David Alfaro Siquieros and Jose Orozco that adorn the walls of the lobby.


I feel lucky to have pulled off this shot, as I had to point the camera straight up, and hold it still for 1/15th of a second (I think it was a 1/15h, might have been 1/8th). No small feat when your camera is as big and heavy a brick as my Mamiya RZ67. I must say it has an extremely well-damped mirror that doesn’t cause camera shake – while it isn’t quite as smooth as my Rolleiflex, which has no mirror movement at all, I can hand-hold it down to 1/15th or 1/8th regularly (the Rollei I feel pretty confident to 1/4 second, and have been known to pull off 1 second exposures hand held).

Mexico City – Around San Angel, In Color

San Angel Moving, Local and Long-Distance

I think this was a newsstand kiosk, but it’s painted to advertise San Angel Moving, in a very old-school style. One of their trucks was parked right next to it.

Yellow Cafe, San Angel

I couldn’t help but photograph this bright yellow cafe/restaurant – what a cool building!

Dance School, San Angel

Another building that cried out to be photographed – if it were stone and not brick, I would assume this was in Spain or Italy, not Mexico. It has a dance school inside, as well as a residence. Who knows how old it is?

Walking uphill, San Angel

A typical street in San Angel – those cobblestones could go all the way back to the 17th century. The neighborhood, today, is one of the most upscale in Mexico City, with many of the Viceregal compounds and ex-convents/monasteries converted into extremely private residences de luxe.

Number 46, Calle de la Amargura


Barber Shop, San Angel

I just loved the old-school barbershop interior and the “Abierto, Pase Ud” (Open, Please Come In” sign on the door. It reminded me of the barbershops in the town I grew up in.

Fountain, Plaza San Jacinto

The last time I was in Mexico City, this fountain wasn’t running. So nice to see it operating – it really brings the plaza together and makes it feel more alive, even when the  Saturday artists’ market isn’t running.

C&O Canal Monument, Twilight, Georgetown


The monument is adjacent to where Wisconsin Avenue crosses over the C&O Canal in Georgetown. It is effectively a zero mile marker, although not precisely, as the canal continues a few hundred yards past the marker to empty into Rock Creek. It commemorates the construction of the canal. I caught it right at “magic hour” when the sky is just dark enough that it matches the ambient street light, but is not so dark as to lose all detail and color. Here it has a wonderful indigo glow. And no, no flash was used in the making of this shot- this was purely ambient light from the street lamps and the sky.

Washington DC at Twilight

More specifically, the Georgetown neighborhood. Georgetown may be many things (incredibly overpriced, a tourist trap, insanely busy and difficult to navigate because they refused the Metro when the system was being built) but it is very vibrant and there’s always something going on. It still retains much of the late 18th/early 19th century architecture from when Georgetown was actually a separate city from Washington DC, and has a very distinct feel. I like getting out and photographing there, especially at twilight into the sunset hour, because Georgetown’s position on the crest of a hill overlooking the Potomac really captures the light of that hour like no other part of the city.

This is looking east along M Street, one of the main commercial corridors in Georgetown, from the corner of Wisconsin Avenue and M Street. The sun is setting, the light is fading, and the traffic and street lamps are glowing with the first hints of night lights.


The cyclist is moving just fast enough to be blurred as he passes through the scene.

Here is the famous Farmers and Merchants Bank at the corner of Wisconsin and M Streets. This is an absolutely iconic structure in Georgetown, and is instantly recognizable around the world to people who have visited Washington DC.


I love the dull gleam of the gilded dome of the bank catching the last rays of the sun.

And here is a glimpse of Georgetown’s industrial waterfront past, where the C&O Canal carves its last yards of waterway through the city before meeting the Potomac River, and where the warehouses for tobacco, wheat, corn, cotton and local products were stored, bought, and sold at the last navigable port on the Potomac.


Today, fancy boutiques and high-end condos line the canal, the smokestacks of power plants remaining as decorative follies to remind us of the town’s industrial past.

Color Night Pinhole Panoramics

This was, to me, a bit of a risk-taking. I’ve done each of the components of these images before, in some way shape or form, but never the combination of all at once. I’ve done pinhole. I’ve done panoramic. I’ve done long exposures. I’ve done color. I’ve done multiple exposures. But never color long exposure panoramic pinholes, and even a color panoramic long exposure multiple exposure pinhole. So these are the results of my experiments.

The first frame is taken from the intersection of Park Road and 14th Street, looking down 14th Street toward the DC USA shopping complex. This was a 12-minute exposure, using the exposure calculator from my pinhole camera. This was at twilight, thus the (relatively) shorter exposure.


This next scene is at the corner of 18th Street and Columbia Road in Adams Morgan. I love the unpredictability of this kind of photography – you know you’ll get patterns of light, and can kind of figure out where they’ll be, but knowing for example that in the span of the 25 minutes of this exposure a city bus would pull through and stop at the light long enough for Woodley Park to dangle mid-scene like a disembodied phantom, well, I couldn’t have predicted or planned that, especially WHERE in the scene it was going to show up.


This last scene was a real experiment – Not only did I make a total of a 25 minute exposure, but halfway through I moved the camera about 15 feet closer to the primary subject and re-started the exposure.