Category Archives: Publication Credits

Antique Processes, Collecting, Daguerreotypes, News/Announcements, Photography, Platinum/Palladium, Publication Credits, Video

Interview on Film Factor Podcast

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Hi all- sorry for the very long silence on here. Life has been tempest-tossed the last year or so, so I’ve been kinda out-of-action on the blogging front. Anyway, back at it. I was just interviewed on the Film Factor Podcast, talking about alternative processes, collecting daguerreotypes, and teaching photography in a pandemic. Film Factor Podcast is hosted by Franz Lopez, a devoted photography enthusiast in the Philippines. Getting everything synced up for the live show was a little interesting, given the vagaries of the global internet and the twelve-hour time difference. Here’s the link to the recording of the session:

https://www.youtube.com/watch?v=cD7LhsAsQVs&feature=youtu.be&fbclid=IwAR37J9nOtnoU6Mc6XrmiGG3UPxCT4PYaUsDPMEMoxgTpTqku5JbzH-JyxBE

About Art, News/Announcements, Photography, Platinum/Palladium, Publication Credits

Publication – The HAND magazine

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My work from the Sinister Idyll series is appearing in the next issue of The Hand magazine, a monthly journal of reproduction-based art. This covers hand-made photography as well as most forms of traditional printing (woodcut, linocut, etching, collotype, and more).

The Hand Magazine’s
Weekly High Five!
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GET ISSUE 24
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Issue 24 is in the distribution room. We are trying our hardest to get them in envelopes, stickered and bundled for the mail room!
Hey all!
We’re working hard to get your copy sent out early this week. After they are shipped, delivery can take up to 10 days, or longer outside the US. We hope you’re excited to get the magazine and we are confident it will be worth the wait!

This issue features an interview with Lyell Castonguay. Lyell is the director of the large-format woodblock press, BIG INK, and an accomplished artist in his own right. We also have an Artist’s Spotlight on Francesco Poiana. If you haven’t ordered yours yet, GET A COPY TODAY!

Below, you will see images by the artists we featured on our social media platforms over the past week. Please join us on Facebook and Instagram for more behind the scenes pics and fun stuff. We hope you will take the time to take a closer look at these wonderful artists. Please click on their links, go to their websites, and start a dialogue with them. Take care of yourself and each other.

Issue 24 contributor, Peter Ward (St. Albans Park, Victoria, Australia), “Lost Quilt”, Linocut on calico, quilted, 63″ x 63″ VISIT PETER’S WEBSITE

Issue 24 contributor, Molly Phalan (West Lafayette, Indiana, USA), “Decarlo”, Silver gelatin mordançage, 14″ x 11″ VISIT MOLLY’S WEBSITE

Issue 24 contributor, Rosalyn Richards (Lewisburg, Pennsylvania, USA), “Caught”, Etching, 12″ x 18″ VISIT ROSALYN’S WEBSITE

Issue 24 contributor, Trish Meyer (Sandia Park, New Mexico, USA), “Off-Axis”, Photo collagraph, carborundum collagraph, and gold leaf, 12″ x 12″ VISIT TRISH’S WEBSITE

Issue 24 contributor, Scott Davis (Washington, D.C, USA), “L’Hermitage Bachelors House”, Palladium print, 2.25″ x 4.25″

 

News/Announcements, Photography, Portraits, Publication Credits

Publication – Hallowed Ground, the Journal of the Civil War Trust

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I just had an image of mine published in Hallowed Ground, the journal of the Civil War Trust. It’s a photo I took of Ed Bearss on one of his battlefield tours through the Smithsonian. The theme of the issue is “30 years of battlefield preservation”, and Ed is, rightfully, the star, as he has been one of the greatest champions of historic preservation over the last sixty years.

HallowedGround_Summer17_COVER150

Reading the article clipping below, along with my image (see credit at the bottom), you can get a sense of Ed’s larger-than-life personality. I’m very happy that my image is the one being used to depict and honor Ed.

HallowedGround_Summer17_EdBearss_ScottDavis

The photo of Ed was taken at the Balls’ Bluff battlefield site, which he was involved in helping secure and preserve against development. Were it not for his work, all that remained would have been the smallest military cemetery in the United States surrounded by townhouses. Instead, thanks to his work and the efforts of a local/state public/private partnership, we have an exceptionally authentic battlefield to walk and understand how the events of the day played out.

You can find out more about the Civil War Trust on their website: CivilWar.org

For those who care about such things, the image was made with Kodak Tri-X in my Rolleiflex.