All posts by dcphotoartist

Mexico City, in Black and White

This was a return trip, just a quick three-day weekend over the Veterans’ Day holiday, so I only shot four rolls of black-and-white and six rolls of color (to be processed today). Here are some highlights.

I took a trip to the UNAM (Autonomous National University of Mexico) campus, which is famous for its 1960s architecture (it’s the site of the 1968 Olympics, and the Olympic stadium which seats some 80,000 (if I recall correctly) is across Insurgentes Boulevard from the campus). My partner is in law school at UNAM, so we met up after class and wandered around a bit. These images are from the Architecture school buildings, another program that UNAM is famous for.

UNAMArchitectureStairs

AngelUNAMArchitecture

You may be wondering- what’s with the rectangular images? He almost always shows us square photos! Well, I traded in some gear I wasn’t using and got a Mamiya RZ67 and a trio of lenses for it. The RZ67 is effectively a Hasselblad on steroids – unlike my Rolleiflex, which is a TLR (Twin Lens Reflex), the RZ is an SLR (Single Lens Reflex). The advantage is that with an SLR, interchangeable lenses make a lot more sense, since you only have to have one of them per focal length. The RZ also shoots 6x7cm negatives on 120 film (NOT 120mm!!! Pet Peeve alert – 120 is the film size, not 120mm. 120 was a Kodak internal designation for the format that became universal, kind of like Kleenex). The RZ solves the problem of having to rotate the entire camera when switching from horizontal to vertical by instituting rotating backs. This of course makes the camera bigger and heavier. It’s an additional challenge when traveling, but I think the images speak for themselves.

Back in the city center, I was wandering around on the street where my hotel is located, Calle Londres. Down the block are a pair of markets – the Mercado del Angel, which specializes in antiques, and the Mercado de Artesanias which specializes in modern handicrafts of all varieties from wood carvings to ceramics to sterling silver jewelry. The Mercado de Artesanias had a Day of the Dead altar still up in their entryway.

DiaDeLosMuertosAltar

DiaDeLosMuertosAltar2

You can’t tell it in black and white, but those pumpkins on the ground were fluorescent purple and pink. I like them better in b/w, don’t you?
BronzeDoorsLondres

Also on Calle Londres, these bronze doors can be found. I’m still not sure what they belong to, but they’re quite impressive.

 

GaleanaMonument

Another aspect of the trip was to take in some of the exhibits of FotoMexico, a nation-wide, three month long photography festival that covers some 600 exhibits around the nation. The headquarters for the program is the Centro de la Imagén, located inside the Biblioteca México (I’ll have more to say about FotoMexico in another post). The Biblioteca México is located in an 18th century tobacco factory-cum-military facility that was used as a prison during the waning days of Spanish colonial rule. This monument is in the park in front of the Biblioteca, commemorating Jose Maria Morelos, a Mexican general who led a valiant 40 day resistance against colonial authorities at Cuautla, after which he was taken prisoner, held in the jail in the Ciutadela (now the Biblioteca) and then executed for treason.
ParkSweepMexicoCity

The cart and broom of one of the caretakers of the park.
MorelosMonument2

Another view of the Morelos monument. It was erected in 1912, as part of the centenary commemorations of Mexican independence from Spain, and coincidentally the Mexican Revolution of 1911 which overthrew the dictatorship of Porfirio Diaz.
GlorietaInsurgentes

Last but not least, the advertising billboard structure in the Glorieta Insurgentes. The Glorieta is a major traffic circle on Avenida Insurgentes Norte, and is a transportation hub – the subway and express buses have stops in and around the Glorieta. I photographed the billboard structure because it has a look to it reminiscent of a Bernd and Hilla Becher photograph of industrial structures.

Ghost Man, Columbia Heights

GhostManCoHi

This is a case of where the mechanics of photographing lead to something emotionally resonant in a powerful way – the blurred moving man under other circumstances could be considered a flaw, but here becomes a metaphor.

C&O Canal Monument, Twilight, Georgetown

CanalMonumentNight

The monument is adjacent to where Wisconsin Avenue crosses over the C&O Canal in Georgetown. It is effectively a zero mile marker, although not precisely, as the canal continues a few hundred yards past the marker to empty into Rock Creek. It commemorates the construction of the canal. I caught it right at “magic hour” when the sky is just dark enough that it matches the ambient street light, but is not so dark as to lose all detail and color. Here it has a wonderful indigo glow. And no, no flash was used in the making of this shot- this was purely ambient light from the street lamps and the sky.

Washington DC at Twilight

More specifically, the Georgetown neighborhood. Georgetown may be many things (incredibly overpriced, a tourist trap, insanely busy and difficult to navigate because they refused the Metro when the system was being built) but it is very vibrant and there’s always something going on. It still retains much of the late 18th/early 19th century architecture from when Georgetown was actually a separate city from Washington DC, and has a very distinct feel. I like getting out and photographing there, especially at twilight into the sunset hour, because Georgetown’s position on the crest of a hill overlooking the Potomac really captures the light of that hour like no other part of the city.

This is looking east along M Street, one of the main commercial corridors in Georgetown, from the corner of Wisconsin Avenue and M Street. The sun is setting, the light is fading, and the traffic and street lamps are glowing with the first hints of night lights.

EastOnMStreet

The cyclist is moving just fast enough to be blurred as he passes through the scene.

Here is the famous Farmers and Merchants Bank at the corner of Wisconsin and M Streets. This is an absolutely iconic structure in Georgetown, and is instantly recognizable around the world to people who have visited Washington DC.

GeorgetownBankNight3cars

I love the dull gleam of the gilded dome of the bank catching the last rays of the sun.

And here is a glimpse of Georgetown’s industrial waterfront past, where the C&O Canal carves its last yards of waterway through the city before meeting the Potomac River, and where the warehouses for tobacco, wheat, corn, cotton and local products were stored, bought, and sold at the last navigable port on the Potomac.

CanalSunsetGtown

Today, fancy boutiques and high-end condos line the canal, the smokestacks of power plants remaining as decorative follies to remind us of the town’s industrial past.

National Cathedral at Night

Two views of the National Cathedral at night. I took these the night I went to the Cathedral for a walking tour of the grounds. The first image shows the central tower, scaffolding in place, which is there to further the restoration of the earthquake damage from 2011. Yes, it’s been almost seven years since the earthquake and they’re still not done with the restoration. The reason the restoration is taking so long, budget issues aside, is that the cathedral was built with traditional techniques – there’s no structural steel inside. It’s all stone blocks tied together with iron bow-ties. It could have been a much bigger disaster and the entire tower could have collapsed, but the tonnage of the bronze bells acted as a counterweight and stabilized the structure.

NatCathedralTower

No, that’s not dust from the scan in the image – those are the beginnings of star trails from the two and a half minute exposure.

NatCathFrontTowerStars

I actually like the color balance being impure the way it is here – it adds to the drama of the scene. And since there’s mixed lighting sources (tungsten/incandescent, sodium-vapor, and possibly fluorescent) all in the same scene, it’s a huge credit to the Kodak Portra 400 that I was able to bring it in like this without major manipulation. For those who are wondering, these were shot with my Mama RZ67 and the 110mm f2.8 lens.

Color Night Pinhole Panoramics

This was, to me, a bit of a risk-taking. I’ve done each of the components of these images before, in some way shape or form, but never the combination of all at once. I’ve done pinhole. I’ve done panoramic. I’ve done long exposures. I’ve done color. I’ve done multiple exposures. But never color long exposure panoramic pinholes, and even a color panoramic long exposure multiple exposure pinhole. So these are the results of my experiments.

The first frame is taken from the intersection of Park Road and 14th Street, looking down 14th Street toward the DC USA shopping complex. This was a 12-minute exposure, using the exposure calculator from my pinhole camera. This was at twilight, thus the (relatively) shorter exposure.

14thParkColorNight

This next scene is at the corner of 18th Street and Columbia Road in Adams Morgan. I love the unpredictability of this kind of photography – you know you’ll get patterns of light, and can kind of figure out where they’ll be, but knowing for example that in the span of the 25 minutes of this exposure a city bus would pull through and stop at the light long enough for Woodley Park to dangle mid-scene like a disembodied phantom, well, I couldn’t have predicted or planned that, especially WHERE in the scene it was going to show up.

18thColumbiaAdMoColorNight

This last scene was a real experiment – Not only did I make a total of a 25 minute exposure, but halfway through I moved the camera about 15 feet closer to the primary subject and re-started the exposure.

18thFloridaColorNight2x