The newest addition to the collection of CDVs of little people sideshow performers – Admiral Dot, age thirteen.
I would take his age, height and weight in this photo with a grain of salt – the producers of these CDVs were prone to mis-statement, exaggeration and even outright lies about the subject’s physical traits as part of the sideshow hype. Fat men and women were often described as sometimes a hundred plus pounds bigger than they were. “Giants” were often endowed with an additional six or seven inches in height. In this case, I’ve managed to wangle a series of Admiral Dot at three different ages- 13, 14 and 18. In the span of five years he’s gained an inch (not unbelievable) and only five pounds.
Admiral Dot was born Leopold Kahn in San Francisco. He had two brothers, also little people, who also went on to become sideshow performers – Major Atom and General Pin. He began his career working for P.T. Barnum, but went on to perform with other companies of little people, married another little person, Lottie Swartood, and have two children before dying from the Spanish Flu during the 1918 epidemic at the age of 59. While I do have images of Major Atom, I have yet to come across one of General Pin – he must not have had the career his two siblings did.
Here is my CDV of Major Atom. Can you see a family resemblance?
We’ll start this one with two of the most famous Victorian era photographers, Alexander Gardner and Mathew Brady. The Gardner blind stamp changes, but the only thing I can say for certain is that the stamp with the US Capitol building on it was during or shortly after the Civil War, as it touts his association with the Union army.
The Brady evolution is more obvious. The simple, plain version is his blind stamp from early in the Civil War period. The more ornate, shield-like design would be the 1870s, and the final version is the large letters.
Note the similar evolution in Chas Eisenmann’s blind stamp design. I don’t have a good idea of how long a span of time it took for his design to evolve – it may have been as little as a few years, or it may have been a decade or more separating them. I think though that once he changed it, he stuck with the globetrotter logo for an extended period, perhaps 20 years or more.
C.D. Fredricks bind stamp. I know I have another one of his that would be the “middle” design, but I haven’t hunted it down in the CDV album I have – it would be the “middle” in that it no longer says, “specialité”, but also lists Paris and Havana as studio locations, but the design is not as fancy as the late one.
M.P. Rice. Note the change also includes the addition of (most likely) his son to the masthead of the business. Using the date on the verso, this style had arrived by the late 1870s, so the shield designs would have been late 1860s to early 1870s.
Finally some others for which I don’t have early/late pairings. These are just a few of the others I have, but I like looking at them just for the art.