Tag Archives: Dupont Circle

Neighborhood Walkabout – Surviving Gentrification

The signs of gentrification, both good and bad, abound in my area. Funky old shops in decrepit buildings are being forced out and razed to be replaced by condos and market-rate rentals at prices I don’t know how anyone can afford and being serviced by shops and restaurants worthy of being spoofed by AbFab. At the same time, the drugs, the street crime, and the random trash are all disappearing too.

SaintEx, 14th Street, from above
SaintEx, 14th Street, from above

I’m not sure Mitoni’s salon is still in business, or if it is, for how much longer. But I’ve not been sure if it is in business for the last decade, frankly. Regardless, it will shortly be going away to be replaced by an 8-10 story condo/retail complex.

Mitonis Salon, 14th Street
Mitonis Salon, 14th Street

You can very clearly see the layers of old and new, gentrified and recycled here. A former post office (that was once notorious for a rat infestation that destroyed tens of thousands of pieces of undelivered mail) is now a trendy taqueria. An old antiques store is now the Policy restaurant and bar with the roof deck you can see. In the upper left background is the old cold storage facility which oddly enough still rents out storage lockers. Behind the street-level buildings in the foreground is The Louis, a high-rise condo complex with swanky restaurants, coffee shops, and a Trader Joes (which is actually a welcome addition to the neighborhood). This shot was taken from the roof of Room and Board, an upscale furniture shop in what was a long-boarded-up former car dealership building.

T Street, From Room&Board's Roof
T Street, From Room&Board’s Roof

The dining room at Doi Moi, a new Thai/Vietnamese restaurant.

Tables, Doi Moi
Tables, Doi Moi

Transformer Gallery is one of the pre- to mid-gentrification vestiges. They’re a small space, and perhaps their saving grace is the fact that the space is too small for most developers’ interests. I don’t know how they survive as, from my perspective, a lot of the art they show is hard to sell.
When I took the photo, it was still August, so I thought the leaves made an interesting ironic statement about the nature of the changing neighborhood.

Transformer Gallery, Premature Fall
Transformer Gallery, Premature Fall

The Fabulous Vegas Lounge is another vestige of the old neighborhood. They must own their building to have outlasted the condo buildings that went up around them. It’s been a Jazz club since the 1970s at least.

Las Vegas Lounge
The Fabulous Vegas Lounge

As usual, all photos taken with my Rolleiflex 2.8E, on Ilford FP4+.

Dupont Circle Evening, in Black & White

Violinist, Dupont Circle
Violinist, Dupont Circle
Guitarist, Dupont Fountain
Guitarist, Dupont Fountain

The first two were shot on Kodak Tri-X, developed in Rodinal 1:25. I was actually kind of hoping to get sandpaper-y grain with that combination, but no such luck. It’s ok though, because it isn’t that far off the rest of the images, so the change in film and developer isn’t that noticeable. All the rest are on Ilford HP5+, developed in Pyrocat HD.

Dupont Pedestrians
Dupont Pedestrians
Three Bikes, Dupont
Three Bikes, Dupont
Dupont Metro Meditation
Dupont Metro Meditation
Dupont Musicians
Dupont Musicians
Dupont Metro Guitarist
Dupont Metro Guitarist

All photos taken with my Rolleiflex 2.8E.

The DC High Heel Race 2012 – part 3

Zangief, from Street Fighter
Zangief, from Street Fighter
The Street Fighter Gang
The Street Fighter Gang

For those who are too old (or too young!) to be aware of the video game, the above characters are from a video game series called “Street Fighter”. The series is immensely popular and has been around in some form or another since 1987. To me, they’re a little out of touch with the High Heel Race thing, as nobody in their group is actually in DRAG – it seems more like this was an excuse for them to wear their Halloween costumes one more time.

Save The Gay Barrier Reef
Save The Gay Barrier Reef
Purple Gay Barrier Reef Coral
Purple Gay Barrier Reef Coral
Green Gay Barrier Reef Coral
Green Gay Barrier Reef Coral

Until they got close enough to read their signs, I thought they were imitating the Carnival samba girls in their huge feather headpieces, just with balloons, as you could see their contingent from two blocks away.

The Evil Queen from Snow White?
The Evil Queen from Snow White?
The Fanta Girls
The Fanta Girls
Honey Boo-Boo and Mama
Honey Boo-Boo and Mama

And another pop-culture reference that may be lost on some – it’s Honey Boo-Boo and her Mama June, characters from a reality TV show about a trailer-trash child beauty pageant contestant and her dysfunctional family.

The DC High Heel Race 2012 – part 1

Lady In Black
Lady In Black
(Diet) Cookie Buffet!
(Diet) Cookie Buffet!

This is Cookie Buffet, the drag persona of Christopher Dyer, a long-time DC resident and sometimes politician –
Cookie Buffet, from Wikipedia

Panda Girl!
Panda Girl!
Having Fun
Having Fun
Church Ladies
Church Ladies
Runaway Bride
Runaway Bride
Asian Schoolboys in Heels
Asian Schoolboys in Heels
Asian Schoolboys in Heels - the closeup
Asian Schoolboys in Heels – the closeup
Asian Schoolboys in Heels, showing their school pride
Asian Schoolboys in Heels, showing their school pride
Southern Belle?
Southern Belle?
Tired, and Fabulous!
Tired, and Fabulous!
Vote For Me!
Vote For Me!

This is the first in a series – I’ll finish posting over the weekend, as I have over 200 shots to edit through.

All these were shot with my Canon 5D and the 24-105 L lens.

Dupont Taxi, Palladium

Taxi, Northbound on Connecticut at Dupont Circle, Night
Taxi, Northbound on Connecticut at Dupont Circle, Night

Another image in that nighttime series. Palladium print, Bergger COT320 paper.

DC Street Nocturne in the key of Panoramic, part 1.

Some of my prints from the shoot on Saturday night. These are all palladium prints. The images were shot with my Canham 5×12. All images were taken around Dupont Circle. You can see from the bus photo that these were obviously long time exposures (the bus was somewhere north of 2 minutes, in multiple snaps of 30+ seconds each). The bus was an experiment that didn’t produce the expected result, but in a bout of serendipity turned out something just as cool as my original concept. I was hoping the bus sitting still as passengers boarded would record as a solid object. Instead, it became something far more abstract in the final image – you can recognize the bus, in pieces. It became an essay on motion, transportation and “transit/ion” by virtue of its self-deconstruction.

A night at the circle…

Well, I finally got off my keyster and went out shooting tonight. I loaded up ten sheets of 5×12 in the Canham and went over to Dupont Circle to burn some long exposures onto film. This process always takes a lot longer than you think it should because inevitably setting up with a 5×12 (or any view camera for that matter) invites dozens of total strangers to approach you and ask questions. I always view it as an opportunity to educate people about the ongoing viability of film photography, and so I’m always happy to chat, even if the light is changing (fortunately after dark there’s no worry about the light changing – you only need to take one meter reading and stick with it for the rest of the shoot).

I’ve had this idea for a shot for a long time, and never quite got around to trying it until tonight. I did two versions of it – here’s hoping at least one works. The idea was a shot of a city bus pulling up to the bus stop, and loading/unloading passengers. Ideally it would be a 30-second or so exposure. I played a bit fast and loose with this one because the traffic pattern at the bus stop I was using resulted in a lot of stop-and-go and made it hard to get the shot in just 30 seconds. I’m going to develop the film tomorrow and we’ll see what came of it. If it worked as planned, I’ll have light trails leading up to the bus at the curb, and a fairly clear bus at the stop, along with the passengers and the interior. I did one version with my 240mm Apo-Germinar, which wasn’t wide enough to get the whole bus in at the bus stop. I switched to the 159 Wollensak Extreme Wide-Angle for the second shot, and stopped the lens down further to allow for the longer exposure time needed. I’m pretty sure I’ll get most if not all the bus in at the bus stop (I don’t mind if the roof gets a little cut off), but it’s hard to tell without watching the scene through the lens, and at that hour of the night it would mean waiting another half hour for the next bus to come around, and maybe nobody would be waiting to get on or wanting to get off at that stop, and I’d miss the shot. If this first try doesn’t work out, I’ve got other locations I can give a whirl that might work better.