When I had previously posted this image, I stated that I didn’t know the identities of everyone, especially the little person on the right, although I had seen him before somewhere. Well, troll Ebay long enough and another image will show up. He’s Colonel Small. The other little man is Commodore Foote. I’m not certain of the identity of the little woman in the middle, but all three were Barnum performers.
I’m feeling a little bit like doing a review of the little people in my collection, so here goes nothing:
Here are some more of my circus freaks/performers collection. We’re going to start our tour of the circus in the sideshow, where P.T. Barnum was a busy man – he collected strange people from all over the world, and when he couldn’t find them from afar, he invented foreign origins for them!
Waino and Plutano(r), the Wild Men of Borneo, were actually brothers born in Ohio with physical and mental developmental challenges. As you can see in the photo, even in adulthood, they were pygmy sized. They did however possess considerable strength for their size, and were known to lift up to 300 pounds. Their real names were Hiram and Barney Davis (no relation!). They were a huge success in Barnum’s circus and over a 25 year career in show business spanning from 1880 to 1905, they earned $200,000, a gigantic sum in that day and age.
As you can see, this was yet another carte by Chas. Eisenmann, who specialized in photographing theater people and performers. I love the Victorian era advertising slogans – “Portraits taken by Instantaneous Process – Extra Inducements to the Theatrical Profession” on this carte, and on another one I have by him, it shows a photographer striding the globe, with “The Popular Photographer” inscribed below. It’s too bad the carte-de-visite tradition died out; there’s nothing quite like it today in terms of marketing and character.
Next up, also in the sideshow, is the fat lady. Why this particular display was so popular, I’ll never quite understand. I don’t think the fat ladies sang or had any particular performing talent – they were just fat. I think it would have to have been one of the most humiliating experiences in the sideshow, to be looked at that way. At least in the other circus freak cases like the human skeleton or the midgets, they had little or no other viable employment options.
This image is an E&H.T. Anthony publication, with no credit given as to the photographer. The image has the Anthony blind stamps in the corners, and what appears in the scan to even be a fingerprint, possibly of the person who printed and mounted it. It is a breathtakingly beautiful carte in person, and I would suspect that it is probably a Brady carte, given that Anthony owned the Brady negatives for many years, and served as Brady’s publisher/distributor. The lady appears to be Madame Sherwood, a famous fat lady in Barnum’s circus. She also bears a vague resemblance to another fat lady I have, this one from the Brady studio in Washington DC. I don’t think the Brady image is the same woman, but it’s possible.
The Brady image:
Moving under the big top, we have the acrobats! Here is a trio of boy tumblers/high-wire walkers/trapeeze artists. They look very much like the two I have in another cdv, which I’ll post again here for ease of comparison. If they are the same brothers, then the third one’s name is a mystery to me – the first pair appears to be the O’Brien brothers, but in my research, they were only ever a duo, and their father died fairly young as a result of injuries sustained in a circus accident.