Getting back into the studio again…

Yesterday, in a fit of activity, I got in to the studio and shot a few still-life photos. I’m participating in a print exchange through the Large Format Photography Forum (www.largeformatphotography.info/forum) and I needed to shoot some images for the exchange. The final images will be platinum prints. I decided to use a lead crystal cut glass decanter I have as a subject – I wanted something challenging to photograph and that would create some striking images. I got the inspiration seeing the decanter on my coffee table with the sunlight coming through it and casting a shadow. I brought it over to the studio and set it up on a sweep of white seamless paper, and lit it with just one light, as it would be in the real world (there is only one sun!). It casts a beautiful shadow on the seamless, especially the way the crystal is cut with these random little scallops out of the body. I used the Century Master portrait camera, which after having been hauled around a bunch is starting to get a bit loose. As always, the lens on it is my Seneca Portrait f5. I put the whole plate back on the camera for these shots, as it’s about my favorite format. I indulged in my film choice and used some of my remaining stock of Arista.EDU Ultra 200 (aka Fomapan 200). Arista.EDU Ultra is Freestyle Photo‘s house-label film, made for them by Foma in the Czech Republic. Foma discontinued the 200 a year or two ago when their source for one of the critical components dried up, and just started re-making it but only in roll film. It’s one of my all-time favorite films, not only because it was dirt cheap (1/3 the price of Ilford), but because it produced beautiful results – it has this old-time feel to the image quality from a reduced red sensitivity. Here’s a couple of shots of the setup (pardon the poor quality- they’re taken with my iPhone which is not the best in low light). I’ll post some scans later of the finished prints.

Studio setup #1

Studio setup #2

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