This is a reminder that the submission deadline for Rendering The Spirit: The Personal Image in Alternative Media is less than a week away, on February 21.
Photoworks is a non-profit photographic arts and education center in Glen Echo, Maryland. Last year was their 40th anniversary, and as part of the ongoing celebrations and future vision for Photoworks, we are launching a new program to provide visibility and accessibility to historic/alternative processes and artists working in these media. Rendering The Spirit is the kickoff event to highlight this programming.
Works to be considered must be made using an alternative/historic process, including but not limited to lumen prints, daguerreotypes, gum bichromate, tintypes/ambrotypes/melainotypes, platinum/palladium, kallitypes, Van Dyke Brown, cyanotypes, carbon prints, calotypes, salt prints, albumen prints, bromoil, gumoil or some combination of the above. Silver Gelatin prints on machine-made commercial papers are not accepted. Original capture of the image can be from in-camera negatives or digital capture or some combination thereof, but the final image must be a physical object made using one or more historical processes.
Also include an artists statement, brief bio and an explanation of the work(s). All required documents (JPEGS, Artist statement/bio/explanation of works) should be emailed to email@example.com no later than February 21st. Notifications will be sent by email to all selected artists by March 1. Works must be received by March 14. The opening reception will be held on March 26.
Render (v): to distill, to cook down to its essence, to translate, to represent.
Rendering: an act of bringing into being, of distillation, of translation, of representation.
By aiming our gaze at works created using “alternative” processes, we aim to show the diversity of work being created at this nexus of the 19th and 21st centuries and engage in a dialog about what it means to create work using anachronistic techniques.
Call for Entries: Rendering The Spirit
Curators: Scott Davis and Malcolm Cosgrove-Davies
Scott Davis is a faculty member at Photoworks where he teaches alternative processes, portraiture and studio lighting. He received formal training at Maryland Institute, College of Art. His specialty is platinum/palladium printing, and he is an avid collector of 19th century photography. He has exhibited his personal work locally, nationally and internationally, and has served as curator at the former Art Reactor Gallery in Hyattsville.
Malcolm Cosgrove-Davies is a self-taught photographer who since 1978 has been practicing historic photographic processes including gum bichromate, cyanotype, VanDyke, palladium, and carbon printing. Mac’s images derive from his extensive travel to developing countries as well as everyday life. Using antique and hand-made film cameras in various large & panoramic formats he seeks to match the image to the beauty and elegance of the selected photographic process. In addition to building the occasional camera, printing frame or other useful photographic gadget, he also creates books and presentation portfolios for his prints. He is represented in various collections such as the Smithsonian American Art Museum, Library of Congress, Maier Museum, and Lehigh University Art Galleries.