I finally got around to scanning and uploading these shots from Kenilworth Aquatic Gardens I took back in the waning days of summer. Now’s the perfect time to bring them out as it’s descending into freezing temperatures here, as a reminder of the golden light and radiant heat that we love to complain about while we’re in the middle of it, but deeply miss when it’s gone.
Lotus LeafAfrican Lilies
If you’ve been reading my blog for any length of time, you’ve seen me post other photos (and the odd video!) from Kenilworth. If you’re at all a fan of aquatic plants, Kenilworth is well worth the visit, as they have acres of lily ponds, lotus plants, cat-o-nine-tails and other species that grow in wet and marshy environments. In addition to the flowering plants, Kenilworth is a great place to go for wildlife – everything from dragonflies to frogs to turtles to herons and even supposedly a beaver family can be found there. And the amazing thing is that it’s not only in the middle of a city, but in the middle of a rough part of the city. Enter the gardens and you think you’re in some vast national park riverine oasis, not three miles as the crow flies from the United States Capitol building.
Another recent auction acquisition. This is a minuscule 1/9th plate (roughly 2 inches x 2 1/2 inches) Daguerreotype of two brothers. I bought this one because of the relatively unusual size (1/9th plate and smaller Dags are less common) and the subject – I’m not used to seeing 1/9th plate images of more than one person. It has condition issues – while the case still has the original hinge intact, the bottom of one side is missing, as is the lining of the bottom of the image side. The interesting thing about it is that it reveals the case in this instance is made of a thin wood box covered with tooled leather. Some of these cases were made of essentially cardboard before being leather-wrapped. I did do a little bit of cleaning on this one, as the original seals, while present, were badly deteriorated and lots of dust had gotten inside the glass. There is still some kind of schmutz on the surface of the plate, and I do not yet know how to safely remove it, so I am holding off on that. I have digitally cleaned up the scan of the plate to show the potential, but left some of the blotches in the image to give an idea of what it looks like in its present state.
My latest addition to the collection – an early Daguerreotype of a little girl, by Charles C. Evans of 380 Market Street, Philadelphia. The velvet pad on the other side of the case reads “Evans 380 Market Street Girard Row” encircled by “Original Sun Beam”. I’d photograph the pad but the case, while complete, is in delicate condition and to do so would risk breaking the case completely (someone a long time in the past tried to repair the case and over-reinforced the spine, rendering it rigid and ultimately damaged it more). The image did have its original seals, but when I lifted the packet out of the case, they basically fell off, so now it’s time to re-seal it with the correct kind of archival tape.
The Piazza Santa Cecilia is one of the focal points of my part of Trastevere. It is named after the eponymous church and convent that borders its west side. The lantern on #21 Piazza Santa Cecilia casts a long shadow in the light of dawn:
21 Piazza Santa Cecilia
The Piazza dei Mercanti abuts the Piazza Santa Cecilia. In this view as the sun sets and the street lamps come on, there’s not much to see of the piazza itself from all the cars parked in it, but a very large restaurant faces it that does a bustling business on a warm fall evening. A neighborhood resident is out for a stroll, perhaps on their way to the coffee bar up the street.
Piazza dei Mercanti, Evening, from the Piazza Santa Cecilia
Santa Cecilia’s courtyard remains open quite late into the evening, and the public can come and go through the gates. There has been a church on the site since the 3rd Century AD, when it was built over the location of St. Cecilia’s house. The main body of the church dates to the 13th Century, and some 9th century mosaics are preserved within. The facade and the courtyard are 18th century renovations, however.
Exterior, Gates to Santa Cecilia, Night
This cherub keystones the arch over the main gate to the courtyard.
Cherub, Santa Cecilia Courtyard
Inside the courtyard you can view the 18th century facade of the church, ancient mosaics and an ancient cantharus or water urn that now is the centerpiece to a fountain. The bell tower dates to the 12th Century, and looms over pretty much the entire neighborhood. Here young couples sit on the edge of the fountain to canoodle while admiring the church before wandering off to dinner or perhaps a more appropriate intimate location.
I rented an apartment at 38 Via Dei Genovesi in Trastevere for my stay in Rome. I wanted to get something of a more authentic Roman living experience rather than stay in a touristy hotel or b&b, without giving up the convenience of a central location. I got that in Trastevere – narrow cobblestone streets, populated with neighborhood restaurants frequented by locals and tourists alike, a little grocery store and bakery across the street, a coffee shop downstairs, and boutiques with interesting merchandise in the alleyways surrounding the apartment. Two blocks away was the street car that would take me to the Piazza Venezia, or the Trastevere train station in the other direction. Dante’s house in Rome was across the street from the street car stop.
The downsides? Well, the first one wasn’t so bad – I was on the fourth floor of what may well have been a 15th century building, so walking up and down it was. I wanted and needed the exercise. The second, that was my downfall, pardon the pun – there were down pillows on my bed, and as it turns out I am hyper-allergic to them. As in couldn’t really be in the same apartment with them, let alone use them. Also, for whatever reason, the apartment despite being four stories above the street, was exceptionally noisy. Pretty much twenty-four hours a day, seven days a week. Trash trucks would come rumbling through at 3 AM. That kind of noisy. I could deal with the people spilling out of the restaurants at midnight – that would be easy enough to sleep through for me. It’s the inorganic noises that get me. I would still highly recommend Trastevere as a fantastic neighborhood to stay in for all the above mentioned reasons – location, ambience, food – just not the apartment I stayed in.
How could you resist the charms of a neighborhood where THIS is a street? It makes you feel like any minute Robert Langdon is going to step out of a doorway and implore your assistance in solving another Renaissance Art code/murder mystery.
Twisty Alley, Trastevere
Street parking being somewhat at a premium, and garage parking extremely so, lots of people ride vintage bicycles around the neighborhood. Here’s one that belongs to a neighbor…
Chained Bike, Trastevere Alley
This flowering vine has been allowed to grow for possibly centuries until it has turned into a tree, swallowing the downspout and enveloping the wall, leaving room for the mailbox and its door just beyond.
Tree, Mailbox, Trastevere
Here a late-opening book shop is perused by a customer as night envelops the neighborhood.
As you may well know if you’ve followed my blog for some length of time, I like taking portraits of ordinary objects- things we see in daily life and ignore and/or take for granted, like pay phones, water fountains, traffic cones, and trash cans. I’ve photographed them in Paris, Toronto, New York, Washington DC and now Rome and Florence. They all have a common denominator of their base functionality. I think though that the Italian ones seem to have just a bit more flair and style to them – take a look and see what you think.
This fire hose connector is probably the newest thing I’ve photographed in this series – the copper connecting pipe has only just begun to oxidize!
Fire Hose Connector
In contrast, this trash can in Florence with cigarette butt receptacle is quite well-used, but still has style.
Quadrifoglio Trash Can, Florence
… as does this Roman bin across from the Capitoline hill.
Trashcan in the rain, Rome
The poor mailbox in Trastevere has been graffiti’d and stickered and it still soldiers on.
Mailbox, Trastevere, Rome
Don’t you wish all payphones were this glamorous (and as easy to find)? Here in DC when I went to find a payphone to photograph, it took me several days of looking before I ran into one. I saw this one on my first day in Florence.
Payphone, Florence
I’ll include this because it has a very utilitarian purpose – it’s a street lamp. Granted, a 15th century street lamp attached to a palace, but a street lamp nonetheless.
Torch Holder, Palazzo Medici-Riccardi
A public drinking fountain. These were ubiquitous across Rome, in very much the same form, some in better and some in worse condition. But they worked, and the water was sweet and clean, always flowing, and free.
Water Fountain, Trastevere, Rome
A lowly door handle – this one in particular is attached to a palace, but there were plenty to be found of similar quality on middle-class residences in both Rome and Florence.
Door Handle, Boboli Gardens
And last but not least, a traffic cone. Well, in this case, a red granite bollard some four feet high and three-ish in diameter, in the entrance courtyard to the Palazzo Barberini.
Today, the remains of the Theater of Marcellus are visible beneath the fortified palazzo on top. At the time of its construction in 11 BC, it could hold 14,000 spectators. If the structural design looks familiar, it’s because it inspired the design of the Colosseum some 60 years later.
In the 1300s it was acquired by the Fabii family who turned it into a fortress. Later the Orsini family acquired it in the 16th century and hired an architect to convert it into a palazzo. The residential structure you see on the top three floors is that conversion. Today the palazzo has been divided up into multiple apartments. How cool would that be to live in a 16th century palace built on 1st century BC foundations?
Theater of Marcellus and ApartmentsApartments over the Theater of MarcellusArches, Theater of MarcellusApartments over the Theater of Marcellus
Under the heading of “who wears it better?” – Which works better, the black-and-white or the color?
Theater of Marcellus, Detail, Black-and-WhiteTheater of Marcellus, Detail, Color
Immediately behind the theater is the ruins of the temple of Apollo Sosianus (so named for the man responsible for reconstructing it in the style we see today). There was a temple to Apollo on this site since the 5th century BC. It was originally outside the main city boundaries because it was a foreign cult, imported from Greece. It sits directly across the Roman street from the Theater of Marcellus. Because of the proximity to the city walls, the Senate chambers and the theater, many backroom political deals were struck in its chambers.
Temple of Apollo Sosiano
The three columns you see today were re-discovered and re-erected in the 1930s after the demolition of an apartment building to re-expose to view the Theater of Marcellus. The columns’ pieces were found in the arcades of the theater. While they have been placed on the pedestal and re-topped with their capitals and frieze, it is highly unlikely that they are in their actual original positions.
In the Piazzale Caffarelli on the Capitoline Hill, there is this small fountain dedicated to those who have died in the cause of peace, both civilian and military. The little park is a quiet pause from the hustle and bustle of the city of Rome.
At the foot of the stairs to Santa Maria in Aracoeli, I came upon this vintage Jaguar pressed into wedding limo duty. That it was raining didn’t seem to disturb the old gal – she was still looking magnificent.
I spent almost half a day wandering around the Castel Sant’Angelo, poring over every vista, nook, cranny and fragmented rock. I was in photographic heaven. There’s everything inside it to point your lens at from Roman sculptures to fanciful brickwork to Renaissance paintings. The Castel Sant’Angelo is one of the most recognizable structures in Rome. The foundations of it date back over 2000 years to the reign of emperor Hadrian, who had it built as his mausoleum. In the Christian era, the proximity to St. Peter’s and the Vatican palace made it useful not only as a source of marble for construction of churches and apostolic palaces, but as a fortification. The drum-like structure was originally Hadrian’s tomb, and was covered in white marble. A succession of popes built on top of this, had walls with gun emplacements built around it, corridors cut through it, had palatial apartments added on top of it, and used Hadrian’s burial chamber as a dungeon for their most valuable/most hated prisoners. An elevated, sealed corridor with defensive structures runs atop a wall connecting the Vatican apartments to the Castel, enabling the pope to flee to the safety and security of the castle in times of siege. The castle has wells of its own and storage enough to keep its garrison provisioned for up to six months at a time.
This bastion overlooks the entrance gate of the castle that faces the Tiber river and the Angel bridge. Quite the fearsome looking structure, isn’t it?
Bastion, Castel Sant’Angelo
Here is perhaps the most famous view of the castle. The statues of angels were added to the bridge in the 16th and 17th centuries, but three of the five arches of the bridge are contemporary with the original construction of Hadrian’s mausoleum. So you’re crossing a 2000-year old span over the Tiber when you use the bridge.
Castel Sant’Angelo from across the Tiber
This is a view of the bridge from one of the outer bastions over the main gate to the castle. During the Jubilee year of 1450, so many pilgrims crammed onto the bridge that the railings gave way and many plunged into the river to their deaths. Starting in the 1530s, the angels that adorn the bridge began to be added.
Angel Bridge from the Castel Sant’Angelo
Looking down onto the footings of the bridge in the Tiber, we can see some interesting graffiti, particularly the figure of the man holding a woman’s prone form.
Angel Bridge Footings, Tiber River
This young man was playing his guitar for tips on the bridge. I think he was consulting his dog as to what to play next.
Busker and dog, Angel Bridge
Moving inside the fortification, these steps emerge from one of the bastion towers to the courtyard that encircles the central drum at its base.
Steps, Castel Sant’Angelo
Looking out a gun port in the fortifications of the castle, you can see the bridges over the Tiber in the distance.
Gun Port, Castel Sant’Angelo
A newel post topped with a stone sphere on the stairs leading from the inner courtyard toward the Papal apartments:
Stairs, Newel Post, Castel Sant’Angelo
These stairs lead to a structure that probably housed Papal guards. The stone lantern atop them is one of several around the fort.
Stairs, Lantern, Castel Sant’Angelo
A close-up detail of another one of the stone lanterns:
Stone Lantern, Castel Sant’Angelo
At the level of the upper courtyard, a statue of the Archangel Michael dominates. Opposite is one of several wells that keep the castle in fresh water in case of siege.
Archangel Michael, Castel Sant’Angelo
The fortification is crowned by a bronze statue of the Archangel Michael, drawing his sword. Modern additions have also placed radio aerials on the roof, overtopping the archangel. Technologia Omnia Vincit, as it were.
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