Category Archives: News/Announcements

Glen Echo 40th Anniversary “Signature” fundraiser

I just completed my contribution to the Signature fundraiser for Photoworks. Here is the description of the event:

We are celebrating Photoworks 40th Anniversary by collecting “Signature Prints” from 40 of the best fine art photographers we know. And then we are throwing a party with one hell of a “goody bag” for our guests to take home!

On Saturday, February 21, we will honor the vision that inspired our founders 40 years ago and we’ll celebrate the many individuals who have helped us become a true arts community. And it is only fitting that on the occasion of our 40th anniversary, we will look ahead to ensure that we can continue to inspire and nurture a new generation of emerging artists by teaching, mentoring, and exhibiting their work. Our 40th Anniversary “Signature Auction” will help us raise funds to support programming, outreach, and new investments that will enrich our community in the years to come.

The raffle tickets will be $150 each, which isn’t cheap, but you’ll get the chance to acquire some incredible photos.

My contribution is a 10×10 inch print of a Toronto street scene. It’s titled “Romeo & Juliet”. Look carefully and see if you can tell why:

Two Streetlamps, Reflections, Glass and Steel
Two Streetlamps, Reflections, Glass and Steel

And now for the geeky bits:

The print is a silver gelatin print from a negative made on Kodak Tri-X, shot with my 1956 Rolleiflex 2.8E. The paper is Ilford Warmtone Multigrade fiber paper, developed in Ansco 130, which is a classic all-purpose developer. I prefer it over other paper developers because it lasts seemingly forever, even in an open tray, and it produces a very nice neutral/cool tone without the greenish sheen in the shadows you can get from Dektol.

Response from the Toronto Public Library!

I have my blog cross-post on Twitter and Facebook. This is the power of the internet – you get seen in places that twenty years ago, heck, even ten years ago, you never would have. The post I made about the Fort York branch of the Toronto Public library was found on Twitter by someone who worked there, and who re-tweeted the post with a very kind and appreciative comment. Before Twitter, what would the odds be that you take a picture of a building in a foreign country, and someone who works there would see the picture and acknowledge it? I think I owe them a print.

Art In America, September 2014

A photo of mine has been used in the current issue of Art In America (September, 2014) as the signature image for the Art Silicon Valley/San Francisco (Art SV/SF) art fair, happening Columbus Day weekend (October 9-12). The image is of my friend Nick Dong’s “Enlightenment Room” piece when it was installed here last year at the Renwick Gallery.

Art In America, September 2014 - Art SV/SF Art Fair Ad
Art In America, September 2014 – Art SV/SF Art Fair Ad

I would complain that they didn’t give me proper credit for the image (The Copyright notice you see in this image was added by me for the purpose of posting this here), but they also screwed up the name of the piece in the ad caption, so I’m not the only one being dissed.

That said, it’s still VERY cool to have one of my images used in an advertisement in Art In America.

300 followers!

Yay! I’ve hit 300 WordPress followers. That doesn’t count the number of folks who see my feed on Facebook, Twitter or LinkedIn. I’m just jazzed at passing another landmark and wanted to commemorate the moment. Back to your regularly scheduled programming (more photo posts coming later today).

Upcoming Course – The Narrative and the Male Figure

An introductory video discussion about my upcoming class at Glen Echo Photoworks. The course runs on Fridays, from September 19 to November 7, from 7-10pm. The concept of the course is to introduce students to the use of the human figure in narrative photography – telling a story with pictures whether it is a single image, a diptych or triptych, or a series. We will cover the historical use of male figures in narrative photography, from Hippolyte Bayard’s nude self-portrait as a drowned man in protest of having withheld his announcement of the photographic process he invented so that Daguerre could go first (and get all the credit and financial rewards that came from being first) to modern photographers like John Dugdale, Arthur Tress, and Duane Michals. We will also look at the use of the male figure in relation to questions of gender, sexuality, and identity. To register for the course, click here – The Narrative and the Male Figure

Upcoming classes at Glen Echo Photoworks, Glen Echo, Maryland

I’m offering three classes coming up this fall/winter at Glen Echo Photoworks, a center for creative photography and photographic education at Glen Echo Park in Glen Echo, Maryland, just outside Washington DC.

The Male Figure in Narrative Photography 9/19 – 11/7/2014 Fridays, 7-10pm

Go beyond standard figure studies. Research historical context and learn to use the male nude form to tell a story in a series or just a single frame through posing, lighting, using props and capturing emotions. What is “narrative photography”? Narrative tells a story either in a series, or a single image. From the earliest days, photographers have been using the male figure to tell a story in their work, be it as a stand-in for himself (Hippolyte Bayard) to express his response to criticism, to confronting eroticism and gender confusion in the world of Latin American bullfighting (Reuven Afanador) or a tool to process inner personal anxieties (Connie Imboden). This course will examine the use of the male nude in narrative photography. We will use examples from historical and contemporary photographers as a background to inform and inspire our own work. Students will be encouraged to create both single image and serial narratives to take their work beyond mere figure studies. We will also discuss issues relating to gender and sexuality with regards to the use of the male nude. We will cover understanding of the male form, posing, basic lighting, the use of props, and basic nude model etiquette. Students will be expected to know how to use their cameras, light meters, and how to process and present their own images. Weekly research topics will be assigned. There will be three shoots with one or more models, plus classroom instruction and discussion sessions. $350, plus $150 model fee.

Introduction to Platinum/Palladium Printing – 11/8 – 11/9/2014 (Saturday/Sunday, 10am-4pm, two day intensive weekend workshop)

Platinum/Palladium is one of the most beautiful alternative processes. This course demystifies the process and teaches how to make good negatives, select papers, coat emulsions, and process prints for archival stability. $350, plus $100 materials fee, payable to the instructor.

One Camera, One Lens – Learning to See 1/15 – 3/7/2015 (Thursday 7-10pm)

Too often our gear keeps us from making better pictures. Photographers often fall into the trap of thinking that more gear is the solution to every problem, when in fact it can be a crutch or a burden. This course teaches how to simplify and focus our creative vision so the camera gets out of the way and becomes a tool not an obstacle. Students will use a camera of their choosing, and a single lens. They will select a project in the first class and follow through on that project, presenting images for critique each week. Students choosing to work with wet darkroom techniques will be expected to know how to process and print their own film; students working digitally are expected to have a working knowledge of their camera and digital image processing tools of their choosing. No changing lenses allowed! $350

The courses will be posted soon to the website, but in the meantime if you want to find out more about Photoworks, please check out their website and their Facebook page-

http://glenechophotoworks.org

https://www.facebook.com/glenechophotoworks

Photoworks is one of the few facilities with regularly scheduled open darkroom times, and at $8/hr for wet darkroom (bring your paper, we provide the rest!), it’s hard to beat!

New teaching tool, and upcoming class

I got my new teaching tool for my Introduction to Large Format photography class. It’s a Sinar F 4×5. Sinar cameras were the first modular large format system with standardized components that would let you build 4×5, 5×7 and 8×10 cameras on a common architecture. While the F has certain limitations (base tilts, friction driven movements), its a fantastic entry-level camera and very light-weight for a studio monorail camera (about 7lbs).

20140323-184708.jpg

I’m running the course starting April 5 through May 10. The course covers camera handling, film loading and processing, using movements for perspective and depth-of-field control. Individual modules will include landscape, portraiture, architecture and tabletop shooting. For more information check out the Glen Echo website –

Photoworks Course Listings

to register, click –Register Here

I got the camera at KEH Camera online. They have a very limited selection in inventory at any one moment, but their prices are excellent. The Sinar F is a good starter camera and one I highly recommend for students looking to get started in large format. There are lots of other good cameras, of course, and it all depends on what you need from your camera – for some people, a field camera may be a better solution. My primary large format camera is a Canham field camera because I like to travel with it, but it has it’s own limitations (fixed bellows length, limited movements). I’ll cover all the quirks of large format cameras in the class, so to learn more, sign up!

Portrait Photography – Now Open For Business

I wanted to announce the launch of my portrait photography business. My studio is located in Rockville, Maryland at the Washington School of Photography, where I am a Resident Photographer. My philosophy of photography:

Photography is Magic – I fell in love with the magic of photography when I made my first darkroom print. When I saw the image emerge in the developer under the red glow of the safelight, I knew right then the camera would be my constant companion for the rest of my life.

My goal is to go beyond producing portraiture that is functional documentation. I want to use my creativity and vision to produce iconic representations of your spirit and character. I use vintage tools and antique techniques and processes in a contemporary style to create not mere photographs but tangible art objects you will be proud to display in your home and pass on to future generations.

To make an appointment, go to my web gallery at http://www.theflyingcamera.com and click on “contact”. Change the Subject line to “appointment”. As a benefit for my blog readers, include the promo code “BLOG” in the subject for a 10% discount on the sitting fee. This promo code will be good through April 1, so book now!

Alexander

Alexander. 5×7 inch Palladium print on Bergger heavyweight fine art paper.

More images published at Eastern Sierra Center for Photography – male nudes

I have had eight images published at Eastern Sierra Center for Photography’s website in their “Paradigmatic Nudes” gallery online. Most of these images you’ve seen here before on my blog. The images featured are my whole-plate sized gum bichromate prints of Philip, a model I’ve worked with and my Type 55 Polaroid 4×5 format shots of my friend Jose. I’d like to give a big shout-out to Laura Campbell, their curator and director, for repeatedly selecting my work and having faith in my creative vision. Please go check out their website and see the entire gallery.


Jose, Legs
Jose, Legs

Large format Nudes at Eastern Sierra Center for Photography

WordPress Theme change

After almost 2 years with the blue Andrea theme I had been using, I decided it was time for a change. I’ve converted to the “Twenty Fourteen” theme instead. I think it’s much cleaner looking, don’t you? I like consistency, but there comes a point where you go past consistency into the realm of boring and dusty. So it was time for an overhaul. I don’t think my site brand really is “blue” – and the white background makes the images stand out better.