Category Archives: DC Cityscapes

Fun with Night Color

I’ve been having so much fun with my night photography. I’m really digging the results I get with my RB67 and Kodak Portra 160.

Studio Theater, from 14th Street
Studio Theater, from 14th Street
Barrel House Liquors
Barrel House Liquors
Studio Theater, from P Street
Studio Theater, from P Street
Pearl Dive Oyster Palace, Vespa, 14th Street
Pearl Dive Oyster Palace, Vespa, 14th Street
Neon, Glen Echo Park
Neon, Glen Echo Park
14th & Rhode Island Avenue, Moon
14th & Rhode Island Avenue, Moon

And last but not least, two of these things are not like the others. One is a daytime image I shot of one of the older, more original, and most brightly colored food trucks here in DC – Fojol Brothers. They have three different trucks each catering a different ethnic cuisine – Benethiopia (Ethiopian), Merlindia (Indian) and Volathai (Thai). The bright colors and shiny metal, plus the repetition of the circles and semi-circles just cried out for an abstract treatment, so here it is…

Abstract, Fojol Brothers truck, Merlindia
Abstract, Fojol Brothers truck, Merlindia

And last but not least, the happy accident: I was a dingbat and triple-exposed the same frame. But it turned out really neat in the end!

Pearl Dive, Multiple Exposure
Pearl Dive, Multiple Exposure

More New Personal Work

Here are some of my color images of Washington DC – some of these images will be going into my Artomatic show in May, along with some of my images in San Francisco.

Capitol Bikeshare, 7-Eleven Windows
Capitol Bikeshare, 7-Eleven Windows
Capitol Bikeshare, Rhode Island Avenue
Capitol Bikeshare, Rhode Island Avenue
Fountain, Capitol Columns, US Arboretum
Fountain, Capitol Columns, US Arboretum
Capitol Columns, US Arboretum
Capitol Columns, US Arboretum
Rosslyn, Potomac River
Rosslyn, Potomac River
Under the Whitehurst Freeway
Under the Whitehurst Freeway
Kennedy Center, Potomac River, Night
Kennedy Center, Potomac River, Night
Earth mover, Night
Earth mover, Night
Water Street, Georgetown
Water Street, Georgetown
Washington Harbor, Cherry Blossoms, Taxi
Washington Harbor, Cherry Blossoms, Taxi

These are part of an ongoing series I’ve been working on of Washington DC, by day and by night. All these were shot with a Mamiya RB67. My film of preference is Kodak Portra 160nc because it does such a great job with handling diverse light-sources. The two bikeshare photos are on Fuji NPS 160. I was trying them out side-by-side, to see which I like better. I think the Fuji still has a little bit of a green cast to it, so I think I’m going to stick to the Kodak.

DC Street Nocturne in the key of Panoramic, part 1.

Some of my prints from the shoot on Saturday night. These are all palladium prints. The images were shot with my Canham 5×12. All images were taken around Dupont Circle. You can see from the bus photo that these were obviously long time exposures (the bus was somewhere north of 2 minutes, in multiple snaps of 30+ seconds each). The bus was an experiment that didn’t produce the expected result, but in a bout of serendipity turned out something just as cool as my original concept. I was hoping the bus sitting still as passengers boarded would record as a solid object. Instead, it became something far more abstract in the final image – you can recognize the bus, in pieces. It became an essay on motion, transportation and “transit/ion” by virtue of its self-deconstruction.

A night at the circle…

Well, I finally got off my keyster and went out shooting tonight. I loaded up ten sheets of 5×12 in the Canham and went over to Dupont Circle to burn some long exposures onto film. This process always takes a lot longer than you think it should because inevitably setting up with a 5×12 (or any view camera for that matter) invites dozens of total strangers to approach you and ask questions. I always view it as an opportunity to educate people about the ongoing viability of film photography, and so I’m always happy to chat, even if the light is changing (fortunately after dark there’s no worry about the light changing – you only need to take one meter reading and stick with it for the rest of the shoot).

I’ve had this idea for a shot for a long time, and never quite got around to trying it until tonight. I did two versions of it – here’s hoping at least one works. The idea was a shot of a city bus pulling up to the bus stop, and loading/unloading passengers. Ideally it would be a 30-second or so exposure. I played a bit fast and loose with this one because the traffic pattern at the bus stop I was using resulted in a lot of stop-and-go and made it hard to get the shot in just 30 seconds. I’m going to develop the film tomorrow and we’ll see what came of it. If it worked as planned, I’ll have light trails leading up to the bus at the curb, and a fairly clear bus at the stop, along with the passengers and the interior. I did one version with my 240mm Apo-Germinar, which wasn’t wide enough to get the whole bus in at the bus stop. I switched to the 159 Wollensak Extreme Wide-Angle for the second shot, and stopped the lens down further to allow for the longer exposure time needed. I’m pretty sure I’ll get most if not all the bus in at the bus stop (I don’t mind if the roof gets a little cut off), but it’s hard to tell without watching the scene through the lens, and at that hour of the night it would mean waiting another half hour for the next bus to come around, and maybe nobody would be waiting to get on or wanting to get off at that stop, and I’d miss the shot. If this first try doesn’t work out, I’ve got other locations I can give a whirl that might work better.

And now for something completely different… a Rolleiflex

I do on occasion actually shoot smaller format images, and even color once in a while. Here’s a graffiti grab shot I took with my Rolleiflex 2.8 E. Exposure unrecorded.

Graffiti, Wall, 14th Street

This was as much a test of film as it was playing with a camera. I was trying out the new Kodak Ektar 100. I’d say from this it was a great success. This was a scan from the negative, using Digital ICE for dust removal, a tiny bit of Unsharp Masking, and a little bit of color correction. No other manipulation.

DC Streetscapes

Here are a few excerpts from my DC at Night series. All shot in whole plate (6.5 x 8.5 inch) format, printed in palladium.