This is somewhat of a recap of some earlier images, but they’ve been a running theme in my Italian work so I thought I’d pull together a collection of my photos of fountains from Rome and Florence.
Tag Archives: Rolleiflex
Glen Echo Carousel Motion Study
Just some more playing with movement studies using the Rolleiflex. This was shot with 11 year old expired film – Fuji NPS 160. It has held up remarkably well. Otherwise I don’t have a lot to say, as the pictures speak for themselves I think.
Fun with the Rollei, Part 1 – DC Food Scene
Some images from the Penn Quarter farmers’ market (7th and D streets NW), and one of the organic food trucks – Cirque Cuisine.
There’s a growing organic and whole/natural food scene here in DC and they have a number of farmers’ markets in various neighborhoods throughout the city. The one at Penn Quarter is special because every vendor there actually grows or makes everything they sell, even the flower vendors and the soap sellers. The beef and bison is raised and butchered by the folks who sell it there, and the bread is sold by the baker. Many other farmers’ markets have vendors who buy their products wholesale and are not responsible for their production.
Although the Cirque Cuisine truck doesn’t work the farmers’ markets, (I usually find them at Franklin Square Park) they do use natural, organic ingredients in their food, and as such they’re part of the healthy organic food movement here. And they also have some really tasty sandwiches!
These shots were part of a test run from my newly renovated Rolleiflex. I’d say it is working great, wouldn’t you? I had a great chat with the bread man about the Rollei – it brought out a bout of nostalgia for him as he remembered people using them in his childhood. I caught him in a candid moment – he’s actually quite animated and friendly, and not depressed like he seems in this shot.
The Rollei is a great conversation-starter because it attracts a lot of attention and people respond positively to it. I don’t know why per se- maybe it is that nostalgia factor, or because it just has that classic look to it.
Busy photo day
Today was a very busy day. This morning I went out to Glen Echo Photoworks to help out with the open house. We had a lot of folks come through asking about my upcoming classes and about the prints I brought along.
Then I went to dinner with my parents for their 50th anniversary at Blacksalt, which is a fancy fish and seafood restaurant here in DC. I had made the reservations and told the restaurant about the anniversary in advance, so they prepared special menus that said Happy 50th Anniversary on them, and when dessert came out, they specially decorated the plate with chocolate sauce.
The photo relevance here is that I brought the Rollei along to take their photo at the table. I’ll have the film dropped off Tuesday and get it back later this week.
On the way home, I detoured back to Glen Echo and waited for the neon lights to come on so I could burn through some more of that 5×7 Portra I have sitting around. And burn through it I did. I also stopped off in Georgetown and shot some more on the waterfront, and even grabbed a couple of sheets in the rain. I’m really looking forward to seeing those!
Rolleiflex back from repair!
Random Images of Washington DC
These were all shot with my Rolleiflex shortly after I bought it. It’s a 2.8E model, from the 1950s, with the Planar lens. There certainly are limits to the fixed “normal” lens on the Rolleiflex, but working within those limits, it’s a beautiful camera that produces beautiful results. I’m very tempted to take it with me on a vacation as my sole camera and see what I can get with it. I like how compact it is and how unobtrusive, compared to say my Mamiya RB67. All images shot on Kodak Ektar 100.
And now for something completely different… a Rolleiflex
I do on occasion actually shoot smaller format images, and even color once in a while. Here’s a graffiti grab shot I took with my Rolleiflex 2.8 E. Exposure unrecorded.
This was as much a test of film as it was playing with a camera. I was trying out the new Kodak Ektar 100. I’d say from this it was a great success. This was a scan from the negative, using Digital ICE for dust removal, a tiny bit of Unsharp Masking, and a little bit of color correction. No other manipulation.