Category Archives: Photography

Teddy Roosevelt Island – Panoramics

As you’ve seen, I’ve been playing around lately with the panoramic head for my Rolleiflex, trying out some two and three frame panoramas. With each additional frame in the panorama, it gets harder to stitch together and keep aligned, and to match exposure. Not to mention the people who get caught at the periphery of a frame and then move so they’re missing a limb or something in the second frame.

I can’t explain what my fascination with traffic cones is, but this one, marking out the collapsed section of the middle of the observation deck, was just so perfectly positioned that it needed to be photographed, both as a single frame and as a panorama. This couple strolled in to the scene as I was shooting, and I decided that they added an interesting dimensional element to the scene, so I kept photographing while they were there instead of waiting for them to leave.

Marsh Overlook
Marsh Overlook

This is one scene where a three-frame panorama just doesn’t quite fit. I think the imbalance of the fountain basin makes it more interesting than having everything balanced and proportionate. What do you think? Do you like the way the imbalance pulls your eye back and forth across the frame from lower left to upper right? Does that feel natural or uncomfortable to you?

Fountain
Fountain

I’m getting in more practice with including people in scenes. My instinct is, for some reason, to photograph places without people in them. But now that I’m getting better at doing it, it’s starting to feel more appropriate to include them. It certainly humanizes the place, and helps give it a sense of purpose and utility, like this is somewhere that people actually want to go and do things, and not some empty monument to a long-dead dictator who, like Ozymandias, has no meaning to the people of today beyond his statue and inscription.

Teddy Roosevelt Monument
Teddy Roosevelt Monument

I didn’t photograph the inscriptions on the marble slabs around the periphery of the Roosevelt monument because I think that A: those kinds of photos make for very boring photos, and B: the rendering of those quotes into two dimensions grossly undercuts the meaning of the quotes and the experience of reading them in-situ. I would strongly suggest, though, that anyone interested check out The Theodore Roosevelt Center website for the full extent of the quotes. They are profound meditations on the nature of man and his environment, politics, and government every bit as appropriate and relevant today as they were when Teddy was president at the dawn of the 20th century.

Teddy Roosevelt Island – Infrared

This past weekend I took a hike on Teddy Roosevelt Island. For those not in the know, Roosevelt Island is an island in the Potomac River across from Georgetown in Washington DC. The island is accessed from the Virginia side of the river. I have driven past TR for the past 35 years but never stopped to visit because I was always on my way to something “more pressing” and/or I was on the wrong side of the expressway passing it at the time I thought about stopping (The parking lot is only accessible from the northbound side of the expressway). Well, on Saturday, I had no place I HAD to be at any specific time, I had the Rolleiflex with a bunch of film, and no better excuse to not stop. So I pulled in and parked and took a walk around the circumference of the island.

Bridge to Teddy Roosevelt Island
Bridge to Teddy Roosevelt Island

I loaded up the camera with some Maco 820c Aura infrared film. I’ve had this film sitting in my fridge for eight, nine years, (it outdated in 2007) so I wanted to try a couple rolls and see if it was still any good. I was concerned because other Infrared films I’ve used have NOT aged well. The infrared sensitizing dyes apparently are the bits that degenerate quickly and help build base fog (a bad thing). Obviously, this has not been a problem with the Maco IR.

One downside to the Maco is that it is a VERY slow emulsion. Using the Hoya R72 filter, consensus judgment is that it is best to set your meter to ISO 1 and use those readings, or if your meter won’t go that low, use the Sunny 16 rule and base your exposure on 1 second at f16 and go from there.

In this image, I was winging it on the exposure – my meter doesn’t have ISO 1 as an option. I was in some pretty deep shade, so I figured I would have a very long exposure, just guessing from overall lighting conditions and knowing that the film has very poor reciprocity failure – an indicated 1 second exposure needs two seconds, an indicated two needs four, a four second exposure needs eight, an eight second exposure needs 24 seconds, 15 seconds needs 60, and 30 seconds needs 180. I guesstimated this would require between 30 and 60 seconds, accounting for the reciprocity. Well, I overestimated by a good 50-75%. But as you can see that wasn’t that horrible a thing – I got a very useable image.

Boardwalk Path, Teddy Roosevelt Island
Boardwalk Path, Teddy Roosevelt Island

This is the view from the north end of the island, with Key Bridge and Georgetown University in the background. I took a gamble on this photo because there were two kayakers in the river and I would normally have expected them to turn into indistinct blurs with a two second exposure like I gave this scene. But I took a chance as they were in a spot in the river where they could effectively “hover” – and they did. So it worked.

Key Bridge, Georgetown, Kayakers
Key Bridge, Georgetown, Kayakers

What is it with me and safety cones? I keep finding them everywhere and photographing them. This time, in infrared.

Safety Cone, Marsh Overlook, Teddy Roosevelt Island
Safety Cone, Marsh Overlook, Teddy Roosevelt Island

Twilight Walkabout, Contax G2

A while ago a friend of mine asked me to shoot a roll of Tri-X through my Contax G2 so he could see how it performed in low-light situations, as he was thinking about getting one himself. I took a walk around my neighborhood one evening in the spring, put a roll through the camera, and these are some of the results.

One thing I notice about the shots I’ve been taking with the G2 is that my composition has been freer, less formal and less insistent on everything being nice, tidy, plumb and square. I’ve been shooting more off-angle shots and I don’t know if that’s because I’m shooting hand-held, eye-level, or because I’m trying out more ‘grab shots’ where the camera isn’t even really being brought to my eye, I’m just aiming and trusting the auto-focus. I know in the past I would have found a lot of these off-angle ‘grab shots’ objectionable and they’d have gone straight to the reject pile. But I’m reconsidering them now and I’m starting to like them. Well, maybe more appreciate them for what they are, and not reject them out of hand.

Etto Bistro
Etto Bistro

Cars at night are interesting. Depending on how you shoot them, they can be sharp, they can be blurred, or they can even disappear, leaving behind only the light trails of their head and tail lamps as proof they were once there.

The BMW was stopped fully at the traffic light when I started the exposure, but the SUV next to it was in the act of stopping, and the car turning onto 14th Street was in continuous motion.

BMW Convertible
BMW Convertible

Cars and people have to co-exist on city streets. Here a pedestrian follows a speeding car through the intersection, hoping to make the other side before the change of the light.

Le Diplomate, Twilight, Car
Le Diplomate, Twilight, Car

People in low light are a similar problem – they don’t ever really sit still. Combine that with needing to use large apertures with shallow depth of field in low light, and the requisite slow shutter speeds, and you have a recipe for blur. This was something else I used to always find objectionable; blurry people. Now, I think of it more as a sign of our humanity and our alive-ness.

Rice Restaurant, Interior
Rice Restaurant, Interior

This isn’t to say we always need to be in continuous motion – quiet contemplation in a sea of motion is often called for and a needed respite.

Sidewalk Patron, Rice
Sidewalk Patron, Rice

Architecture at twilight is in some ways easier to shoot because the subjects aren’t moving. But that still has challenges because the contrast range of dim exteriors and bright interiors, combined with hotspots from outside spot lights, can be just as difficult to balance.

Old Schoolhouse, 14th Street
Old Schoolhouse, 14th Street

The fun thing about these lighting situations, though, is that it sets up the viewer to make a psychological interrogation of the building- you are literally being pulled into the interior of the space to examine, investigate and interpret something illuminated from within that in daylight is muted if not hidden.

Bike Rack Store
Bike Rack Store

Contax G2, 35mm f2 Planar

Most of you know me as a medium format and/or large format photographer. But, every once in a while, I do like to break out my ‘toy’ format stuff and use my Contax G2. I was asked to take some photos for the office picnic as a second shooter, so I popped a roll of Tri-X in the G2, put on the 35mm f2 Planar lens, and shot a dozen or so shots. For whatever reason, they decided to have the picnic INSIDE the garage instead of on the top deck of the garage, and it was painfully dim, thus the lack of volume on the photos. I had two thirds of a roll left, so I went for a walk and burned some film. These are two shots that came from that quick walkabout by my office, and I think are very much in keeping with the general themes of my work, even if they’re shot on tiny film 🙂

Passing Cyclist
Passing Cyclist
Speed Limit 35
Speed Limit 35

The 35mm lens for the G2 has this odd reputation – by all standards, it is an outstanding lens. However, its siblings are so much better that when compared to the 45mm f2 Planar, or the 28mm f2.8 Biogon, it comes up a little lacking, and doesn’t get much love from the Contax aficionados. After shooting with it for the picnic/walkabout, I’m re-evaluating how I feel about it, and it might get more use from here on out.

Neighborhood Walkabout – 9/21/2014

I’ve been past the PanAm Market for years and wanted to photograph the outside, but never got around to it. Several times I’ve walked past and been on the verge of taking a photo but gotten the hairy eyeball from patrons or folks just hanging out on the sidewalk in front, so I’ve moved on and not taken the shot. This time there were not so many folks around and I was able to get a clean picture of it.

Panam Market
Panam Market

After scanning the negative I noticed that there’s a kid’s hand on the window that looks somewhat disembodied. All the security bars on the windows and doors make it look like a prison rather than a store, which was certainly NOT my intent. But it is what it is, and there’s no changing that. The kid was sitting by the door and holding it open for people with full carts trying to get out to their cars.

I’ve photographed Barbara’s Beauty Salon before, close up. This time I shot from across the street, to include the crosswalk stripes and more of the context of the neighborhood. I think you can really see the “Ajax Was Here” phenomenon in this shot. The Premium Title company to the right is brand new and spiffy looking, Gloria’s Pupusas to the left is cleaner, newer and bright and busy. Barbara’s, I still can’t tell if they’re even in business.

Barbaras Beauty
Barbaras Beauty

Here’s the older photo I posted of Barbara’s for comparison:

Barbaras Beauty Salon
Barbaras Beauty Salon

Changing Neighborhood – Chickas Jeans

A sign of the times? A year and a half ago, I ran across this display of mannequin bottoms outside Chickass Jeans. The name was highly politically incorrect, and the mannequins seemed equally so. For those not conversant in Spanish, “chica” is the word for girl (or young woman). The store is in a heavily Latino neighborhood and caters primarily to young Latina women.

Chickass Jeans
Chickass Jeans

In the intervening year, they’ve renovated the shop, and changed the name. It’s now Chickas Jeans. I have mixed feelings about the name change- there was something amusing about the blatantness of the sexual pun in the name. Amusing in the same way that Hitler jokes in “The Producers” are amusing – seeing the old sign was just so jarring to the sensibilities that you couldn’t help but chuckle at it from discomfort. Perhaps it’s a sign that Latina feminism is starting to take hold and the message is getting through that women don’t want to be objectified.

Chickas Jeans
Chickas Jeans

Playing with Panoramics – Diptychs

Ok- here are some twosies I did, still with the Rollei and the panorama adapter.

The first one is a shot of a street corner with the skeletal remains of a police call box from the first decade or so of the 20th century. The building behind it is now a charter school. I’ve often thought of how to photograph the wall around the playground fence behind the school. This is the first shot I’ve done that really does it justice.

Police Call Box
Police Call Box

I came upon this mailbox leaning at its crazy angle and decided it would make a good subject for a diptych that emphasized and even exaggerated the tilt of the mailbox. What is it with me and mailboxes?

Mailbox Diptych
Mailbox Diptych

Both of these scenes are in my neighborhood – I walk past them regularly on my way to run errands or get some dinner. I’m really starting to appreciate the advice of Edward Weston, “There’s no good photos to be made more than 50 feet from the car”, although I’m expanding the perimeter and rephrasing it a little: “There are plenty of good photos to be had within a mile of your house”.

Playing with Panoramics – Triptychs

I’ve got this really cool little toy that goes with my Rolleiflex – a panoramic head adapter. It’s basically a little plate with a disc in it divided into twelve segments, and an integrated bubble level. The plate goes between the Rolleiflex and the tripod head. The disc has a locking mechanism and click stops that allow it to be rotated a fixed number of degrees, corresponding to 1/12th of a circle (30 degrees) which is also more or less the field of view of the lens on the Rolleiflex. This would allow you to photograph a 360 degree panorama on a single roll of 120 film.

A 360 degree panorama is a bit much, and pretty tough to pull off. I’ve been playing with doing two-frame and three-frame panoramas, which seem plenty wide already. Here is one I took this afternoon at the little plaza in front of the Tivoli Theater in Columbia Heights.

Tivoli Theater
Tivoli Theater

It does a pretty good job of matching up the frames, with just a few degrees of overlap, enough to make the blending and alignment relatively easy. If you’re paying attention you can see the seams where some things just don’t match up angle-wise, and where the car gets cut off between exposures.

This one I composed a little differently – in selecting what to include, I left a little bit of film border in between each frame because I think it compliments the overall image – the black borders echo nicely the black bars of the fence in front of the bikes. Although I have two bikes in the center frame, and one each in the left and right frames, each frame does feel distinctly different.

Bikeshare Panorama
Bikeshare Panorama

I decided to get a little playful and have fun with the crazy angles you can get from a panorama when you aren’t level to the horizon. I wanted all of the conical roof of the turret on the house on the corner in the picture, so I tilted the camera up (the other option would have been to go home and bring a step-ladder, and raise the tripod to its maximum height, and even then I might not have gotten the shot I was looking for).

11th Street
11th Street

And last but not least, back to the fully merged panorama. This one I didn’t get the horizon quite as straight as I should have, and so the outside images were a little crooked, and the center one was definitely not level, so I had to play with how I aligned them and cropped them to make it look relatively normal. I like the look of this one despite its flaws.

Solar Trees, Park Street Plaza
Solar Trees, Park Street Plaza

Toronto – Final Shot

The Gardiner Expressway separated my apartment complex from Fort York. It’s particularly ugly in what it does to the urban landscape, driving a wedge through it, but it serves an essential purpose, to move through traffic past the city center without tying up city streets. Viewed from underneath, it becomes a ribbon of patterns in concrete. Goes to show you that you can find beauty in even the most utilitarian of things.

Below The Gardiner Expressway
Below The Gardiner Expressway

Toronto – Fort York

As you can probably tell from my past postings, I love historic buildings. Especially old military buildings. Medieval city walls, castles, forts, palaces, you name it, if it’s stone and old, I like visiting. There is a small chunk of 18th century history in the middle of downtown Toronto. Fort York was the original master defense for Toronto, perched as it was on the shoreline of Lake Ontario and guarding the mouth of the harbor of York (as Toronto was then known). Today it sits a good three hundred yards or more from the shoreline, landfill having been created to expand the salable real estate in the city.

Fort York Skyline
Fort York Skyline

As you can see, the city has considerably encroached upon the fort.Today it is hemmed in by rail yards on the north and an elevated expressway to the south. A typical 18th century fort, it has low walls of stone on the interior and rammed earth on the exterior, in response to the changing military technology of the period. Before, you wanted tall walls made out of stone to make it hard for enemy infantry to get over them. With the advent of more powerful, accurate cannon, tall stone walls made for a very easy target that became a weapon itself when struck by cannon balls.

Fort York Wall
Fort York Wall

The fort itself is remarkably well preserved, given all it has been through. It was the site of a major engagement in the War of 1812, when several thousand Colonial troops took on the British Army units stationed at the fort. Ultimately, the colonials defeated the British, who, in a forced retreat, blew up the stone powder magazine to prevent the gunpowder from falling into Yankee hands. The powder magazine as it stands today was built in 1815, otherwise all the buildings on the property are from the late 1790s/first decade of the 1800s.

Fort York Magazine
Fort York Magazine

Here is a photo of the front gate to the fort, through which visitors enter today. I’m assuming that the wood is (relatively) modern, but the ironwork is original. The gate has a door within a door, large enough for a single soldier to stoop through, or to point a canon out of. This is the latch to that door-within-a-door.

Fort York Door
Fort York Door

I took the guided tour of the fort, which largely focused on the enlisted and officers living quarters. There was a vast difference in quality between life as an enlisted man and life as an officer. The enlisted men were shacked up two to a bunk, roughly 100 to a room. If you were married, you and your wife could share a bunk, and when the kids came, they could sleep on the floor under the bunk. Officers had suites of rooms to themselves, a parlor and a dining room with catered food service and a bar.

The guide was excellent and very knowledgeable, and he came complete with early 19th century period uniform. He was one of the few people I met in Toronto who had even a hint of a “Canadian” accent – he spoke with the characteristic rounded vowels, and had a little bit of a lilt to his speech pacing. Regardless, he painted a very clear picture of what life was like in the fort for someone in the army.

Fort York Guide
Fort York Guide