Category Archives: Washington DC
Chinese New Year parade, Rockville, Maryland – Part 3 – Dragon Dancers
Chinese New Year parade, Rockville, Maryland – Part 2 – Lion Dancers
Chinese New Year parade, Rockville, Maryland – Part 1
I went to ANOTHER Chinese New Year parade this past weekend, in Rockville, Maryland. Rockville is the county seat of Montgomery County, one of the most prosperous and most ethnically diverse counties in Maryland. They estimate that 17% of Montgomery County’s population is of East/South-East Asian origin, and growing. This is actually one of the new centers of the Asian community in the Washington DC metro area, along with Fairfax and Annandale in Northern Virginia. Although not gigantic, the parade in Rockville was several orders of magnitude larger than the one downtown DC in Chinatown (which is a pale shadow of its former self, now consisting of less than a dozen actual Chinese restaurants, perhaps a handful of other Chinese businesses, and a residential facility for the elderly, plus a bunch of other businesses like Fuddruckers, Comfort One Shoes, Legal Seafoods, a pair of Irish pubs, a Hooters(!!!) and a CVS pharmacy with Chinese-language signage trying to preserve the look of a real Chinatown). The parade was organized by the VisArts art center in Rockville, which is a terrific public/private partnership to make art accessible to the community. Here are a sampling of images from the parade and the crowds watching it.
Chinese New Year Parade, Washington DC
All photos taken with my Rolleiflex 2.8E and a Metz 45 CL4 for fill-flash. That’s one of the great things about using a camera like a Rolleiflex – you can do fill-flash at any shutter speed so it works even in broad daylight. I’m very pleased with how well it worked – the Metz was new to me and I wasn’t quite sure what to expect – in fact, it worked beautifully and gave a very nice quality to the light. Now I just need to come up with a diffuser for the flash to soften it even more, and give a bigger catchlight.
Orchid Show at the Smithsonian Natural History Museum
Here’s a few shots I took at the Latin American Orchid exhibit at the Smithsonian over the weekend.
All shots taken with a Rolleiflex 2.8E with a Rolleinar 2 close-focus adapter, Kodak Portra 400, and hand-held at 1/30th of a second between f2.8 and f4.5. I think I’ll go back another weekend and try again this time with a flash so I can get more depth of field. Don’t know if I’ll take the Metz or something smaller, as the Metz may be TOO powerful.
Mathew Brady’s Studio
Here is the skylight of Mathew Brady’s Washington studio. Today the space is occupied by the National Council of Negro Women. The studio itself today is nought but a storage room full of filing cabinets. But still being able to see the skylight Brady used to illuminate his subjects helps one imagine Abraham Lincoln and U.S. Grant sitting in that loft for the portraits we know them best by.

The skylight is on the top floor of the pink building at the left of the photo.
“Signatures” Exhibit at Glen Echo Photoworks – Review in Washington City Paper
I got a favorable review in the DC City Paper for my image in the “Signatures” exhibit at Photoworks. The exhibit is (well, was, it’s now over and I’ll be picking up my print after work today) a brief show of images by students and instructors at Photoworks, with the theme of “signatures” indicating characteristic images that can be viewed as representing you and the work you do – pieces you would be recognized for. I submitted my Ficus Tree, Recoleta, Buenos Aires as my contribution to the exhibit, and it was one of three pieces singled out by the reviewer as praiseworthy. The reviewer did get the process all wrong, calling it a faux-toning process (he obviously didn’t ASK, or try to contact me about it before publishing the review), but I’ll take any positive press!

A litte research…
I was inspired to do a bit more digging into a photographer whose images I’ve shown here before, Kets Kemethy. He was a Hungarian photographer who settled in Washington DC and operated a studio here. The inspiration came from a book I bought myself for Christmas entitled “Envisioning Emancipation: Black Americans and the End of Slavery“. The book talks about African-Americans and their presence in photography from the antebellum period through to the 20th century. The book constructs a theory of race, social systems and politics to explain the narrative that frames and constructs the images in the book, but it does so in a reasoned, supportable manner that does not leave non-academic readers grasping for dictionaries and water-pitchers just to finish a page.
I have a Kets Kemethy photo of an African-American young man that I’d like to try and date more precisely, so I wanted to do some digging into the studio’s history and see if there was anything published about him. I have found another African-American subject by him, so I was wondering if his practice specifically catered to well-to-do African-Americans (although 2 for 2 is hardly a statistically meaningful or accurate sampling). I did find this article from the 1902 Washington Times: there was a bit of a scandal in the Kemethy studio where Mrs. Kemethy shot at either her husband and/or a female customer who may or may not have been his mistress.
Washington Times, October 29, 1902
I also found a listing for his studio in Boyd’s Directory of Businesses from 1903, which is contemporaneous with the 1902 newspaper article, and an entry in the Photographic Times from 1890. Another image that shows up for Mr. Kemethy is in the Bibliotheque Nationale in Paris, of Henry Wood Elliot, sent to the Bibliotheque in 1884, according to the letter on Smithsonian letterhead. So this gives me some placement in time – Mr. Kemethy was working around the turn of the 20th century, so based on the size and style my image is probably from the 1890s. In all likelihood then the young man in my photo would have been born free, but it would also have been highly likely that his parents were born into slavery.
White Christmas!





I spent Christmas Eve and Christmas Day at my parents’ house. The weather forecast was for rain. Instead, we got a surprise White Christmas! It was already starting to melt by noon on Christmas Day, but nonetheless, we had 2 inches of snow while it counted. These were all taken with my Canon 5D, and my big Christmas present, the 50mm f1.4 lens.






































