Just a little experiment I’ve been wanting to try for a while. I’ve wanted to shoot the tunnel between stations because it’s something most subway riders never see or pay attention to. There’s some interesting architecture in the tunnels, and they’re not the black voids we tend to think of them as.
Here’s the same concept but in standard frame rate.
To celebrate an Instagram milestone, I’m offering a print sale.
Pick any one (or multiple) images from the grid above. You’ll get a signed, numbered limited edition archival pigment print, six by six inches on 8×10 inch paper. Each edition is limited to ten prints. $99 each, plus shipping. This sale runs through the end of October, or until the edition is sold out, whichever happens first, so act quickly. Makes a perfect gift for yourself or a loved one!
Email me through the blog: Scott at Dcphotoartist dot com and include “9for99” in the subject. Indicate which image(s) you want, #1 is top left, #9 is bottom right. Include your address to calculate shipping.
I took the Vermeer 6×17 pinhole out for a spin today after work. I tried to do some pre-visualization of what I'm going to get by swinging my iPhone in panorama mode. I'm posting examples of what I anticipate, plus views of the scene with the camera in action. I think I've mentioned this before, but in any case, the Vermeer 6×17 pinhole has a hemispheric film plane, which means no vignetting (light falloff toward the corners), and you can have a physically smaller camera given your frame size. But it does introduce curvilinear distortion- thus swinging the iPhone to mimic the effect.
I was a bit nervous taking the steps shot, as I was standing on private property for TWELVE MINUTES. It really felt like trespassing. Fortunately no residents of either house came in or out during that twelve minutes.
I don't have an "action" shot for this one, as I was in a hurry to wrap up this exposure to try and get over to P Street while the setting sun was still above the tree and roof line. It was casting some beautiful warm sunset light that I just HAD to photograph (I posted a shot to my Instagram feed (@DCPhotoArtist if you're interested in my instagramming. It's very much one end of the spectrum of the work I do- 99% iPhone photography, spur of the moment kind of stuff).
The iPhone has had a major impact on personal photography. While it’s nowhere near as capable as my Fuji X-T1, it is both an exceptionally capable and flexible photographic implement, and the camera you always have with you. One of the very cool built-in features is the panorama function. On my way home from work today I was having fun playing with it, and testing out the low-light quality simultaneously.
As you can see, you achieve a panoramic image by swinging the camera from left to right (or in some cases top to bottom- This can also be reversed and swung the other way). You can do an up to 360-degree image. Because of the rotation of the camera, you get linear distortion.
When used carefully, This can make for some interesting images. The curves really highlight the shapes and the light in the scene. Used poorly, it can drag your eye (and hold it) in an ugly and/or uninteresting part of the image.
Another effect is if you have subjects moving through the scene, they can get stretched or compressed, depending on their speed of motion and direction, relative to the camera’s rotation. You can see that very clearly in this image.
Nighttime exposures present some challenges to image quality, especially when combined with the swinging of the camera to stitch together the exposure.
A turtle grabbing some lunch in one of the ponds at Kenilworth Aquatic Gardens in Washington DC. I know I don’t shoot or post much video, but this was a nice, short clip I shot this afternoon that I wanted to share. Shot on my iPhone 6.
Another pairing of iPhone vs. Rollei in the battle of “the best camera is the camera you have”:
I was lucky that I got back around with the Rollei to take this shot because within a week of my return with the Rollei, construction crews had started work on the building and Mother Mary of the Takeout Passthru, the not-so-baby Jesus and the One-Eyed Wonder beneath them had been removed and replaced by a fresh sheet of plywood. Gone was the shrine to the blessed deli, replaced by the altar of rapid gentrification.
A while back I posted an item about sometimes the best camera is the camera you have with you at the time you need to take a picture. Certainly, there may be other cameras that are better suited to the task at hand, but they don’t do you any good if you don’t have them with you. To whit, the first image. I came upon this bit of graffiti in an alley between two buildings. It’s almost as if it were an art installation in itself, the way it’s situated. When I first saw it, the camera I had on hand was my iPhone. It certainly did a good job of capturing the scene.
I promised to come back with my Rolleiflex to photograph it again, to see how different the two cameras’ visions were, and how they rendered the scene differently.
It’s not really a fair comparison, given that the sensor for the iPhone is the size of a Q-tip, if that, and the film in my Rolleiflex is 2 1/4 inches square, or about 300 times the size. Also, the lens has a different field of view- the iPhone is somewhere between a 28mm and 35mm lens’ field of view (moderately wide-angle), translated into 35mm equivalent, whereas the lens on my Rollei is a “normal” (50mm equivalent). The two cameras give very different renderings of the scene – the iPhone gives you much more of a sense of the space, whereas the Rollei makes the graffiti the star of the show.
Here is the locked gateway to the space where the graffiti is. Now you can get a sense of the drama of it – it’s hidden behind a locked gate, guarded like some treasure on display at more than an arm’s distance.