I thought it might be fun to show a behind-the-scenes look at doing a still life shoot, particularly showing my lighting scheme. Studio lighting is something that mystifies many people, but it doesn’t need to be complex or intimidating. Here is the finished image, at least the iPhone version thereof. How do you think it was lit?
Answer: one light. Yes, it’s a somewhat specialized light, a 10” focusable Fresnel, but that’s it. No fill, no reflector, no background light, just the main. After all, there is only one sun.
I’m using a single LED continuous light source (a GVM 80s LED lamp). Continuous lights are great because they let you see exactly what you’re getting, and they allow you the luxury of playing with time as a component of the exposure.
Pay attention when photographing in the studio to how close or far away things are to the background, and how close or far your light is to that background. You can shoot a subject on a white background but have it appear dark just by withholding light from that background, or if needed, you can do the opposite and take a black background white by pumping enough light at it.
Here’s a prime example – same setup, same light, same camera, same backdrop (light gray seamless paper). The only difference is that I blocked light from the backdrop with the barn doors on the Fresnel. Amazing, isn’t it?