Tag Archives: Mount Pleasant

Neighborhood Walkaround, in Color

Here are some color shots I took on my neighborhood walk around, last weekend. I noticed a theme of small businesses in the shots I was taking, so I decided to make a grouping out of them for this post. The areas I was photographing are actually very bustling and vibrant, but A: this was on a Sunday afternoon, and B: it was about 93 degrees Farenheit outside, so it looks far more desolate than it actually is, but that allowed me to focus on the appearances of the businesses themselves. My interest in photographing them without people is not to portray an economic state that may or may not be true, but rather the overall feel of small businesses that are in a neighborhood in transition – these are businesses, mostly minority-owned, that have not yet been gentrified in an area experiencing rapid gentrification.
To me, the loss of these businesses to gentrification is the biggest downside to the process. They are what makes up the character of the neighborhood, and why all those gentrifiers moved there in the first place. I will be very sad when Tex-Mex Burritos is displaced for yet another Chipotle.

Suns Discount
Suns Discount

Sun’s Discount is obviously shuttered. I don’t know how big a space it is on the inside, or what kind of (probably insane) rent the landlord is asking for, but I love the murals on the wall and the protest/message posters plastered on the whitewashed windows. It reflects the character of the neighborhood, and particularly its past – the small ethnic “discount” store that would have carried a hodge-podge of inexpensive products, primarily catering to the Latino community, which has adopted the small business strip along Mount Pleasant Street. Historically a mixed race, upper-middle class neighborhood, after the 1968 Martin Luther King riots, the neighborhood experienced a significant turnover and transformed into a poor Latino barrio in the 1970s. It is in the process of changing back into a largely white, upper-middle class neighborhood, as the housing stock off the business district consists of large, elegant rowhomes and single familys that are being snatched up, fixed up and turned into two and three unit condos.

Amani African Boutique
Amani African Boutique

There is still an African-American presence in the neighborhood – a touch of soul remains amidst the sazón. The neighborhood was always multi-ethnic, but the blend has changed over the years.

Leons Shoe Repair
Leons Shoe Repair

Another one of those small businesses that when a real estate developer sets their sights on the block will be one of the first to go. Leon’s operates out of a space not much bigger than a coat closet. In the land of big-box stores and franchises, there’s no room for a 200-sq ft retail operation. And signage like that would never fly in a homogenized shopping mall.

Alfa Omega Tax Services
Alfa Omega Tax Services

Here’s one that has been around for decades – witness the missing letters and the layers of paint applied to the original Alfa Omega Tax Service on the wall. Having them there in the 1970s and 80s when this was one of the police patrol beats officers dreaded to be assigned would have been a huge deal to the residents, as there would have been few legitimate businesses willing to provide quality services of any kind in the area.

Marx Cafe
Marx Cafe

The bohemian precursor to gentrification – Marx Cafe (“Revolutionary Cuisine”) brought a little touch of culture and chic.

Tex-Mex Burritos
Tex-Mex Burritos

A typical neighborhood mom-and-pop eatery. This one is newer, keeping within the theme of the neighborhood but brightened up and appealing to the incoming Anglos as well as the long-time residents.

Hellers Bakery
Hellers Bakery

Heller’s Bakery has been here forever, witness the neon sign, from back when the neighborhood was originally an upper-middle-class, white/jewish/African-American neighborhood. It stuck around through the hard times. If you saw the movie, State of Play, starring Russell Crowe, you’ll recognize this as being from outside his apartment.

Barbaras Beauty Salon
Barbaras Beauty Salon

I’m not sure Barbara’s is still in business – granted I usually never walk by it during the work day mid-week, so it might in fact operate then, but whenever I see it, it’s shuttered, blinds pulled, and half-dead plants in the window. I don’t know if they were a victim of shifting demographics, or just sloppy management – I don’t know that I’d want to trust what little hair I have left to someone whose plants look like that!

Pan Lourdes, Afternoon
Pan Lourdes, Afternoon

Another small business that will probably be driven out by gentrification in the next ten years. Massive re-development of the neighborhood has happened a few short blocks down the street, with upscale restaurants and pubs, a shopping center with Target, Best Buy, Marshalls, Staples, Radio Shack, GNC, a Washington Sports Club gym, and across the street is Chipotle, a wine store (not a liquor store, but a WINE store), and a FedEx outlet. Like I said earlier, no room in that for a riot of pink selling Central American baked goods. And the neighborhood will be poorer for it.

CCs Liquor
CCs Liquor

In contrast to the wine store down the street, this is a good old-fashioned ghetto liquor store. This one, I could let go, but the Colony Liquor up the street I’d like to see stay around if for no other reason than the fantastic Deco facade and neon sign (see previous posts of mine for pictures).

El Chucho Roof Deck
El Chucho Roof Deck

Part of the gentrification wave in my own segment of the neighborhood- its ethnic cuisine by hipsters. Don’t get me wrong, they have very delicious and authentic tacos (and insanely cheap happy hour prices – you can get three tacos and a beer for $10-11!!!), but the truly authentic taquerias don’t have roof decks, bar seating reclaimed from former diners, and waiters wearing plaid flannel, sporting a well-maintained three-days stubble.

Booth For Rent
Booth For Rent

Alongside the hipster taqueria you have the basement beauty parlor, which you’d never know was a beauty parlor if not for the booth for rent sign in the window.

The Pinch Front Door
The Pinch Front Door

The Pinch is a neighborhood dive bar featuring live music on the lower level. The graphics outside scream 1970s blaxploitation movie, the patrons now scream suburban white kids who moved to the city to have an “authentic” experience. But it’s good to have a venue that provides space for local live music, where up-and-coming bands needing a break can perform, as there are definitely not enough performance spaces in this town to adequately support the creative talent here.

Neighborhood Wanderings, and an Experiment

For wont of anything better to do on Sunday afternoon, I went out for a stroll in the 90+ degree heat (what was I thinking!!!) with the Rolleis for company. I wanted to do a little film and development test to see how well my results would come out. I’d say I nailed it based on these shots. The film I was testing is Ilford PanF, a very slow, fine-grained emulsion. The film speed Ilford recommends for this film is ISO 50. Quite a few folks I know recommend giving it a more generous exposure and rating it at EI 12. I shot some before at EI 25 and got good but not knock-your-socks-off results, so I thought I’d try the 12 and see what difference it makes. I took a risk and changed two variables at once – film speed and development technique. Normally I use Rodinal at a 1:50 dilution and develop for 14 minutes, agitating the chemistry for five seconds out of every 30 seconds. This time, I used Pyrocat HD for my developer, gave it twice the normal dilution (I usually use it diluted 1:1:100, but this time I used 1:1:200) for 45 minutes, with 5 seconds of agitation every 15 minutes.

This development technique is known as semi-stand development. Semi-stand uses highly dilute developers for greatly extended periods of time, with minimal agitation. What this does is it allows micro-contrast areas to form on the film where byproducts of the development process accumulate on the edges of light and shadow. These byproducts serve as a mask and lead to a boost in contrast at that edge, increasing the appearance of sharpness. If you look at the emulsion side of a negative that was developed using semi-stand, stand, or extreme minimal agitation technique (variations on a theme), the emulsion will actually appear in relief as if it had been etched.

This technique is also useful for managing high contrast situations because it allows for greater adjustment of the length of development to manage highlights. When you develop a roll of film, the shadow areas develop first, and once they have reached their maximum recorded density, they stop. Highlights will continue to develop long after the shadows have finished. This is one of the primary means for controlling contrast in an image- if the highlights are known to be too bright before developing the film, you can simply reduce total development time to keep the highlights from becoming unprintable.

Bike Rack, 11th St. Northbound
Bike Rack, 11th St. Northbound
Bike Share Rack, 11th Street
Bike Share Rack, 11th Street

These first two images are of the Capitol Bikeshare rental rack near my house. I’ve photographed the Bikeshare racks before, with full racks of bikes, to capture the receding perspective of the bike wheels. This time, I shot the bike rack with only one bike in it, to work with the late afternoon shadows created by the rack itself, and also to demonstrate the popularity of the Bikeshare, at least in my neighborhood. As you can see, on a Sunday afternoon, with the heat rising to over 90 degrees F, all but one of the bikes from this rack are in use.

Stone Turret, 11th Street
Stone Turret, 11th Street
Number 9, Basement Door
Number 9, Basement Door

Very much in the same stretch of 11th Street as the bike rack is where these two scenes can be found. The stone house is a bit of a neighborhood landmark – there are maybe half a dozen or less in the neighborhood with similar facades, and the rest (hundreds of houses) are varying types of brick or stucco over brick. The basement door photo was taken as part of this exercise, not only because I like wrought iron, but because the scene had extremes of contrast that I wanted to see if I could tame with the semi-stand development.

Cavalier Liquor Sunday Afternoon
Cavalier Liquor Sunday Afternoon
Hellers Bakery
Hellers Bakery

These two photos are of neighborhood icons – you’ve seen my color photo of Cavalier Liquor at night before. It has been the subject of many a photograph by fans of urban texture, neon, and Deco architecture. Hellers Bakery has been in their current location for many many years, and if you saw the movie “State of Play” starring Russell Crowe as Cal McAffery, a hard-luck, hard-boiled reporter who uncovers a Washington conspiracy, you’ll recognize their neon sign from below his apartment window. I’m very annoyed with Hellers that they don’t illuminate their sign very often, so it makes it very hard to get a good photo of it after dark!

And last but not least, an appropriate sign to end the post with:

No Loitering
No Loitering