I saw this hose connector for watering the planter box down the street from my office and the blue handle contrasted perfectly with the new green grass around it. The light filtering through the tree leaves above the planter box made dappled patterns in the grass and softened up the scene so that the contrast was created through color as much as it was through brightness and darkness. The shallow depth-of-field really makes the blue of the handle pop out even more against the sea of green.
It was also the perfect opportunity to test out the macro capability of my Tele-Rollei with the Rolleinar 1 close-up set.A friend of mine had advised me that the Rolleinars made for the standard Rollei work just fine with the Tele-Rolleiflex. There were a separate set of Rolleinars originally designed for the Tele, and they look somewhat different. I was concerned that the parallax-correcting prism for the viewing lens in the Rolleinar set for the standard would over-correct and the composition would be off, but it doesn’t, as can be seen here. The pump handle is in exactly the spot I composed for.
If you’re familiar with twin-lens reflex cameras, you know that they have certain limitations (close-focus capability or lack thereof, parallax compensation required, non-interchangeable lenses) for the most part (the Mamiya C22/33/220/330 family being the notable exception to most of the above). My Rolleiflex certainly falls into that category. One thing Rollei did was they came up with a special close-focus auxiliary lens set, which they called Rolleinar. Rolleinars come in four strengths, with the #4 being a rarity, and the #3 uncommon to find today. They’re basically diopters, but with a twist – because parallax worsens the closer you get, they include a special diopter plus prism for the taking lens so you can still compose a frame with relative accuracy. I have a Rolleinar 1, and I’ve been playing around with it. It’s good for getting closer for tight head-and-shoulders portraits, and for doing simple macro-ish photos of flowers and textures and the like. Here are a couple of shots I took with it outside the florist’s by my office – as you can see, it will get you close-r, but it’s far from 1:1 reproduction. Both of these were shot at or near minimum focus for the camera. Film is that same expired Fuji NPS 160 that I’ve been shooting through.