All posts by dcphotoartist

Philadelphia, New Year’s Eve

Independence Hall, New Years Eve
Independence Hall, New Years Eve
Franklin Park Allee
Franklin Park Allee
Franklin Park Fountain
Franklin Park Fountain
Franklin Square Carousel, Stopped
Franklin Square Carousel, Stopped
Franklin Square Carousel in Motion
Franklin Square Carousel in Motion

Some more of my night photography. I went to Philadelphia for New Year’s Eve and New Year’s Day this year. I wanted to see the Mummers’ Day Parade on New Years Day, which is a uniquely Philadelphia tradition. The best way to describe it for those who’ve never been is to say that it’s a bit like a PG-13 Mardi Gras (it gets the PG-13 for the alcohol consumption and the occasional bawdy reference in some signage). I’ll post my photos of the parade later – I still have several rolls of negatives to scan, plus a couple hundred digital images to edit before that’s ready. I went out on New Year’s Eve to have dinner, and dragged the Rollei along with me because I had seen the lights in Franklin Square Park on my cab ride from the train station to my hotel. I also thought about trying to get photos of the fireworks with Independence Hall in the foreground, but the buildings between the Hall and the river where the fireworks launch are too tall and you can’t see them. But I got my good night shot of Independence Hall anyway, so that’s my lead-off photo for this post.

20,000 hits in a year!

Woo-hoo! I broke 20,000 hits in a year, with a little time left yet before we close out 2012! 2011 had 8500-ish, which means my readership has more than doubled. Thank you all, kind readers, for paying attention to my ramblings about my collecting addiction.

Boy in Toreador Suit, Mexico City, August 20, 1949

Boy in Toreador Suit, Mexico City, 1949
Boy in Toreador Suit, Mexico City, 1949
Photographer's imprint, verso, Boy in Toreador Suit
Photographer’s imprint, verso, Boy in Toreador Suit

Here’s a cute photo of a teenage boy in a toreador suit, taken in Mexico City, August 20, 1949. The photographer’s stamp on the back of the print specifies the exact date, which is inordinately helpful. I just wish I could read his name, though – the script on the front AND the typeface used for his name on the back makes it impossible for me to decipher the exact spelling of his last name. Translation of the stamp:

Carlos **unza
A Photographer Whom You Can Recommend
Bolivar 57, Tel: 12.38.84
Mexico, D.F.
20 August 1949

I don’t know that this boy would actually have been a toreador – he could well have been playing dress-up for the camera. But I’ll give him the benefit of the doubt and say he’s legit. Google Mapping the studio address, in all likelihood this was a very posh studio in the center of Mexico City, not far from the historic district (I found THREE addresses with the same street number around the city, but the street views of the other two showed nothing that looked like commercial enterprise ever happening there). If anyone out there in cyberland knows who this photographer was, I’d greatly appreciate letting me know the exact spelling of his name and any biographical data about him. Ditto for the identity of the subject – if he was in fact a toreador, someone out there somewhere knows who he is.

I cropped out some of the card the image is mounted on because it would be wasting space on the screen to show nothing of value, and left enough to show the texture and pattern of the card decoration. It’s truly a vintage piece of the period. The stamp I converted to black and white so I could tweak the contrast in Photoshop and make it easier to read.

Footnote:

Aah- the wonders of google. I was trying to figure out the photographers name, and did some google searching, and came up with Carlos Ysunza as a name. Additionally, there is a currently practicing commercial photographer in Mexico City by that same name. I’ll email him and find out if he is the son of the Carlos who took this photo.

A litte research…

I was inspired to do a bit more digging into a photographer whose images I’ve shown here before, Kets Kemethy. He was a Hungarian photographer who settled in Washington DC and operated a studio here. The inspiration came from a book I bought myself for Christmas entitled “Envisioning Emancipation: Black Americans and the End of Slavery“. The book talks about African-Americans and their presence in photography from the antebellum period through to the 20th century. The book constructs a theory of race, social systems and politics to explain the narrative that frames and constructs the images in the book, but it does so in a reasoned, supportable manner that does not leave non-academic readers grasping for dictionaries and water-pitchers just to finish a page.

I have a Kets Kemethy photo of an African-American young man that I’d like to try and date more precisely, so I wanted to do some digging into the studio’s history and see if there was anything published about him. I have found another African-American subject by him, so I was wondering if his practice specifically catered to well-to-do African-Americans (although 2 for 2 is hardly a statistically meaningful or accurate sampling). I did find this article from the 1902 Washington Times: there was a bit of a scandal in the Kemethy studio where Mrs. Kemethy shot at either her husband and/or a female customer who may or may not have been his mistress.
Washington Times, October 29, 1902

I also found a listing for his studio in Boyd’s Directory of Businesses from 1903, which is contemporaneous with the 1902 newspaper article, and an entry in the Photographic Times from 1890. Another image that shows up for Mr. Kemethy is in the Bibliotheque Nationale in Paris, of Henry Wood Elliot, sent to the Bibliotheque in 1884, according to the letter on Smithsonian letterhead. So this gives me some placement in time – Mr. Kemethy was working around the turn of the 20th century, so based on the size and style my image is probably from the 1890s. In all likelihood then the young man in my photo would have been born free, but it would also have been highly likely that his parents were born into slavery.

White Christmas!

Contrails, Dawn, Christmas Day 2012
Contrails, Dawn, Christmas Day 2012
Dawn Sky, Christmas Day 2012
Dawn Sky, Christmas Day 2012
North toward Sugarloaf, Dawn, Christmas Day 2012
North toward Sugarloaf, Dawn, Christmas Day 2012
Sunrise, Trees, Christmas Day 2012
Sunrise, Trees, Christmas Day 2012
Barn, Christmas Day 2012
Barn, Christmas Day 2012

I spent Christmas Eve and Christmas Day at my parents’ house. The weather forecast was for rain. Instead, we got a surprise White Christmas! It was already starting to melt by noon on Christmas Day, but nonetheless, we had 2 inches of snow while it counted. These were all taken with my Canon 5D, and my big Christmas present, the 50mm f1.4 lens.

Chihuly Glass and Abstracts, Virginia Museum of Fine Art, Richmond

Abstract, Wall Reflections, Chihuly Exhibit, Richmond, VA
Abstract, Wall Reflections, Chihuly Exhibit, Richmond, VA
Abstract, Wall Reflections, Chihuly Exhibit, Richmond, VA
Abstract, Wall Reflections, Chihuly Exhibit, Richmond, VA
Ceiling, Chihuly Exhibit, Richmond, VA
Ceiling, Chihuly Exhibit, Richmond, VA

This was taken over the Thanksgiving weekend at my visit to Richmond, Virginia and the Dale Chihuly glass exhibit at the Virginia Museum of Fine Art. There was a passageway between rooms where the ceiling had been filled with all these marine-inspired glass forms and then lit from above. The glass forms (seen in the last image) then projected these really abstract color and light patterns on the walls. These were interesting enough that I tried to capture some of the effect of it.

Shot with my Contax G2, 21mm lens, and Kodak Ektar 100 film – hand-held.

People-watching, Virginia Museum of Fine Art

Hall, lounge chairs, VMFA
Hall, lounge chairs, VMFA
Patrons, VMFA
Patrons, VMFA
Formal Dining Room, VMFA
Formal Dining Room, VMFA
Staircase, VMFA
Staircase, VMFA
Café, VMFA
Café, VMFA

I realize there are no people in the staircase shot so it’s not technically people-watching, but it’s part of the same space, and in a way the absence of people can be about the interaction of people with a space in the same way that people in the frame can be. All photos were taken with my Contax G2 and the 90mm and 21mm lenses. Film used was Kodak Ektar 100.

Cased Image Inventory

I was showing my latest daguerreotype to a friend the other day and she asked me how many do I have. I hadn’t really thought about it, so I sat down today and did an inventory. I came up with

Image Type gemtype 1/9th plate 1/6th plate 1/4 plate 1/2 plate
Daguerreotype 1 1 20 6 0
Tintype 1 2 5 0 1
Ambrotype 0 2 7 2 1
Albumen 0 0 0 0 1
Total 2 5 32 8 3

for a grand total of 50 cased images.

I’ll recap as many of them as I have good scans for here. One of these days I’ll get around to re-scanning/photographing the others, which I originally posted to Facebook but not at a consistent file size.

Paris Opera albumen print
Paris Opera albumen print
Shopkeepers
Shopkeepers
Anonymous Daguerreotype, ca. 1840-1845
Anonymous Daguerreotype, ca. 1840-1845

20121106-091350.jpg

Daughter and Father, daguerrian locket
Daughter and Father, daguerrian locket
Anonymous young gentleman with goatee
Anonymous young gentleman with goatee
Lady with glasses, Daguerreotype, quarter plate, anonymous
Lady with glasses, Daguerreotype, quarter plate, anonymous

DavisAncestor1862Zouave76PA

Mrs. A.A. Hill, Daguerreotype
Mrs. A.A. Hill, Daguerreotype
Anonymous Gentleman in Fancy Vest
Anonymous Gentleman in Fancy Vest
Gentleman With Top Hat, dated October 15, 1849
Gentleman With Top Hat, dated October 15, 1849
Anonymous Daguerreotype, Young Girl, Hand-colored, in Half Case
Anonymous Daguerreotype, Young Girl, Hand-colored, in Half Case

20120215-205403.jpg

20120215-205342.jpg

Daguerreotype, Anonymous Young Man, 1/6th Plate
Daguerreotype, Anonymous Young Man, 1/6th Plate
Fred Jones, 1861, framed black glass Ambrotype
Fred Jones, 1861, framed black glass Ambrotype
Anonymous Daguerreotype, Quarter-Plate, in half case
Anonymous Daguerreotype, Quarter-Plate, in half case
Anonymous, Daguerreotype, Couple, Charlottesville, VA
Anonymous, Daguerreotype, Couple, Charlottesville, VA
Ambrotype, Penobscot Boy, 1857
Ambrotype, Penobscot Boy, 1857
Sixth Plate Daguerreotype in Union case, anonymous lady in bonnet
Sixth Plate Daguerreotype in Union case, anonymous lady in bonnet

20110822-065720.jpg

Quarter-plate Daguerreotype, Gentleman in book-form case
Quarter-plate Daguerreotype, Gentleman in book-form case
Tintype, boy and his dog.
Tintype, boy and his dog.
Anonymous Gentleman. Daguerreotype, Half case.
Anonymous Gentleman. Daguerreotype, Half case.

Men Climbing

Three Men
Three Men

Albumen print, three men on a rockfall, mounted on brown card stock. This was another rescue from the $1 bin at a local antique store. I’m guessing it was taken somewhere around Washington DC as most of the photos in the dollar bin seemed to be local. Beyond that I have no idea where it was taken, when, or of who.

Another CDV verso

J.W. Perkins, Westminster
J.W. Perkins, Westminster

Gotta love the description of the location – “Near the Railroad Depot, Opposite the Catholic Church”. In a town as small as Westminster in the 1870s, that probably was a precise location. I bought this one for the back mark, not for the image (a somewhat faded baby). It was only $1, so I’m not going to complain much. I also like the combined palette and camera logo, implying artistry with a camera.