Just wanted to post a print made by one of my students, from my Advanced Topics in Platinum/Palladium printing. The advanced topics class covers contrast control techniques, working with different papers, making digital negatives, and gum-over-platinum prints. This was made from a digital negative we created in class from a medium-resolution JPEG! I’m impressed. Patrick will have a print to be proud of as a result of this class.
Orthodox Cathedral, by Patrick Brown
By the way, I will be re-running my Intro to Platinum/Palladium course at Photoworks, October 20-21. If you are interested, please sign up now, while there’s still room!
I discovered Melissa’s wet plate collodion work through a link someone posted on APUG, and I felt it was worth sharing. She has done a beautiful seet of wet plate portraits of the Mohawk Ironworkers who for the last century have been responsible for building the skyscrapers of New York City. The inspiration was the 9/11 10th anniversary last year, and the construction of Freedom Tower on the site of the old World Trade Center. I just felt her work was worth sharing. Please browse her website linked below to see more of her work and to find out more about her.
I’m teaching more classes at Glen Echo Photoworks this fall and winter. I’ll be offering Advanced Topics in Platinum/Palladium, Intro to Platinum/Palladium, and a lecture/presentation on Identifying and Collecting Antique Photos.
Advanced Topics in Platinum/Palladium runs September 15-October 6 (Saturdays 9am-4pm), and covers advanced contrast control techniques, paper choices, troubleshooting techniques, and gum-over platinum. Although I did not have making digitally enlarged negatives in the original curriculum design, I’m going to make it an option at student’s request.
Intro to Platinum/Palladium will be held the weekend of October 20-21 from 9am-4pm each day. Topics covered include history, technical basics (chemistry, equipment, paper), major process controls (negatives, exposure, processing) and fine controls (contrast, process variations).
On the evening of Wednesday, November 17 from 7-9 pm, I’ll be teaching a mini-workshop on Identifying and Collecting Antique Photographs. The course will be a mini-photo history class from the Daguerreotype to silver-gelatin and color, and will be illustrated with examples from my personal collection. Which, if you’ve been following my blog for any length of time, you know is pretty cool.
Gum over Ziatype Advanced Pt/Pd Topics
Monarch Novelties, 14th Street (palladium print) – Intro to Pt/Pd
Gentleman With Top Hat, 10/15/1849 – Intro to Collecting
I found while browsing CDVs on Ebay another Brady CDV with yet another studio address in Washington DC. It was the one I’d been looking for for ages. I had heard a rumor that the studio, which you can still see from the outside of the building, was Brady’s, and I’d heard it was Alexander Gardner’s. But now, I can definitively say you can still see Mathew Brady’s Washington DC studio that was located at 625 Pennsylvania Avenue, Northwest. Today the building is occupied by the National Council of Negro Women, but if you go around back into the alley, you can still see the north light slanted studio window on the top two floors of the building. From what I’ve been told, the room is now storage space for the association, and there’s not much to see. But it’s really cool that this piece of photographic history still exists, and aside from the paint color, you can get a feel for the streetscape in the day when it was a working studio.
Today, I passed the 20,000 viewers mark. And surprisingly enough, at the time of writing, Egypt was the top viewing country of the day, with 66, and the US came in a distant second at 14. Usually the US is the 800 pound gorilla in the viewership statistics. In a shout-out to my readers, I’d also like to acknowledge the folks in Afghanistan who’ve read my blog – I’m guessing you’re US (or NATO) servicemen and women, but just as cool if you’re Afghan citizens! The one place I’m baffled I’ve not had any visitors from is the PRC – Peoples’ Republic of China.
I’m happy to have anyone who’s interested take a look at my ramblings. If you’d like, please leave me a little note to let me know who you are and where you’re from.
Ok – I managed to get my FotoWeekDC portfolio contest entry submitted. With three hours to spare, give or take. I’m submitting nine images from my Colors of Night series. I finally got to take advantage of my (rather pricey) large format film holders for my scanner, and re-scanned some of my 5×7 negatives from San Francisco. I submitted 5 San Francisco and 4 Washington DC night shots. Fingers crossed, they’ll go over well.
If you’ve been following my blog for a little while, you probably saw the post about my friend Nick Dong’s art installation at the Renwick Gallery (the Smithsonian Museum of American Arts and Crafts). At that shoot, Nick shot a quickie video of the piece using his point-n-shoot camera. The video quality was somewhat disappointing. He’ll be back in town tomorrow for the exhibit opening, and I’ll be going over to the gallery after hours to shoot video, which I hope to post here when I have it edited. Nick’s need for a video of the installation, plus several personal projects I have in mind (some instructional videos on platinum printing, a Kickstarter funding request, and some artist interviews at Glen Echo Photoworks).
I’m still learning my way around the camcorder – a Canon Vixia HF G10. The touch-screen controls are fairly intuitive, and they get easier the more you play with it and start learning the control layout, but certain things being buried in touch-screen menus is frustrating to someone coming from analog still photography where all the controls are exposed all the time as knobs, buttons or dials. At least this one does have a nice fat manual-focus control ring right around the lens, making it easy to pull focus, and the zoom speed is easy to manage as well. You can vary the zoom speed from almost-imperceptible to WHAM! in a fluid manner instead of having just two or three zoom speeds.
I’m always tickled to death to see where in the world people have been reading my blog from. Here’s the latest stats. They’re fun to ponder – what do some of them mean? Myanmar has more visits than Japan? I now have a visitor from Albania, and two from Nepal. I’m slowly coloring in the world on the world map, which is very cool. I’m only missing a couple of Balkan countries (Bosnia and Macedonia) and Baltics (Estonia and Latvia I believe) to complete all of Europe. China is the big mystery to me – am I blogging about something that either is of no interest at all to the Chinese, or more likely, am I blogging about something that runs afoul of Chinese web filters? Or most likely, my blog doesn’t translate well into Chinese so nobody reads it there. I’m not surprised by Khazakhstan or Mongolia not having anyone reading my blog – there’s very little internet penetration into those two countries to begin with.
In addition to getting some Chinese readers, I’d really love to have someone in Svalbard read my blog – I think that would be super cool as it’s one of the least well known countries. Svalbard, New Guinea, Greenland, the Falkland islands, and Bolivia and Paraguay. So if you know someone in one of those places, or traveling to them, and who actually would be interested in this, please pass along the blog!
Just a silly quick note to say thank you to all my visitors from all around the world. As of this writing, I have 15,678 unique visitors. I actually thought I’d have a little more time to plan out this post, but y’all have been some busy people Sunday and yesterday. 910 of you stopped by yesterday alone, shattering my previous all-time high. But gosh, y’all are quiet 🙂 if you see something you like, please say something! I LOVE feedback, and I’ll even take constructive criticism. And once again, thank you for visiting!