Category Archives: Photography

Ca. 1916 Hunting Party

1916 Hunting Party in car, by John D. Isaac, Batavia, NY
1916 Hunting Party in car, by John D. Isaac, Batavia, NY
1916 Hunting Party, by John D. Isaac, Batavia, NY
1916 Hunting Party, by John D. Isaac, Batavia, NY

These are 8×10″ prints mounted to 11×14 inch boards. The reverse of each is stamped “John D. Isaac, Batavia, New York”. These gentlemen all appear to be a family – there’s way too much resemblance between three of the four to be anything other than brothers/father and sons. And I love the dog being included in the photo, and hopping up in the back seat like just another passenger. Just goes to show dogs have always loved cars.

The big mystery is the car – what make is it. I initially thought it was a Dodge, from the shape of the fender and the headlamps, but the grille is not quite right, and neither is the maker’s enamel plaque on the grille, or the hood vents, the door opening pattern (suicide door on the front, standard in the rear) or the contour of the cowl where the hood fairs into the body. This is a larger, more luxurious car than a Dodge, but the common (and not-so-common) marques I can think of to look up don’t seem to match either. It’s not an Essex, Hudson, Hupmobile, Locomobile, Plymouth, Haynes, Mercer, Peerless, Pierce Arrow, Buick, Cadillac, or Overland, that I can tell. It could be as late as the early 1920s, but it’s definitely not past 1930.

EDIT: Doing some more digging, I think I found what it is. It’s a ca. 1916-1918 Studebaker, most likely a Light Six touring car.

Neighborhood Scenery

Mural, 11th Street, Sunset
Mural, 11th Street, Sunset

A street scene in my neighborhood. This mural was created on the side of an art gallery/community center/performance space a few blocks from my home. I was on my way to meet a friend for dinner when I spotted it, and the way the light angled across the surface just begged to be photographed. Shot with my Rolleiflex 2.8E, Fuji NPH 400.

Futbol, Sunset, 11th Street
Futbol, Sunset, 11th Street

Why Futbol and not soccer? Well, there is a very large hispanic population in my neighborhood, and as such, it deserves to be called by its proper name, futbol! Y Hernandez está corriendo…y tire…GOOOOOOOOOOOOOOOOOOOOOOL! This is the neighborhood elementary school where many amateur teams play league games or just get together for a little pick-up round or two. I was inspired by the setting sun and the long shadows being cast by the players on the field. Still the same camera, same film.

11th Street Cyclist, Dusk
11th Street Cyclist, Dusk

Actually, the caption for this is somewhat misleading, as the original thought was as much about the red emergency call box post as it was about anything else going on in the scene. But as I was composing, the cyclist came along and I waited until they presented an ideal composition.

Juggler, Bethesda, Barnes & Noble window
Juggler, Bethesda, Barnes & Noble window

This doesn’t quite fit the neighborhood theme as it isn’t in my current neighborhood. But downtown Bethesda USED to be my ‘hood when I was a teenager. This was a “freeze the action” test for the Rollei. It worked remarkably well, wouldn’t you say?

Pacific Insurance Company building, San Francisco

Pacific Insurance Company, San Franciscoq
Pacific Insurance Company, San Francisco

Another neat architectural CDV. From the earlier 1870s most likely. Almost certainly the building does not stand today as it would have been destroyed in the 1906 earthquake.

More student work from Advanced Topics in Platinum/Palladium

Trolley Stairs, Glen Echo Park
Trolley Stairs, Glen Echo Park

This is a blended platinum/palladium print (60% platinum, 40% palladium) print, on Bergger COT320 paper. This was by a student from my Intro class, but I reprinted it for this session (the student left the negative behind after the Intro class, and I happened to really like the shot anyway). This one was coated using a glass rod as opposed to a brush, to demonstrate the difference in the coating technique, and the final appearance of the print.

Crystal Pool, by Patrick Brown
Crystal Pool, by Patrick Brown

This is a palladium print on light Kozo paper, by Patrick Brown, one of my students in Advanced Topics. He was also in my Intro class. It’s so nice to get follow-on students so you can see their progress!

Kozo paper is a Japanese paper made from tree bark, and it is surprisingly strong for as delicate as it is – this is perhaps a 90 lb paper. It does have a tendency to dissolve in aqueous solutions, but if properly masked when developing, the image area can be preserved, even if the edges do get fringed a bit. This is a perfect example. I included the paper margins to show more clearly what the paper texture looks like.

We had some challenges this class session – the original idea was to try out some different paper types, and I had obtained a sampler of several kinds. We started the morning with Stonehenge, which was supposed to be a good paper, but something was dramatically wrong with the batch we got, as we were making 30 minute exposures and still coming up weak and flat. After this is over, I’ll get a little more for myself and try pre-acidifying it to see if that helps, but no mention of acidification was made in the sample kit and I couldn’t find any reference to acidifying it online. Fortunately we didn’t waste too much time before figuring out it was the paper at fault and not the chemistry, and life moved on.

Student work – from my Advanced Platinum Printing course

Just wanted to post a print made by one of my students, from my Advanced Topics in Platinum/Palladium printing. The advanced topics class covers contrast control techniques, working with different papers, making digital negatives, and gum-over-platinum prints. This was made from a digital negative we created in class from a medium-resolution JPEG! I’m impressed. Patrick will have a print to be proud of as a result of this class.

Orthodox Cathedral, by Patrick Brown
Orthodox Cathedral, by Patrick Brown

By the way, I will be re-running my Intro to Platinum/Palladium course at Photoworks, October 20-21. If you are interested, please sign up now, while there’s still room!

Danielle Ezzo – curator and photographer

Danielle Ezzo makes beautiful salt prints. You should check out her work!

http://dezzoster.tumblr.com

She has an upcoming show at Galerie Protege in New York, the opening is October 11.

Lovingly Distant, by Danielle Ezzo
Lovingly Distant, by Danielle Ezzo

Another addition to the New York Victorian Photographers Map

I found another photographer in New York to add to my map. This is a case of one photographer taking over the same studio of another – in this case, a Mr. A.W. Jordan took over the premises of Abraham Bogardus’ old studio.

I found the reference to A.W. Jordan on an 1870s Carte-de-visite of a civil war veteran multiple amputee, and the same address was used by Bogardus in the velvet pad on one of his daguerreotypes. It would be interesting to find out if there was another tenant in the studio between Bogardus and Jordan, or if the studio was sold to Jordan directly from Bogardus.

Patterson House CDV

Here’s an anonymous CDV, labeled on the back “View of Patterson’s House, from the N. Yd” I take that to mean North Yard. It must have been an industrialists home, built on the grounds of the factory.

Patterson House CDV
Patterson House CDV
Closeup, Patterson House
Closeup, Patterson House

This is only the second architectural CDV I’ve found. I did some cleanup on the scan of the close-up to make it easier to view. If anyone has any idea where this is/was, I would greatly appreciate feedback. The cdv was purchased in south-west Virginia, near Staunton and Harrisonburg. This is perhaps the poorest condition CDV I own, as it has separated into its various components – the albumen print has separated from the card backing, which has separated into two separate, very thin and delicate layers. This is actually interesting because it gives you an insight into how these were assembled, and the various weights and qualities of the paper components. This is also the first CDV I have that the glass plate negative shows a crack in the print (note the lower left corner of the image). I’ve seen plenty of other larger wet collodion images shot on glass plate that show cracks, perhaps the most infamous one being Alexander Gardner’s last portrait of Abraham Lincoln where the plate cracked right through his head. But I’ve never seen a CDV sized image with a cracked plate. Either it just didn’t happen all that often, or the plates that did crack were re-shot and discarded, or both. In any case, this must have been a very important image to someone to have survived the damaged plate.

*ADDENDUM*

Patterson House was the home of one of the first commandants of the US Navy Yard in Washington DC. So N. Yd. stands for Navy Yard. This would also place the image in the 1860s, perhaps inter-war or possibly pre-war. Given the location, it is quite possible this image came from either the Brady or Gardner studios, or perhaps even Timothy O’Sullivan. It is impossible to say as there is no identifying imprint on the recto, and the original verso layer of the card is missing. Further research is merited. Because there is no imprint on the front, I would suspect Gardner over Brady, as Gardner did not print his name on the front of his CDVs, and he had a strong relationship with the US Military (he was the one called to photograph the Lincoln conspirators after their capture and incarceration aboard US Navy ironclads anchored at the Navy Yard and the subsequent execution, held a scant few blocks away on what is now the grounds of Fort McNair). So I may well have another Gardner image!

Glen Echo Park, Twilight

Glen Echo Park Sign, Evening
Glen Echo Park Sign, Evening
Glen Echo Carousel, Midway, Twilight
Glen Echo Carousel, Midway, Twilight
Dentzel Carousel, Glen Echo, Sunset
Dentzel Carousel, Glen Echo, Sunset
Glen Echo Arcade, Twilight
Glen Echo Arcade, Twilight
Glen Echo Arcade,Puppet Company, Twilight
Glen Echo Arcade,Puppet Company, Twilight

Rolleiflex 2.8E, Kodak Ektar 100.

More of my twilight/nighttime exposures. The subject is Glen Echo Park, again. I love shooting in the park because of the wonderful neon lights, and the fact that while it’s never BUSY at that time of day, it’s never empty either. The park is always changing with the seasons, and it has a very secluded feel despite the proximity to the nation’s capitol and two very busy highways.

Dupont Taxi, Palladium

Taxi, Northbound on Connecticut at Dupont Circle, Night
Taxi, Northbound on Connecticut at Dupont Circle, Night

Another image in that nighttime series. Palladium print, Bergger COT320 paper.