Category Archives: Washington DC

Neighborhood Walkabout – Surviving Gentrification

The signs of gentrification, both good and bad, abound in my area. Funky old shops in decrepit buildings are being forced out and razed to be replaced by condos and market-rate rentals at prices I don’t know how anyone can afford and being serviced by shops and restaurants worthy of being spoofed by AbFab. At the same time, the drugs, the street crime, and the random trash are all disappearing too.

SaintEx, 14th Street, from above
SaintEx, 14th Street, from above

I’m not sure Mitoni’s salon is still in business, or if it is, for how much longer. But I’ve not been sure if it is in business for the last decade, frankly. Regardless, it will shortly be going away to be replaced by an 8-10 story condo/retail complex.

Mitonis Salon, 14th Street
Mitonis Salon, 14th Street

You can very clearly see the layers of old and new, gentrified and recycled here. A former post office (that was once notorious for a rat infestation that destroyed tens of thousands of pieces of undelivered mail) is now a trendy taqueria. An old antiques store is now the Policy restaurant and bar with the roof deck you can see. In the upper left background is the old cold storage facility which oddly enough still rents out storage lockers. Behind the street-level buildings in the foreground is The Louis, a high-rise condo complex with swanky restaurants, coffee shops, and a Trader Joes (which is actually a welcome addition to the neighborhood). This shot was taken from the roof of Room and Board, an upscale furniture shop in what was a long-boarded-up former car dealership building.

T Street, From Room&Board's Roof
T Street, From Room&Board’s Roof

The dining room at Doi Moi, a new Thai/Vietnamese restaurant.

Tables, Doi Moi
Tables, Doi Moi

Transformer Gallery is one of the pre- to mid-gentrification vestiges. They’re a small space, and perhaps their saving grace is the fact that the space is too small for most developers’ interests. I don’t know how they survive as, from my perspective, a lot of the art they show is hard to sell.
When I took the photo, it was still August, so I thought the leaves made an interesting ironic statement about the nature of the changing neighborhood.

Transformer Gallery, Premature Fall
Transformer Gallery, Premature Fall

The Fabulous Vegas Lounge is another vestige of the old neighborhood. They must own their building to have outlasted the condo buildings that went up around them. It’s been a Jazz club since the 1970s at least.

Las Vegas Lounge
The Fabulous Vegas Lounge

As usual, all photos taken with my Rolleiflex 2.8E, on Ilford FP4+.

Neighborhood Wanderings – People

I went out on one of my neighborhood walkabouts and found these scenes. I’m still not good with getting people’s faces in street photos because when I try for a portrait, it inevitably becomes non-candid because I take too long trying to compose and focus, they see me, and at best the moment is lost. So I do photos of people from behind. Maybe I’ll work on making it into a thing.

Shopping Couple, U Street
Shopping Couple, U Street
Man With Bags, 14th & U Street
Man With Bags, 14th & U Street

Scenes with activity in them, though, work better. I guess because I’m standing off at an angle to the action and people can pass through without being aware, so they get included from a variety of angles.

Dolcezza Gelateria
Dolcezza Gelateria
Crown Pawn
Crown Pawn

And sometimes they get included because they’re completely unaware of the camera’s presence, like the worker inside Ben’s Chili Bowl.

Ben's Panda
Ben’s Panda

All shots taken with my Rolleiflex 2.8E on Ilford FP4+. The Ilford FP4+ is part of a large stash of it that I bought more than a few years ago when there was a scare that Ilford would go out of business. I bought a box of 100 rolls (B&H was running a special on the bulk lot). Well, Ilford stayed in business (thank heavens!), and my use of medium format waned for a while (I sold off my Hasselblad outfit to finance a large format camera), so the bulk lot sat in my basement, going past its expiry date. Now that I’ve found and fallen in love with the Rollei, I’m finally making a dent in that box. It’s a great compliment to the quality of Ilford that I can still use this film this many years past the expiration and I have yet to need to tweak the chemistry to compensate for the film’s aging.

Portraits of Ordinary Objects

I was out doing some more street shooting in my neighborhood and found a couple more “ordinary objects” that cried out for portraits. I’ve included some of my past ones here to provide some context for the project idea.

Triple Meter, 14th Street
Triple Meter, 14th Street
Electrical Box, 13th & U Streets
Electrical Box, 13th & U Streets
Mailbox
Mailbox
Yellow Postbox, Paris
Yellow Postbox, Paris
Hydrant, Chalon
Hydrant, Chalon
Everyday Objects - Payphone
Everyday Objects – Payphone
Siamese Spigot
Siamese Spigot
Traffic Cone
Traffic Cone
Twin Parking Meters
Twin Parking Meters
Mueller Hydrant, K Street, DC
Mueller Hydrant, K Street, DC

These were shot on a mix of films – the black and white are either Kodak Tri-X or Ilford FP4+, and the color shots were taken with Kodak Ektar 100, all using my Rolleiflex 2.8E.

Upcoming Course – The Narrative and the Male Figure

An introductory video discussion about my upcoming class at Glen Echo Photoworks. The course runs on Fridays, from September 19 to November 7, from 7-10pm. The concept of the course is to introduce students to the use of the human figure in narrative photography – telling a story with pictures whether it is a single image, a diptych or triptych, or a series. We will cover the historical use of male figures in narrative photography, from Hippolyte Bayard’s nude self-portrait as a drowned man in protest of having withheld his announcement of the photographic process he invented so that Daguerre could go first (and get all the credit and financial rewards that came from being first) to modern photographers like John Dugdale, Arthur Tress, and Duane Michals. We will also look at the use of the male figure in relation to questions of gender, sexuality, and identity. To register for the course, click here – The Narrative and the Male Figure

Seth Kinman’s Elkhorn Chair – by Brady

Ok- it looks like the elk horn chair Seth Kinman gave to President Lincoln made the photo studio rounds in 1864. I now have a copy of the Brady version of the chair’s portrait, along with the Alexander Gardner version. In perusing the Wikipedia article, there appears to be at least one other Brady version of the Kinman-Lincoln chair. I’m trying to find out the disposition of the chair today – it may be part of the White House collections, or it may belong to the Smithsonian. I’ll update when I find out.

According to Wikipedia, here is the story of this particular chair:

Kinman’s presentation of an elkhorn chair to President Abraham Lincoln at 10 a.m. on Saturday, November 26, 1864 was recorded by artist Alfred Waud, the only known picture of Lincoln accepting a gift. The drawing shows Lincoln examining Kinman’s rifle, which he called “Ol’ Cottonblossum.” Kinman also presented a fiddle made from the skull and a rib of his favorite mule and played the instrument.

Much to the amusement of Lincoln and other spectators, he played ‘Essence of Old Virginia’ and ‘John Brown’ on the bones of the mule. Lincoln said that if he could play the fiddle he would ask him for it, but since he could not, the fiddle would be better off in Mr. Kinman’s hands.

Within three weeks, Lincoln stated that he would prefer to eat Kinman’s chair, antlers and all, than to appoint a certain office-seeker.

The following April, Kinman marched in President Lincoln’s funeral cortege in Washington.

Elkhorn Chair given to A. Lincoln by Seth Kinman, 1864
Elkhorn Chair given to A. Lincoln by Seth Kinman, 1864

Here is the Gardner CDV for comparison:

Seth Kinman's Elkhorn Chair, Presented to A. Lincoln, November 26, 1864
Seth Kinman’s Elkhorn Chair, Presented to A. Lincoln, November 26, 1864

To quote the Wikipedia page about Seth Kinman:

Seth Kinman (September 29, 1815 – February 24, 1888) was an early settler of Humboldt County, California, a hunter based in Fort Humboldt, a famous chair maker, and a nationally recognized entertainer. He stood over 6 ft (1.83 m) tall and was known for his hunting prowess and his brutality toward bears and Indians. Kinman claimed to have shot a total of over 800 grizzly bears, and, in a single month, over 50 elk. He was also a hotel keeper, barkeeper, and a musician who performed for President Lincoln on a fiddle made from the skull of a mule.

Known for his publicity seeking, Kinman appeared as a stereotypical mountain man dressed in buckskins on the U.S. east coast and selling cartes de visites of himself and his famous chairs. The chairs were made from elkhorns and grizzly bear skins and given to U.S. Presidents. Presidents so honored include James Buchanan, Abraham Lincoln, Andrew Johnson, and Rutherford Hayes. He may have had a special relationship with President Lincoln, appearing in at least two of Lincoln’s funeral corteges, and claiming to have witnessed Lincoln’s assassination.

His autobiography, dictated to a scribe in 1876, was first published in 2010 and is noted for putting “the entertainment value of a story ahead of the strict facts.” His descriptions of events change with his retelling of them. Contemporary journalists and modern writers were clearly aware of the stories contained in the autobiography, “but each chooses which version to accept.

NYC Subway shot found!

I found the shot I had taken of the NYC subway train oncoming. Again a bit impressionistic, but you can still feel the difference between it and the other city’s subways that I’ve photographed, even though the car isn’t at all visible in the exposure. I THINK this is the N/Q/R platform at 5th avenue and 59th street- it’s been a while since I took the shot.

NYC Subway Oncoming, 59th St
NYC Subway Oncoming, 59th St

Here are a couple more of my subway shots as a comparison. Please pardon the repetition of the recent post:

Gallery Place Metro #2
Gallery Place Metro #2
Oncoming Metro
Oncoming Metro
Toronto Subway
Toronto Subway
Metro Train Arriving, Archives Station
Metro Train Arriving, Archives Station
Speeding Metro
Speeding Metro

All shots taken with my Rolleiflex 2.8E. Film used was either Ilford FP4+ for the b/w shots or either Kodak Portra 160 or Ektar 100 for the color.

Bikeshares – riffing off the Public Transit theme

For rather obvious reasons, most of these are of the bikeshare here in Washington DC. I will be shooting more in other cities where I find them – I’m going to try New York the next time I’m up there, as the CitiBikes are everywhere in Manhattan. I do have token representation from Paris, though. I shot these with a range of cameras, from my Rollei to a loaner Fuji GSW 690 II, to my RB-67. Each has their merits and the different formats I think actually work together to convey the varied moods and perspectives of the bikeshare experience.

Ve'Lib Bikeshare
Ve’Lib Bikeshare
Capital Bikeshare - Konica Infrared
Capital Bikeshare – Konica Infrared
Bike Share Rack, 11th Street
Bike Share Rack, 11th Street
Wet Bike Seat
Wet Bike Seat
BikeShare #2
BikeShare #2
BikeShare #1
BikeShare #1
Capitol Bikeshare, Rhode Island Avenue
Capitol Bikeshare, Rhode Island Avenue
Capitol Bikeshare, 7-Eleven Windows
Capitol Bikeshare, 7-Eleven Windows
Bikeshare Downtown, in the Rain
Bikeshare Downtown, in the Rain
Capital Bikeshare, Snowstorm
Capital Bikeshare, Snowstorm
Bikeshare Kiosk, Washington Monument, NIght
Bikeshare Kiosk, Washington Monument, NIght

Public Transit

I mentioned in my post about Toronto how the different transit systems look and feel, even when capturing them in a similar way. Here are four shots of the Toronto, Paris and Washington DC subways. All four are behaving similarly – long handheld exposures as the trains pull in to the station, yet all four look and feel quite different.

Toronto Subway
Toronto Subway
Speeding Metro
Speeding Metro, Paris
Metro Train Arriving, Archives Station
Metro Train Arriving, Archives Station
Oncoming Metro
Oncoming Metro

July 4th – Smithsonian Folklife Festival

Every year at the end of June/beginning of July the Smithsonian Institute puts on the Folklife Festival down on the National Mall. They bring in craftspeople from various cultures around the globe to demonstrate ways of life in those cultures, from farming and fishing to music and dance. This year China and Kenya were the countries represented. I went down on the 4th of July this year to take a look and see what was on display.

You could see this pavilion on the mall from 14th Street every day driving by. I wondered what it was all about and had to stop and see it close up. The building is built like a traditional Chinese city gate, but made of a bamboo frame and covered in paper. I never did see what the Zuni Icosahedron thing on the front of the gate meant.

Zuni Icosahedron Chinese Pavilion
Zuni Icosahedron Chinese Pavilion

Sometimes it’s just the simple things that attract your attention. This banner flapping in the wind made such a bold graphic statement with its geometry contrasting with the organic cloud forms.

Chinese Banner, Folklife Festival
Chinese Banner, Folklife Festival

Here are the bamboo wind chimes that filled the structure of the paper gate. One thing that amazed me was how fast they were able to disassemble the gate structure – it was literally up one day, gone the next. You can take that as a commentary on the ephemeral nature of existence if you like.

Bamboo Wind Chimes, China Pavilion
Bamboo Wind Chimes, China Pavilion

In the Kenyan area of the festival, they had this traditional fishing boat on display, and Kenyan craftsmen were working on rebuilding it. Not visible here but in the stern were areas that had obviously seen significant wear and tear.

Kenyan Boat, Folklife Festival, Side View
Kenyan Boat, Folklife Festival, Side View
Kenyan Boat, Folklife Festival
Kenyan Boat, Folklife Festival

And finally, as part of the Chinese installation, was this figure. I’m calling him Bao’s Big Boy as he looks like a Chinese Bob’s, or perhaps the love child of Bob’s Big Boy and Astroboy if they were to have a relationship. Toss in a dose of Young Pioneer and you’ve nailed it.

Bao's Big Boy?
Bao’s Big Boy?

Panoramas with a Rolleiflex

A long time ago, I saw this interesting little gadget sitting in the used equipment case at my local camera store. It was a panorama adapter for Rolleiflex cameras that enabled you to shoot up to a 360-degree panorama on a single roll. It has a built-in bubble level (which is absolutely critical). You put the camera on top, then focus and compose as normal. Once you have the focus and exposure set, you don’t change them (this is also critical). Take the first exposure, then push in the little locking lever, rotate the camera to the next increment on the dial, and take the next picture, and so on until you have shot as many frames as you want to shoot. It is critical to maintain focus and exposure as set on the original frame because changing focus will mean that things in one frame will not be in exactly the same proportion as they were in the previous frame,therefore they will not blend seamlessly. Ditto for exposure – if you change the exposure from frame to frame, ESPECIALLY if you are shooting color film, you’ll never be able to match the frames.

Done right, you get this:

Dupont Circle Underpass
Dupont Circle Underpass

It isn’t perfect because with the long exposures (45-90 seconds each – I forget which I used, but as you can see they’re all exactly the same) traffic patterns don’t flow through the underpass during all three exposures, and the lens flare from the street light in the middle picture doesn’t carry over to the same degree in the left picture, thanks to the lens hood. But you have to look at it to see the three frames separately.

If things aren’t perfect, then you end up with:

Starbucks, Dupont Circle Triptych
Starbucks, Dupont Circle Triptych

While the alignment is pretty close, the color is off a bit on each frame. This took quite a bit of Photoshoppery to get it to match as well as it does. I kind of expected this outcome when trying this shot because I knew the traffic patterns wouldn’t line up from frame to frame, and wanted to see how it would turn out. I think it worked well enough as an effect, but I’m on the fence as to whether I’d try it again.

If you don’t have everything perfectly level, you get:

Dupont Circle Fountain
Dupont Circle Fountain

Also lots of Photoshoppery went into getting the colors and density to match from frame to frame. This one has been rotated and cropped to get it MORE level, but you can see between the oval of the fountain and the overall tilt, it wasn’t level and square enough.

And last but not least, another experiment with disjointed traffic flow around Dupont Circle.

Traffic, Dupont Circle
Traffic, Dupont Circle

Another part of this experiment was to see how Kodak Ektar 100 does with long night exposures. My previous (and still) favorite for night photos is Portra 160. While Ektar hasn’t dethroned Portra for this purpose, it proves it can stand on its own and I don’t need to carry multiple emulsions with me when I travel to cover every scenario. I can bring a few rolls of Portra 800 for when I need to shoot hand-held in low light, and the Ektar 100 for everything else.