Category Archives: Washington DC

Two More from Chinatown

Spy Museum, G Street, Twilight
Spy Museum, G Street, Twilight

This is looking West on G Street, across the street from the National Portrait Gallery and American Art Museum (they’re housed in the same building, the former US Patent Office, once the largest building in Washington, occupying an entire square block. Designed to be fireproof (although proven later due to budget cuts during construction to NOT be as fireproof as designed), it was home to Abraham Lincoln’s Inaugural Ball). If you saw photos of this street from 30 years ago you would barely recognize it – the entire neighborhood was in rough shape, and despite the museum’s presence, not a safe place to be. They wouldn’t let school groups wander beyond the museum – it was straight from the bus to the building, and back directly into the bus in those days. The whole neighborhood smelled of Eau de Homeless. Now, drinks at Zola are $10-15 each for bottom-shelf liquor, and dinner for two at Rosa Mexicano around the corner will routinely set you back $70-100.

Portrait Gallery Steps, Twilight
Portrait Gallery Steps, Twilight

As you can see, sitting on the steps of the Portrait Gallery is a popular pastime, although not as popular as it used to be amongst teenagers who used to congregate there in large numbers pretty much all year round. The downside was that they weren’t absorbing culture – they were there being teenagers, being rowdy and noisy, sometimes getting into fights, and other inappropriate behavior. So the museum installed speakers that play classical music. Beethoven, the ultimate teenager repellant!

Nighttime in the fog

A few nighttime photos in the fog. I think these really captured the atmosphere of the evening. It had been warm in the daytime, then rained, and when the rain stopped, it was already dark, so we ended up with this cool fog. I wanted to capture that feel of the streets at night in the fog, and since I live somewhere very residential, I figured this was a pretty safe place to do it as there wouldn’t be much traffic to worry about if I stepped into the street for a four second exposure. All these were taken with my Rolleiflex, on expired Fuji NPH 400 film. The reason why I’m shooting all this expired film is not that I’ve got some kind of outdated film fetish, or that I’m a cheap-ass bastard and refuse to buy fresh film, but rather I’m just having fun experimenting and I don’t want to use “good” film on experimental stuff if I have some old film that nowadays is for all intents and purposes free but for the processing cost.

But what about the square, you say? Aren’t all Rollei photos square? Well, I do love square photos, and that’s one of the reasons why I love the Rollei so much. But there does come a time when you have to look at the photo and decide if a crop makes the image stronger. In all of these cases, the original square composition had too much something – too much sky, too much foreground, etc. So I cropped for more dynamic compositions that didn’t have so much dead space in them. I think these are much better.

Red Light, Green Light, Fog, 11th & Euclid
Red Light, Green Light, Fog, 11th & Euclid
Daring Cyclist, Fog, 11th & Euclid
Daring Cyclist, Fog, 11th & Euclid
Fog, 11th & Euclid, #1
Fog, 11th & Euclid, #1
Fog, 11th & Euclid, #2
Fog, 11th & Euclid, #2

Glen Echo Carousel Motion Study

Glen Echo Carousel in Motion, #1
Glen Echo Carousel in Motion, #1
Glen Echo Carousel in Motion, #2
Glen Echo Carousel in Motion, #2
Glen Echo Carousel in Motion, #3
Glen Echo Carousel in Motion, #3
Glen Echo Carousel in Motion, #4
Glen Echo Carousel in Motion, #4

Just some more playing with movement studies using the Rolleiflex. This was shot with 11 year old expired film – Fuji NPS 160. It has held up remarkably well. Otherwise I don’t have a lot to say, as the pictures speak for themselves I think.

Neighborhood Scenery

Mural, 11th Street, Sunset
Mural, 11th Street, Sunset

A street scene in my neighborhood. This mural was created on the side of an art gallery/community center/performance space a few blocks from my home. I was on my way to meet a friend for dinner when I spotted it, and the way the light angled across the surface just begged to be photographed. Shot with my Rolleiflex 2.8E, Fuji NPH 400.

Futbol, Sunset, 11th Street
Futbol, Sunset, 11th Street

Why Futbol and not soccer? Well, there is a very large hispanic population in my neighborhood, and as such, it deserves to be called by its proper name, futbol! Y Hernandez está corriendo…y tire…GOOOOOOOOOOOOOOOOOOOOOOL! This is the neighborhood elementary school where many amateur teams play league games or just get together for a little pick-up round or two. I was inspired by the setting sun and the long shadows being cast by the players on the field. Still the same camera, same film.

11th Street Cyclist, Dusk
11th Street Cyclist, Dusk

Actually, the caption for this is somewhat misleading, as the original thought was as much about the red emergency call box post as it was about anything else going on in the scene. But as I was composing, the cyclist came along and I waited until they presented an ideal composition.

Juggler, Bethesda, Barnes & Noble window
Juggler, Bethesda, Barnes & Noble window

This doesn’t quite fit the neighborhood theme as it isn’t in my current neighborhood. But downtown Bethesda USED to be my ‘hood when I was a teenager. This was a “freeze the action” test for the Rollei. It worked remarkably well, wouldn’t you say?

Glen Echo Park, Twilight

Glen Echo Park Sign, Evening
Glen Echo Park Sign, Evening
Glen Echo Carousel, Midway, Twilight
Glen Echo Carousel, Midway, Twilight
Dentzel Carousel, Glen Echo, Sunset
Dentzel Carousel, Glen Echo, Sunset
Glen Echo Arcade, Twilight
Glen Echo Arcade, Twilight
Glen Echo Arcade,Puppet Company, Twilight
Glen Echo Arcade,Puppet Company, Twilight

Rolleiflex 2.8E, Kodak Ektar 100.

More of my twilight/nighttime exposures. The subject is Glen Echo Park, again. I love shooting in the park because of the wonderful neon lights, and the fact that while it’s never BUSY at that time of day, it’s never empty either. The park is always changing with the seasons, and it has a very secluded feel despite the proximity to the nation’s capitol and two very busy highways.

Dupont Taxi, Palladium

Taxi, Northbound on Connecticut at Dupont Circle, Night
Taxi, Northbound on Connecticut at Dupont Circle, Night

Another image in that nighttime series. Palladium print, Bergger COT320 paper.

Variations on a theme – Palladium versus Ziatype

Dupont Circle bus stop, Palladium over Fumed Silica
Dupont Circle bus stop, Palladium over Fumed Silica

Here’s another of my 5×12 panoramics of Dupont Circle here in Washington DC. This was several exposures on the same negative, yielding an approximate minute and thirty seconds or thereabouts. We were printing from this negative in my Advanced Topics in Platinum/Palladium Printing class out at Photoworks Glen Echo this past weekend. The print I scanned for this image was printed on Bergger COT320 pre-treated with fumed silica. The fumed silica yields a definite boost in dmax.

The next print is of the same negative, but printed as a Ziatype. Ziatypes are a variation on palladium, but they use either Lithium Palladium or Cesium Palladium and Ammonium Ferric Oxalate instead, which yields a neutral-to-cool tone image more like platinum in color, and they are a printing-out process developed in water as opposed to a develop-out process that requires Potassium Oxalate or Ammonium Citrate as a developer.

The distinction between printing-out and developing-out, in addition to the chemistry variations, is the fact that a printing-out print’s final exposure is judged by visual inspection – what you see when you pull the print from the contact frame is pretty much what you’re going to get when it is washed, cleared, and dried, but a developing-out print will have some kind of ghost image that is anywhere from almost imperceptible to a partial rendition of the final image prior to development. Neither one is better than the other, except that the Ziatype is easier for beginners until they gain confidence in their coating and printing skills. Ziatypes also have a wide range of contrast controls that will also affect image color in addition to contrast.

Dupont Circle bus stop, Ziatype
Dupont Circle bus stop, Ziatype

Further Colors of Night- DC’s Chinatown

Fresh Noodles Made Daily
Fresh Noodles Made Daily

The fresh noodles and Peking duck house on 6th Street, NW. I think someone needs to teach them about Windex, as the “OPEN” sign is fuzzy not from being out of focus in my composition but from the splattered duck fat on the window. And no, I’ve never eaten there to know if the food is any good or not. But if you’re lucky when you wander by you can watch them making traditional Chinese noodles in the window, stretching and re-folding the dough over and over and over again, then cutting the ends and BOOM! you’ve got all these separate strands of pasta.

Mings Chinatown
Mings Chinatown

I liked the juxtaposition of the empty sidewalk out front, the lone Prius in the parking lot next door, and the intimate diners in the window.

Secession Sushi - The Wok 'n Roll in the Surratt House
Secession Sushi – The Wok ‘n Roll in the Surratt House

This one gets a cutesy title because there’s just something so post- and meta- and ironic and all that kind of stuff about having a sushi joint on the ground floor of Mary Surratt’s boarding house, where the plot to assassinate Abraham Lincoln was hatched. Don’t believe me? Read the plaque on the wall of the house, like the two time-blurred figures in the photo are doing. It’s a very odd vestige of what downtown Washington looked like in 1865, and despite what Robert Redford would have had you believe in “The Conspirator” (by filming in an albeit lesser mansion in Savannah, Georgia), evidence of the utterly middle-class lifestyle of Mary Surratt.

All the above images were shot with my Canham woodfield 5×7, using my Kodak 12″ Commercial Ektar, using Kodak Portra 160nc film.

The Colors of Night – more Washington DC and environs shots

Fountain, Georgetown Waterfront, Kennedy Center
Fountain, Georgetown Waterfront, Kennedy Center

Burma Restaurant, Chinatown, DC
Burma Restaurant, Chinatown, DC
Glen Echo Sign
Glen Echo Sign


Three more in my DC at night series. These were all shot with the Canham 5×7 wood field, and if memory serves, all were taken with the Kodak 12″ Commercial Ektar lens.

Some of my remaining 5×7 color negative film

Georgetown in a Rainstorm
Georgetown in a Rainstorm

Here’s another in my DC at Night photos – the intersection of Wisconsin Avenue and Water Street, under the Whitehurst Freeway in Georgetown. I was down there shooting some other scenes, trying to finish off my 5×7 color negative film stock (I bought a 50 sheet box when it was only $150 a box…now, over $400!!!!). This was taken with my 12″ Kodak Commercial Ektar lens. A roughly 30 second exposure. I was a bit nervous during the shoot as I was out in the rain, with a carbon-fiber tripod, and sheltering under a gigantic steel overpass. I think the lightning was a few miles away though, and nothing happened. I was a little bummed that none of the lightning recorded in the sky as anything other than general fog, but hey… the headlamps and tail lights of the cars recorded very nicely, don’t you think?