Tag Archives: Kennedy Center

Skateboarding at the Kennedy Center

Now THERE’S a phrase you wouldn’t normally expect to read, with the possible exception of the “Local Crime” section of the Washington Post. But it’s true. The Kennedy Center, like so many other cultural institutions, is having a hard time attracting young audiences. In a bid to outreach, they set up a skate park on the front terrace and invited local skateboarders to come and perform, and tossed in a stage for live bands.

Flying Boarder, Kennedy Center
Flying Boarder, Kennedy Center

This was one instance (of many) where having my Rolleiflex was a huge advantage. It gave me an entree to talk to the skaters and ask for portraits. Everyone loved the camera and if I asked, they posed willingly. On the few action shots I took, it also helped by having no mirror blackout at the moment of exposure, so I could see exactly when I was pressing the shutter button, like in this shot above.

Skate Trio, Kennedy Center
Skate Trio, Kennedy Center

I initially approached the asian skater about taking his picture. He pulled in his friends and all of them posed together. I was surprised at how willing they were to pose, as I mostly shoot candid street photos and people don’t always appreciate that. I don’t know what it was about that day but everyone was just so natural in their posing, it all worked out so well and I didn’t have to direct anyone.

Flying Skater, Kennedy Center
Flying Skater, Kennedy Center

This was a fun shot to take, as I was anticipating this kind of motion blur, but couldn’t know what exactly to expect because the eye doesn’t see motion blur at 1/30th of a second. But I knew I got the skateboarder in the right place.

Skateboard Punk Girl, Kennedy Center
Skateboard Punk Girl, Kennedy Center

This girl was working the lights at the event. She saw my camera and asked about it, so we chatted for a couple of minutes about the event, the folks skating, and the weather (it was scorching hot that day, and inside the light tent had to be even hotter). I asked for her picture and she immediately said yes, and even suggested the backdrop instead of inside the lighting tent.

Skate Buddies, Kennedy Center
Skate Buddies, Kennedy Center

The kid in the white shirt saw my Rollei, and asked some questions about it, and was very excited by it. Again, I asked for a photo before he started his next run, and he pulled his buddy over, they wrapped their arms around each other, and posed. All on their own, no direction from me. I was very chuffed to see how the shot turned out, as I was shooting on the run as it were – one of the docents for the event had earlier shooed me off from the spot where I was standing to take the picture because it was in the path of potentially out-of-control skateboards.

Architectural Abstracts in Black and White

If there’s one subject that never fails, it’s architecture. Twenty-four hours a day, it looks different. To the patient and observant eye, even the most seemingly bland box of a building can be transformed into a study of volume and texture with the careful observation and application of light.

Steel girders wrapping a facade for protection during renovation become a study of patterns and of contrasting textures – the rigid linearity and modernity of the I-beams highlights in strong relief the delicate brickwork and moldings behind it, and the strong shadows cast by the evening sun bring out geometric repetition.

Facade, Girders
Facade, Girders

The white crane above the girder wall catches the late afternoon sun, a thrusting line that divides the blank sky with dynamic movement that creates multiple negative spaces instead of unbalancing the image with empty information.

Miller & Long Crane
Miller & Long Crane

This image would be even better in color as there are patches of blue in the stairwell that repeat in a subtle pattern, drawing your eye into and up the stairs, but even in black-and-white, the repeated lines of the ascending structure draw your eye through the image.

Glass Staircase, GW
Glass Staircase, GW

I like the vertiginous vertical lines of the apartment tower as you look straight up it. Believe it or not this was shot hand-held, no tripod, no level, just very careful eyeballing and steady hands.

Columbia Plaza Tower
Columbia Plaza Tower

The Kennedy Center for the Performing Arts is a magnificent slab of white marble. Even the outside spaces are all grand and awe-inspiring, very much in keeping with the goal of presenting and preserving the performing arts. Here the roofline is a dramatic act in itself, like a set piece in an opera playing on the stage within. Wagner couldn’t have composed it better.

Kennedy Center Corner
Kennedy Center Corner

Another vertigo-inducing shot looking straight up at what I call the ships’ prow building. The facade is mostly flat, but this arced wedge bursts forth from the surface like a ship’s prow cutting the waves.

Ship's Prow Building, H Street
Ship’s Prow Building, H Street

Finished!!!

After a LOONG weekend of playing with my printer to get it to cooperate (running out of four different inks @ $60/cartridge, figuring out how to solve problems with head strikes on my prints, running out of paper at $115/box thanks to the aforementioned ink shortages and head strikes), I now have my show completely printed. Eight prints are already framed and ready to go, the remaining 12 are going to be framed tomorrow, and the show hung on Tuesday after work. I’ve done shows before, and of course it’s always hard work, but this is the biggest show I’ve done in terms of volume. Even my biggest past Artomatic was probably 12 prints. I’m very psyched about the show. Here’s a recap for those who can’t make it to the opening (REMINDER: August 2, 7-10 PM, Mad Momos Restaurant, 3605 14th Street NW, Washington DC). This exhibit pays tribute to the parts of Washington I pass through on a regular if not daily basis. I want to show what this town looks like to a resident, as well as showing it in an unfamiliar way even to those folks who do see these things all the time. As I mentioned in my blurb about the reception, I love the way color distorts and transforms at night because we no longer have a single, unidirectional light source of uniform color and quality. I’ve started these photos with late evening/sunset/twilight and progress into deep night to capture the feeling of that time of day. I hope these photos express that sense of drawn out time and transformed space, be it through blurred motion or the interplay of lights.

Crane, Traffic, 14th Street, Dusk
Crane, Traffic, 14th Street, Dusk
Nellies Sports Bar, From 9th Street
Nellies Sports Bar, From 9th Street
Ghibellina
Ghibellina
Le Diplomate
Le Diplomate
Pan Lourdes, in color
Pan Lourdes, in color
Cavalier Liquor
Cavalier Liquor
U Street Evening
U Street Evening
National Portrait Gallery, Twilight
National Portrait Gallery, Twilight
Pearl Dive Oyster Palace, Vespa, 14th Street
Pearl Dive Oyster Palace, Vespa, 14th Street
14th & Rhode Island Avenue, Moon
14th & Rhode Island Avenue, Moon
Barrel House Liquors
Barrel House Liquors
Studio Theater, from P Street
Studio Theater, from P Street
Studio Theater, from 14th Street
Studio Theater, from 14th Street
Under the Whitehurst Freeway
Under the Whitehurst Freeway
Kennedy Center, Potomac River, Night
Kennedy Center, Potomac River, Night
Water Street, Georgetown
Water Street, Georgetown
Washington Harbor, Cherry Blossoms, Taxi
Washington Harbor, Cherry Blossoms, Taxi
Cyclist returning his Bikeshare, National Portrait Gallery, Sunset
Cyclist returning his Bikeshare, National Portrait Gallery, Sunset
U Street Platform, Oncoming Train
U Street Platform, Oncoming Train
Steps, National Portrait Gallery
Steps, National Portrait Gallery

If any of you have ever produced a photography exhibit, or any other art exhibit for that matter, you’ll have an understanding of just how complicated an effort this is. I’m lucky in that I am able to do my promotional work online for the most part (this blog, email blasts, internet forums, etc), and I already have promotional postcards printed from the last time I exhibited some of this work. It would not surprise me if I did a truly serious accounting of what it cost to put this show up on the wall and the bill came in somewhere north of $2500. I know the framing bill alone is in the region of $1100-$1200. Postcards? about $200 for good quality printing from Modern Postcard. Paper and ink? $300. And that’s just the obvious, not counting the two years it took to shoot the images, the film and processing, the editing process, the dinner bribe for my friend who helped with the editing, and all the hardware and software (21.5″ iMac, Epson V750 scanner, Epson 3880 printer, Photoshop CS5, SilverFast AI 8, Gretag-Macbeth EyeOne calibration software and hockey-puck). To say nothing of 20 years of accumulated experience required to produce images like these.

The Colors of Night – more Washington DC and environs shots

Fountain, Georgetown Waterfront, Kennedy Center
Fountain, Georgetown Waterfront, Kennedy Center

Burma Restaurant, Chinatown, DC
Burma Restaurant, Chinatown, DC
Glen Echo Sign
Glen Echo Sign


Three more in my DC at night series. These were all shot with the Canham 5×7 wood field, and if memory serves, all were taken with the Kodak 12″ Commercial Ektar lens.