Another CDV of a circus freak, this is Landon Middlecoff, “The Kentucky Giant”, as photographed by Charles Eisenmann, “the Popular Photographer” and documentarian of the theater trade.
Another Circus Freak – Landon Middlecoff, The Kentucky Giant
Tag Archives: P.T. Barnum
More Midgets – Nellie Keeler and the Rice Family
Here are two more recent acquisitions- another in the same series of Nellie Keeler on the sideboard at Bogardus’ studio in New York-
And one of the Rice Family (“two sisters and a brother, born Germany, aged 35, 24, 33” [from left to right in the image])
Invasion of the little people!
In my online shopping peregrinations, I came across another Nellie Keeler CDV, so of course I had to add the second varietal to my collection. The captions have it that these are one year apart. Who knows the truth of such things, as so many facts about the circus freak sideshow performers were grossly exaggerated for dramatic effect.
Here is the first one I collected, for comparison:
And somewhat ironically, here is a larger size (roughly 5×7) Cabinet Card of a much larger woman, seated in front of the same dining room sideboard on which Nellie Keeler is posing. When I saw that, I had to grab it just for that cool factor of coincidence. I’d read a lot about how work of battlefield photographers could be connected if not identified by the use of the same backdrops, furniture and even prop weapons/uniforms in Civil War tintypes. While not exactly the same thing, this is my first instance of finding the same props in two different photos of two VERY different subjects by the same photographer.
And last but not least (well, maybe least, based on the factoids on the front of the card) is Admiral Dot – yet another Barnum embellishment with an exalted military rank for someone of restrained stature. A contemporary of General Tom Thumb, Commodore Nutt, Major Atom, Count Rosebud and Baron Littlefinger, he also performed in sideshows.
As the photographer is not credited, it may well have been one of the lesser-known New York studios specializing in the theatrical trade who was able to work a deal with Anthony to distribute their cards.
And the Fat Lady Sings
Well, I don’t know if she ever sang, or if she had any kind of performance at all. But her name was Madame Sherwood, and according to the bio on her CDV, she had an 84″ waist and was 675 lbs. Given the Victorian (and specifically Barnum-esque) penchant for exaggeration, I wouldn’t be surprised if she was more like a 60″ waist and 400 lbs but you never know. This CDV has been trimmed, rather significantly, but again this doesn’t detract from the image so I don’t find it terribly objectionable. It definitely impacted the value of the card, but I was not unhappy with the price paid. This is another C.D. Fredericks image. The simplicity of the backstamp not only in terms of the design but also the pomposity (or lack thereof) of the advertising slogan leads to some confusing dating for the image, as “Specialité” was his slogan in the 1850s and 60s, but the subject would have this date from the early to mid 1870s. Fredericks was another New York photographer who, like Gurney (whom he studied under and worked for for a time) and Eisenmann, did significant trade with the theatrical and performing professions.
For more information about C.D. Fredericks, there is a succinct but interesting blurb at Historic Camera
I suppose in a way you could term all these circus freak photos as also being occupationals in that they do show the sitters enacting their profession, which in a way was merely existing as who they were. It’s not like it mattered what outfit Tom Thumb or Madame Sherwood or Isaac Sprague (the Human Skeleton) wore, they were not performing a role, and even if they did, their audience was not coming to see them be Hamlet or Viola or Caliban, but to see the midget/fat lady/human skeleton.
A Day at the Circus!
Here are some more of my circus freaks/performers collection. We’re going to start our tour of the circus in the sideshow, where P.T. Barnum was a busy man – he collected strange people from all over the world, and when he couldn’t find them from afar, he invented foreign origins for them!
Waino and Plutano(r), the Wild Men of Borneo, were actually brothers born in Ohio with physical and mental developmental challenges. As you can see in the photo, even in adulthood, they were pygmy sized. They did however possess considerable strength for their size, and were known to lift up to 300 pounds. Their real names were Hiram and Barney Davis (no relation!). They were a huge success in Barnum’s circus and over a 25 year career in show business spanning from 1880 to 1905, they earned $200,000, a gigantic sum in that day and age.
As you can see, this was yet another carte by Chas. Eisenmann, who specialized in photographing theater people and performers. I love the Victorian era advertising slogans – “Portraits taken by Instantaneous Process – Extra Inducements to the Theatrical Profession” on this carte, and on another one I have by him, it shows a photographer striding the globe, with “The Popular Photographer” inscribed below. It’s too bad the carte-de-visite tradition died out; there’s nothing quite like it today in terms of marketing and character.
Next up, also in the sideshow, is the fat lady. Why this particular display was so popular, I’ll never quite understand. I don’t think the fat ladies sang or had any particular performing talent – they were just fat. I think it would have to have been one of the most humiliating experiences in the sideshow, to be looked at that way. At least in the other circus freak cases like the human skeleton or the midgets, they had little or no other viable employment options.
This image is an E&H.T. Anthony publication, with no credit given as to the photographer. The image has the Anthony blind stamps in the corners, and what appears in the scan to even be a fingerprint, possibly of the person who printed and mounted it. It is a breathtakingly beautiful carte in person, and I would suspect that it is probably a Brady carte, given that Anthony owned the Brady negatives for many years, and served as Brady’s publisher/distributor. The lady appears to be Madame Sherwood, a famous fat lady in Barnum’s circus. She also bears a vague resemblance to another fat lady I have, this one from the Brady studio in Washington DC. I don’t think the Brady image is the same woman, but it’s possible.
The Brady image:
Moving under the big top, we have the acrobats! Here is a trio of boy tumblers/high-wire walkers/trapeeze artists. They look very much like the two I have in another cdv, which I’ll post again here for ease of comparison. If they are the same brothers, then the third one’s name is a mystery to me – the first pair appears to be the O’Brien brothers, but in my research, they were only ever a duo, and their father died fairly young as a result of injuries sustained in a circus accident.
Circus Brothers by Gurney & Son, New York
A pair of circus performer brothers – perhaps twins – by Gurney & Son, New York. Gurney, like Sarony, was famous for photographing the famous of the day. Gurney was the one who was requested to photograph Abraham Lincoln lying in state when his funeral cortege was passing through New York on the return train trip to Springfield. But enough of the morbid thoughts. I liked this image because it contains several collecting themes in a single card: children, circus performers, and famous photographers. I’ve been fascinated by the Victorian era advertising slogans people used on the verso of their CDVs, and this one does not fail to disappoint – “I have chained the sun to serve me”. I doubt any photographer could make a more arrogant statement!
I suspect they were also with Barnum’s circus, but I don’t know. If anyone out there recognizes them and knows their identity, it would be much appreciated!
More Fairy Wedding Photos
I admit it – I got the Fairy Wedding bug. No, not the Charles & Diana wedding bug, or the more recent William & Kate or the Kim & Kris wedding bug (I’d pay YOU to remove the People magazine footage of that debacle from my sight! Celebrity whores have you no shame???). But I digress – I’m fixated on the ORIGINAL celebrity wedding photos: the marriage of Tom Thumb and Lavinia Warren, photographed by THE American celebrity photographer, Mathew Brady (yes, Mathew with one T), and stage managed for maximum publicity by P.T. Barnum, the original master promoter and co-creator of the circus that still bears his name.
Here is the follow-up to one of my earlier images of Tom and Lavinia in their wedding ceremony outfits. This one is the dress she wore to their reception with the 2000 guest receiving line where they stood atop a grand piano at the Metropolitan Hotel.
Another, odder wedding souvenir card. This one features George Nutt and Minnie Warren, Lavinia Warren (Mrs. Tom Thumb)’s sister and later George’s wife, playing chess. What this had to do with the wedding is beyond me, but it obviously catered to some 19th century sensibility – perhaps the suggestion was that they had outsized brains in their diminutive bodies, further exaggerating the curiosity/freakish attraction to a customer looking for a spot of distraction from the civil war raging around them in 1863.
This image, undated and uncredited, is from some time later, possibly in the 1870s. Charles and Lavinia Stratton were not able to have children of their own, so P.T. Barnum, ever the showman, would acquire an orphan baby and give it to them to portray as their own, and when the baby got too big, he would find another one. Apparently, as a result, they “had” a one-year old baby for the better part of a decade.
As a memory refresher, here’s the rest of the gang in thumbnails.
Tom Thumb’s Fairy Wedding by Brady
Ok, I’ve been waiting for a while to get this one. I originally saw a listing with a copy of this image on Ebay for somewhat north of $300. I debated and debated whether to get it or not. After much consideration, I passed on it, thinking that the signatures on the back were most likely facsimiles, and not original signatures. Patience paid off – another copy (the one I bought) showed up. While not quite as nice a condition, it actually looks much better in person than it does in the scans. My copy had the added benefit of being less than a quarter of the current asking price of the other copy I passed on.
For those not familiar with the subject matter, Charles Stratton, AKA General Tom Thumb, was a star of the P.T. Barnum sideshow and performer from the 1840s to the late 1870s. He was born a relatively large, healthy baby but stopped growing significantly before his second birthday. At his tallest he was 3 feet 4 inches. In 1863, he married another dwarf, Lavinia Warren. His best man was George W.M. Nutt, a fellow dwarf and performer in Barnum’s circus, and Lavinia’s bridesmaid was her younger sister, Minnie, also a dwarf. The event was dubbed “The Fairy Wedding” and was the social event of the year. Two thousand guests packed Grace Episcopal Church in Manhattan. After the wedding, Charles and Lavinia went to Washington where they were received by President Lincoln. Charles, Lavinia, George and Minnie posed for Matthew Brady who went on to sell CDVs of the photo as souvenirs of the wedding through his publisher, E. & H.T. Anthony. This is one of the E. & H.T. Anthony productions.
Recent arrival to the collection
The scan does not do the original justice. An amazingly beautifully preserved CDV of a Barnum performer. She was originally from Kokomo, Indiana. Hired in 1879 at age 11, she weighed 28 lbs. The photo is then most likely also from that year or within a year or two after that date.
For more information, check out quasi-modo.net
dcphotoartist 