Two photos showing different perspectives on the Capital Bikeshare bikes. Shot with my Rolleiflex 2.8E on Kodak Tri-X, developed in Pyrocat HD. I had previously experimented with Rodinal as a developer for Tri-X trying to bring out the grain Tri-X is famous for. I don’t know if there was something I did wrong, or if my developer was old and no longer at full strength (Rodinal allegedly lasts forever, but mine was oh, a good eight years old, and the negs came out kinda flat). I ordered some new Rodinal to replace it to try at higher concentrations to see if I can get the look I was after. It’s nice to see though that if I switch to my tried and true Pyrocat, I can get negs that are as grainless as I want them to be on Tri-X.
I’m starting a new series of portraits of the food truck vendors I frequent here in DC, in or around their trucks. Here are the first two. It’s an important project because the food trucks themselves are endangered by some incredibly ill-considered proposed regulations that would basically make it impossible for them to do business. After looking at the pictures, please go to the Save DC Food Trucks website and sign the petition!
Peruvian BrothersCaptain Cookie
These were taken with my Rolleiflex. This time I’m using Kodak Tri-X, a film I had resisted for years as being too grainy. Well, as you can see in these photos, it’s not. In 35mm, it’s a different story, but then almost everything in 35mm is grainy short of say Ilford PanF or the former Kodak TechPan.
La MoliendaPan Lourdes, in colorTree Lights, 14th StreetGlorias Pupusas
Some twilight photos taken on 14th Street in Columbia Heights. All shots were taken with my Rolleiflex 2.8E on Kodak Portra 160. This time I was using a tripod – the black and white shots were hand-held. While I was out taking these photos, I had someone from Cavalier Liquor come outside and tell me, “you didn’t get permission to take pictures”. He then broke into a smile so I knew he was just teasing. I’ll make a nice print of the picture and bring it to them, one of these days.
I also had someone approach me as to why I was photographing Gloria’s Pupuseria and Pan Lourdes. I explained to the guy I’m a photographer and I take pictures of things I find interesting. He explained his interest in why I was taking pictures with a throwaway line about 9/11 and can’t be too careful these days. As a Pentagon attack survivor, and photographer, I find the gratuitous abuse of 9/11 as an excuse for anything and everything intrusive to be highly insulting. If I were scouting potential targets for a terror attack, I sure as shootin’ wouldn’t be using a Rolleiflex on a tripod! I’d be doing what everyone else is doing and using my cellphone, to be as inconspicuous as possible. And I’d not be scouting out a Latino bakery in a transitional neighborhood. Suspicious behavior is not taking photographs – suspicious behavior is leaving a bulky bag unattended in a busy location. Photography is not a crime, and telling people to look out for photographers is up there with the porno scanners at the airport as the worst kind of security theater – it harasses innocent, law-abiding citizens and presents the illusion of “doing something” while not actually addressing real security needs.
Chickass JeansPan Lourdes, 14th StreetStreet Snack, 14th StreetPhilip Seymour Hoffman and My Shadow
I called this one Philip Seymour Hoffman and my Shadow because the guy sitting against the Metro entrance wall just kinda looks like him, in full-on Method acting mode studying for a role.
Standing in the DoorwayTogether, Apart
This was taken around 10pm on the subway on my way home from Chinatown. I suspect these two were heading home after dinner and a long day (perhaps week!) at the office.
Oncoming MetroChinatown Arch, Sunset
This image has me on the horns of a dilemma- would it have been better in color or as it is in black-and-white? I think it has a certain character in black-and-white that it wouldn’t have in color, but the western sky would definitely look different. Comments?
My new batch of Kodak Portra 160 just arrived today. For a long while I thought it would remain a pipe dream to get to shoot this film again in this size, as the price had more than doubled since I first purchased it. But B&H Photo, the ultimate camera superstore, had a batch on sale, so I snapped up two boxes, hopefully enough to complete a project.
The parade featured a number of non-Chinese groups representing other East/South-East Asian cultures that also celebrate Lunar New Year. Most notable were the Koreans and Vietnamese in the parade. I’ve included some other faces in this post to show the general diversity of the audience in addition to the participants. That diversity I think is one of the strengths and beauties of this area – people from all cultures and walks of life coming together to enjoy a good festival, especially when the air temperature is hovering around freezing!