Category Archives: Travel

Boy in Toreador Suit, Mexico City, August 20, 1949

Boy in Toreador Suit, Mexico City, 1949
Boy in Toreador Suit, Mexico City, 1949
Photographer's imprint, verso, Boy in Toreador Suit
Photographer’s imprint, verso, Boy in Toreador Suit

Here’s a cute photo of a teenage boy in a toreador suit, taken in Mexico City, August 20, 1949. The photographer’s stamp on the back of the print specifies the exact date, which is inordinately helpful. I just wish I could read his name, though – the script on the front AND the typeface used for his name on the back makes it impossible for me to decipher the exact spelling of his last name. Translation of the stamp:

Carlos **unza
A Photographer Whom You Can Recommend
Bolivar 57, Tel: 12.38.84
Mexico, D.F.
20 August 1949

I don’t know that this boy would actually have been a toreador – he could well have been playing dress-up for the camera. But I’ll give him the benefit of the doubt and say he’s legit. Google Mapping the studio address, in all likelihood this was a very posh studio in the center of Mexico City, not far from the historic district (I found THREE addresses with the same street number around the city, but the street views of the other two showed nothing that looked like commercial enterprise ever happening there). If anyone out there in cyberland knows who this photographer was, I’d greatly appreciate letting me know the exact spelling of his name and any biographical data about him. Ditto for the identity of the subject – if he was in fact a toreador, someone out there somewhere knows who he is.

I cropped out some of the card the image is mounted on because it would be wasting space on the screen to show nothing of value, and left enough to show the texture and pattern of the card decoration. It’s truly a vintage piece of the period. The stamp I converted to black and white so I could tweak the contrast in Photoshop and make it easier to read.

Footnote:

Aah- the wonders of google. I was trying to figure out the photographers name, and did some google searching, and came up with Carlos Ysunza as a name. Additionally, there is a currently practicing commercial photographer in Mexico City by that same name. I’ll email him and find out if he is the son of the Carlos who took this photo.

Chihuly Glass and Abstracts, Virginia Museum of Fine Art, Richmond

Abstract, Wall Reflections, Chihuly Exhibit, Richmond, VA
Abstract, Wall Reflections, Chihuly Exhibit, Richmond, VA
Abstract, Wall Reflections, Chihuly Exhibit, Richmond, VA
Abstract, Wall Reflections, Chihuly Exhibit, Richmond, VA
Ceiling, Chihuly Exhibit, Richmond, VA
Ceiling, Chihuly Exhibit, Richmond, VA

This was taken over the Thanksgiving weekend at my visit to Richmond, Virginia and the Dale Chihuly glass exhibit at the Virginia Museum of Fine Art. There was a passageway between rooms where the ceiling had been filled with all these marine-inspired glass forms and then lit from above. The glass forms (seen in the last image) then projected these really abstract color and light patterns on the walls. These were interesting enough that I tried to capture some of the effect of it.

Shot with my Contax G2, 21mm lens, and Kodak Ektar 100 film – hand-held.

People-watching, Virginia Museum of Fine Art

Hall, lounge chairs, VMFA
Hall, lounge chairs, VMFA
Patrons, VMFA
Patrons, VMFA
Formal Dining Room, VMFA
Formal Dining Room, VMFA
Staircase, VMFA
Staircase, VMFA
Café, VMFA
Café, VMFA

I realize there are no people in the staircase shot so it’s not technically people-watching, but it’s part of the same space, and in a way the absence of people can be about the interaction of people with a space in the same way that people in the frame can be. All photos were taken with my Contax G2 and the 90mm and 21mm lenses. Film used was Kodak Ektar 100.

Another CDV verso

J.W. Perkins, Westminster
J.W. Perkins, Westminster

Gotta love the description of the location – “Near the Railroad Depot, Opposite the Catholic Church”. In a town as small as Westminster in the 1870s, that probably was a precise location. I bought this one for the back mark, not for the image (a somewhat faded baby). It was only $1, so I’m not going to complain much. I also like the combined palette and camera logo, implying artistry with a camera.

National Gallery of Art, Washington DC

Fountain, National Gallery of Art
Fountain, National Gallery of Art

This fountain is visible from both above ground and below as it cascades down a series of steps, sliced through in cross-section. The East and West wings of the National Gallery of Art in Washington DC are connected via an underground passageway, and in the middle of this passageway is a large cafe and seating area. The wall of the passageway opposite the cafe is floor-to-ceiling glass, looking directly in to this fountain. The odd orange dots in the lower corners of the photo are reflections of the Christmas lights on miniature trees placed in front of the window. I deliberately used a moderately slow (1/30th of a second) shutter speed combined with a fairly wide aperture (f5.6 I think) to keep some blur in the water and render it abstract. Just off camera right in this photo is where the light sculpture I posted earlier is located.

East Wing, National Gallery of Art, seen from the West Wing exit
East Wing, National Gallery of Art, seen from the West Wing exit

Here is a view of the I.M. Pei designed East Wing of the National Gallery of Art, from the exit of the John Russell Pope designed West Wing. The strange colors are caused by the coatings on the glass to prevent UV transmission and keep the lobby cool in the summer. I waited for some people to go through the doors to add a touch of energy and human engagement to the image. You can see the above-ground portion of the fountain from this photo.

North Lobby, National Gallery of Art
North Lobby, National Gallery of Art

This is the North entrance lobby of the West Wing of the National Gallery of Art. I’m standing at street level by the security guard’s desk, looking up through the oculus at the chandelier. This is another grand space that is under appreciated because most people never look UP when passing through to take in the building design.

All photos were taken with my Rolleiflex 2.8E, using Kodak Portra 800.

1903 Winton Touring Car

1903 WInton Tourer
1903 WInton Tourer

This appears to be a 1903 Winton touring car. In doing some image searching, I came across a photo of the 1903 Winton that was driven by Horatio Nelson Jackson that seems to be very similar, with the exception of this being a four seater and Jackson’s being a two-seater. Would that this were a photo of Jackson’s car before he set out on his famous cross-country drive. In 1903 it took him 64 days to cross the US, including numerous breakdowns and delays from having to winch the car out of mud holes and over rocky terrain. His trek proved it could be done. By 1919, when Dwight Eisenhower did it with a military convoy of heavy trucks, it had been reduced to 29 days (average speed less than 6mph, and including 6 days of rest with no travel attempted).

With the chauffeur in the front seat, I guess you could consider this an occupational photo. Regardless, an awesome piece of early automotive history. Note the license plate with the number 1211. Could you imagine driving from Washington DC to San Francisco, a distance of some 3000 miles, in a car like this?

Gallery Place Metro station, Washington DC

Gallery Place Metro #1
Gallery Place Metro #1
Gallery Place Metro #2
Gallery Place Metro #2

Two shots of the Gallery Place Metro station, looking down on the Red Line platform from the mezzanine. Taken with the Rolleiflex 2.8E, hand-held, with Portra 800. Exposure times were 1/2 second or 1 second @ f2.8.

Kogod Courtyard of the National Portrait Gallery, Washington DC

Kogod Courtyard, West Facade, Night
Kogod Courtyard, West Facade, Night
Kogod Courtyard, South Facade, Night
Kogod Courtyard, South Facade, Night
Kogod Courtyard, Southeast View, Day
Kogod Courtyard, Southeast View, Day
Kogod Courtyard, West View, Day
Kogod Courtyard, West View, Day
Kogod Courtyard, South View, Day
Kogod Courtyard, South View, Day

Here are some views of the Kogod Courtyard of the National Portrait Gallery. The blue lighting in the nighttime shots of the courtyard was for an after-hours reception being held at the museum. The courtyard used to be a fairly typical Victorian-era affair with a pair of fountains and some scraggly looking shrubbery, open to the air and more importantly, the weather. A few years ago they undertook a multi-million dollar renovation, ripping out the old landscaping and (non-working) fountains and enclosing it with a Norman Foster designed undulating glass roof. At first I found the interior design rather stark. It has grown on me, though, with the modern interpretations of fountains being just a thin sheet of water flowing in a rectangle across the floor. Of course the roof is the masterwork – it bends and twists like a piece of origami paper. The courtyard is now a very pleasant place to sit and just pass the time, reading a book or eating something from the museum cafe.

All photos were taken with my Rolleiflex 2.8E, on Kodak Portra 800 film. Also, for the die-hard photo geeks out there, I’ve been using the free light meter app for my iPhone to do the metering. I’d say it works pretty darned well 🙂

Light Sculpture, National Gallery of Art – still photo version

National Gallery of Art, Light Sculpture #1
National Gallery of Art, Light Sculpture #1
National Gallery of Art, Light Sculpture #2
National Gallery of Art, Light Sculpture #2
National Gallery of Art, Light Sculpture #3
National Gallery of Art, Light Sculpture #3

Three shots of the light sculpture in operation, taken with the Rolleiflex, hand-held, using Kodak Portra 800. I thought it would make for a different take on the piece compared to the video (which was shot on my iPhone, thus the shakiness). The light sculpture has been set so that it will never in fact repeat itself exactly.

Hobbypational? Vacational? Certainly not Occupational…

Fisherman by Maffett, Boston Spa, Tadcaster UK
Fisherman by Maffett, Boston Spa, Tadcaster UK

Here’s another fun one – really quite bizarre, actually when you think about it. The sitter is posing with a corsage in one hand, a fishing rod in the other, wearing formal attire, standing next to a table with silver candlesticks, that looks like it might be an altar. In a photographers’ studio. Was he on vacation? A hobbyist fisherman? It’s certainly not an occupational because this is definitely a gentleman of leisure, not a working fisherman. And what’s with the corsage?

In keeping with my recent backmark/blind stamp post, I like this one a lot, as it tries to connect portrait photography with painting, or at least bridge the gap. There are quite a few in a similar vein, a definite response to the notion that photography was merely a mechanical, technical operation and not a true fine art.