Look at these which are very similar to some I’ve done in black and white and note how different they feel for one being in color the other monochrome.
Don’t you relate to them differently?
Another example of the emotional effect of color- outside the train is dark, cold, and muted color, whereas inside is warm, glowing, alive and inviting. Wouldn’t you rather be inside the train than outside?
After a LOONG weekend of playing with my printer to get it to cooperate (running out of four different inks @ $60/cartridge, figuring out how to solve problems with head strikes on my prints, running out of paper at $115/box thanks to the aforementioned ink shortages and head strikes), I now have my show completely printed. Eight prints are already framed and ready to go, the remaining 12 are going to be framed tomorrow, and the show hung on Tuesday after work. I’ve done shows before, and of course it’s always hard work, but this is the biggest show I’ve done in terms of volume. Even my biggest past Artomatic was probably 12 prints. I’m very psyched about the show. Here’s a recap for those who can’t make it to the opening (REMINDER: August 2, 7-10 PM, Mad Momos Restaurant, 3605 14th Street NW, Washington DC). This exhibit pays tribute to the parts of Washington I pass through on a regular if not daily basis. I want to show what this town looks like to a resident, as well as showing it in an unfamiliar way even to those folks who do see these things all the time. As I mentioned in my blurb about the reception, I love the way color distorts and transforms at night because we no longer have a single, unidirectional light source of uniform color and quality. I’ve started these photos with late evening/sunset/twilight and progress into deep night to capture the feeling of that time of day. I hope these photos express that sense of drawn out time and transformed space, be it through blurred motion or the interplay of lights.
If any of you have ever produced a photography exhibit, or any other art exhibit for that matter, you’ll have an understanding of just how complicated an effort this is. I’m lucky in that I am able to do my promotional work online for the most part (this blog, email blasts, internet forums, etc), and I already have promotional postcards printed from the last time I exhibited some of this work. It would not surprise me if I did a truly serious accounting of what it cost to put this show up on the wall and the bill came in somewhere north of $2500. I know the framing bill alone is in the region of $1100-$1200. Postcards? about $200 for good quality printing from Modern Postcard. Paper and ink? $300. And that’s just the obvious, not counting the two years it took to shoot the images, the film and processing, the editing process, the dinner bribe for my friend who helped with the editing, and all the hardware and software (21.5″ iMac, Epson V750 scanner, Epson 3880 printer, Photoshop CS5, SilverFast AI 8, Gretag-Macbeth EyeOne calibration software and hockey-puck). To say nothing of 20 years of accumulated experience required to produce images like these.
Two shots of the Gallery Place Metro station, looking down on the Red Line platform from the mezzanine. Taken with the Rolleiflex 2.8E, hand-held, with Portra 800. Exposure times were 1/2 second or 1 second @ f2.8.