Tag Archives: cyanotype

Upcoming Class – Alternative Process Survey with Digital Negatives

I’ve got a class coming up soon – Thursday evenings starting September 27, co-taught with Mac Cosgrove-Davies. It’s an alternative process survey course, covering platinum/palladium, gum bichromate and cyanotype. We will be starting out by going through the process of making digital negatives for the platinum/palladium process, and then printing using platinum/palladium. I will be walking students through the process of how to create your own correction curve so that they will have the tools handy for making appropriate correction curves for their own personal environments and for whatever process(es) they want to work in. We will cover basic techniques, preferred materials and digital hardware.

In subsequent weeks, Mac Cosgrove-Davies will be teaching working with cyanotype and gum bichromate. Mac has been working with alternative processes, most specifically gum bichromate and cyanotype, for over 40 years.

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Two-color Gum Bichromate print. ©2007 Scott Davis

This will be my first time co-teaching with Mac, who is an outstanding instructor as well as a meticulous artist and technician with historic photo processes.

You can register at the link below. Course meets for five sessions on Thursdays from 7-9:30 PM, starting September 27, and runs through October 25. Tuition is $350.

Alternative Process Survey with Digital Negatives

Artists Statement – Mac Cosgrove Davies

Photography has been my passion for more than 50 years, first with silver printing, and for the last 40 years with the historic processes.  I still delight in the hand-crafted uniqueness of gum bichromate, cyanotype, carbon, and oil printing, all printed from in-camera negatives (i.e. film).  I also enjoy making the equipment, and sometimes the cameras, that I use.  Working with large cameras feeds the more contemplative side of me, especially  in the solitary space under the dark cloth where the bright image is my entire perception of the world.  A successful photograph conveys the artist’s emotional, aesthetic statement in an engaging manner.  For me this turns out to be in images small by today’s standards.  I prefer to think of them as an intimate discussion with the viewer.  It pleases me to pull a 5×5 inch portfolio box from my pocket to respond to the frequently asked question of what I do for fun.

Artist Statement – Scott Davis

Scott Davis is a large format photographer working with antique and historic photographic processes. His work has been exhibited across the United States and internationally. He is a published author on platinum/palladium printing, and teaches classes in platinum/palladium. His personal work includes the DC cityscape,  the human figure, and wherever he happens to be with a camera. He is currently developing an exhibition plan for Sinister Idyll: Historical Slavery in the Modern Landscape, his documentary series about how the landscape of Maryland, Virginia and Washington DC have been marked by the impact of African slavery and its echoes that reverberate today.

Examples of past student work from digitally enlarged negatives:

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Prints and digitally enlarged negatives

 

A Non-Silver Manual now available for free

I just needed to put in a good plug for this book. It’s what I learned gum printing from, and contains some very useful information on other alt processes. The book is “A Non-Silver Manual: Cyanotype, Vandyke Brown, Palladium & Gum Bichromate with instructions for making light-resists including pinhole photography”. It was available for sale for many years in a soft-cover spiral bound edition directly from the author, Sarah Van Keuren. Mrs. Van Keuren has decided that she no longer wants to maintain the book and deal with the printing and shipping, so she is making it available chapter by chapter for free to download on www.alternativephotography.com If you want a hard copy, you can contact the publisher of AlternativePhotography.com and see about remaining stock.