Tag Archives: street photography

Reading Terminal Market

Back at New Years I went up to Philadelphia for a short weekend getaway. I stayed at the Marriott in center city, which was across the street from the Reading Terminal Market. The market is a food hall located under the tracks and platforms of the Reading Terminal, a train station that today serves mostly commuter trains. There is some amazing food there – I had lunch one day at a traditional Jewish deli that just absolutely hit the spot with a corned beef sandwich and a cup of chicken soup. Termini Brothers bakery has an outlet there and I brought home four of their raisin scones that were to DIE for (and if you ate them often, possibly to die of – they’re quite rich!). In addition to the prepared foods stalls, there are butchers, fishmongers, and greengrocers stalls as well, providing an oasis of fresh food in the center of a heavily urbanized business district that has seen better days.

“Eat Oysters, Love Longer” – the bar counter at Pearl’s Seafood.

Sushi Umi across the hallway from a handicrafts stall.

Fish on ice at the fishmonger’s.

Martin’s butcher shop – Quality Meats and Sausage. A sign in the background is for live and cooked lobsters. Interesting trivia – lobster was, until the second half of the 19th century, considered poor people’s food. Lobsters used to be so common in the coastal waters of New England that you could just wade into the surf to catch them , and they had little to no market value – so much so that prisoners in New England rioted to demand their ration of lobster be held to no more than three days a week. With the advent of refrigerated rail service, it began to be served in the dining cars of long-distance trains, being able to be transported away from the coasts. It was transformed into a delicacy as they concurrently became more and more scarce as demand rose.

Pastries in the display case at Termini Bros.

The neon sign for Termini Bros counter. They have been in business since 1921, and if their scones are anything to judge by, as long as they keep that standard up, they’ll be around for at least another century!

In case you’re wondering, all these were taken with one of the best, in my opinion, travel cameras available: the Lomo LCA-120. It’s a super-wide (38mm on 120 film, or the equivalent of a 21mm on 35mm/Full Frame). The super-wide angle means you can use it in places you would have a hard time photographing with most other cameras. It is fully automatic exposure – the only control you have over the exposure settings is by changing the ISO on the meter dial. It is, in contrast, manual focus but only via focus zones – you have a selection of four distance ranges you can select via a lever on the side of the lens panel. Because it is a leaf shutter and has no mirror to move, it is quiet when taking photos, so you can work unobtrusively in a busy environment. It does require you to have a somewhat loose shooting style because of that wide angle lens and the fact that you’re composing via an uncoupled viewfinder, not through the lens. While I normally like having the precision of an SLR or a TLR with aperture and shutter controls, working with the LCA 120 is very liberating in a way because you stop worrying about all those fiddly things and just concentrate on composing the image in the viewfinder.

I combine it with Kodak Tri-X film frequently because that gives me enough wiggle room to pull off hand-held exposures with even long-ish exposure times – I’d venture to guess that the shots in Reading Terminal Market were somewhere between 1/15th of a second and 1 second. Yes, you read that right – hand held at up to 1 second.

Lee Brothers Potato Merchants – London South Bank

A street find while walking around with the LC-A 120. This is under the railroad tracks that cross the South Bank pier of London Bridge, just across the street from Southwark Cathedral.

LeeBrosPotatoMerchants
Lee Brothers, Potato Merchants, Behind Borough Market

London – Street Signage – Look Right

LookRightFinsburySquare
Look Right

I happened to look down, and then saw this admonition to “Look Right ->”. I found it mildly amusing that traffic flow was considered so confusing that it was necessary to tell people which direction to look before crossing the street. And I love the crunchy texture of the pavement and sidewalk. This is at the corner of Finsbury Square where it abuts City Road in central London.

This is another image from the Lomo LC-A 120. The only real reason I ever mention the cameras I use nowadays is to prove a point about there being little to no correlation between the “quality” of camera you use and the quality of the images you make. I have very little control over the LC-A beyond what I point it at, when I choose to trip the shutter, the film I load in it, and the rough guesstimate of the distance between me and the subject. Everything else is really out of my control. But the decisions that are most important are the ones I do have control over – what to point it at and when to trip the shutter.

Knowing my camera and how it records images is also helpful to getting what I want out of the image, of course. But this image above would have not been any more successful if I shot it with a Hasselblad Superwide, a Rolleiflex TLR, or my Fuji XT-1, each of which offer far more control and precision than the LC-A.

Happy Accident – double-exposure

DoubleExposureHappyAccidentFisheyeRZ

Double-exposures, especially accidental ones, can be so much fun! You never know what you’re going to get, and how it will work out. Here I have two very different images layered one atop the other, both with my Mamiya RZ Fisheye lens. Had they been done with different lenses I don’t think this would have worked out so well.

Meet And Shoot – Columbia Heights

Today was my session of the “Meet & Shoot” class I co-teach with several other instructors at Photoworks. The class is a five or six session workshop on street photography where each instructor takes a group of students out for a guided photography excursion to a location of their choosing. Students can sign up for all sessions, or pick and choose which ones they want as their schedule and/or instructor preference dictates.

This time, I had three new students and three repeat students from the last time I taught this class. Due to some last-minute scheduling snafus, three of the students were unable to make it, so it was a very intimate walkabout, and I was able to teach as much as I was playing shepherd.

We met at the Columbia Heights Metro station, and once the crew was collected, we took a walk up to the little plaza in front of the Tivoli Theater where a saturday farmers market was in full swing. My three students, seen below (L to R: Matthew, Suzan and Bobbi) wandered around and took full advantage of my guidance for the session to use color as a foundational theme. The farmers market was a perfect opportunity, with all the fruit and vegetables on display.

Columbia Heights is an ethnically diverse neighborhood, with a strong Latin-American presence. This is very obvious in the colors and styles of signage on shops and restaurants, and makes for a great subject for a color-based exercise.

Here Bobbi, Suzan and Matthew are examining some signage on a Dominican restaurant on Park Road.

We continued along Park Road over to Mount Pleasant, another neighborhood in Washington DC that also has a significant Latino presence. I took the opportunity to discuss including graffiti and public sculpture in your work as a “street” photographer. If you’re going to include other peoples’ art in your photography, make sure that you have a solid reason for doing so- it’s fair game as documentary, or if your capture and interpretation is transformative (abstract/close-up, for example), but if you’re planning to exhibit and market photos of other peoples’ art, even if it is displayed in public, you’re at best in an ethical gray area, and potentially in a copyright violation scenario.

Street photography is very much about found images – you’re not setting out to intentionally create compositions, but rather responding and reacting to things you encounter, like this poster that fell into the street and got run over until the rough pavement surface pierced through turning the whole thing into an abstract composition.

We had a great morning of shooting, and wrapped up for a chat at a cafe on Columbia Road in Adams Morgan (another neighborhood bordering on Mount Pleasant and Columbia Heights). I’m very pleased with my students, and I’m looking forward to seeing their images from today at our recap class in three weeks.

69 Seconds

A sidewalk in Georgetown on M Street, with the waning sun going down and casting very long shadows on a late summer evening. I’ll leave it to you to figure out why the title is “69 Seconds”.

69 Seconds
69 Seconds

Commuter Diaries – People

I know I was being very abstract or at least impressionistic with my earlier Commuter Diaries images, so in that sense these are a break from that line, and don’t quite fit. But they are about the commuting experience, so they have the potential to belong, if I develop enough images for them to blend in and make sense, and aren’t just outliers.

The first one is a woman waiting for the bus at my origin bus stop. Early morning, headphones on, anticipating the impending arrival.

Waiting For The Bus
Waiting For The Bus

This second one is a gentleman waiting downtown at Metro Center, peering down the street in hopes of spotting which bus is arriving next, anxious for the final leg of his journey home.

At Metro Center Bus Stop
At Metro Center Bus Stop

I think the latter is more successful because of the stilted angle, which makes it more dynamic and tense. I snuck that one by pointing the Rollei sideways, and had to live with what I got.

I have to keep reminding myself that sometimes it’s good to be loose and free with things, and that not all images have to be tack sharp and perfectly focused to be successful. I’ve been ruminating about this one because the composition is a bit unbalanced, and there’s a little motion blur to it, because it was another grab shot as I walked by and I didn’t have time to perfectly compose and focus it.

Boy On Bench
Boy On Bench

I think it’s a good object lesson from the original purpose of the series – taking long exposures that were not planned or structured in any way to free me up from being too formal. Even if this isn’t a fully successful image in some sense, it’s useful as a reminder to be relaxed and open to possibilities.

Everyday Objects – Stuff I see on the street

Just some more of those things I see when I’m out walking about, that we normally take for granted and/or ignore.

An electric meter that is not well-loved (but who loves an electric meter?):

The Leaning Tower of Power
The Leaning Tower of Power

Recycling cans outside the National Portrait Gallery:

Bottles, Cans, Trash
Bottles, Cans, Trash

The letters “URTS” cut out of a sheet of steel road plate used to temporarily cover a hole in the road:

URTS
URTS

Randomness

You know the old adage, “the best camera is the one you have with you”? It’s true. I got lucky and found these two shots as I was walking around the other day waiting to meet a friend for lunch.  

They’re snaps with my iPhone. It was the camera I had with me at the time. And proof that it’s the photographer, not the camera, or the software, that makes the image. 

I’ll be back in the neighborhood today after work with my Rolleiflex, and I’ll take them again. Different photos, different camera, different aspect ratio, so they’ll feel very different. I’ll try to remember to post them when they’re done. 

   

Street Style

I’m still learning how to shoot candid street scenes. This is a relative success story. I got on film what I imagined when I composed and shot this image – shallow depth of field emphasizing the boy with the red sneakers and mirror sunglasses. I saw him coming toward me, guesstimate focused a distance, then clicked the shutter when he hit that point. There was another shot I took on the same walkabout of a little boy clowning around on one of the bikeshare bikes that I had to guess the focus, and I missed, which was very disappointing because it was a cute composition.

Street Style
Street Style

I’m on the fence about the crop, though. Does it draw too much attention away from the boy in the red sneakers?