I’m going to be running my Intro to Platinum/Palladium Printing class again this fall, with an expansion into making digitally enlarged negatives. The new class will be a two-weekend course, September 19th & 20th, 26th & 27th. The 26th will be from 1-5 pm due to a morning scheduling conflict, but the rest of the sessions will be from 10 am – 4 pm.
Platinum/palladium is the catchall term for two chemically interchangeable but visually distinct printing processes first pioneered in the 1870s by William Willis. As the names imply, they use platinum and palladium as their primary metal salt in image formation. A platinum print will be more of a cool gray tone with higher contrast, and a palladium print will be more of a rich chocolate-brown tone with lower contrast. They are capable of producing very long tonal scales, rendering very fine gradations, therefore needing very little if any manipulation during printing. Platinum/Palladium are also among the most archivally stable printing processes – when properly processed and displayed, your prints will last as long as the paper underneath them.
I traditionally have limited the class to working from in-camera negatives because I want to give people the best possible opportunity to start by making successful prints. As a friend of mine, Ian Leake, puts it in the new edition of his book on Platinum/Palladium printing, “it is possible to make a successful print from a problematic in-camera negative, but it is extremely difficult to make an even marginally successful print from a problematic digital negative” (I’m paraphrasing here).
The addition of making digitally enlarged negatives opens up the process to a whole new range of photographers, as shooting large format is both an encumbrance and a cost that is not for everyone. We will still begin the class with a full weekend of making in-camera film negatives and printing from those negatives. For that class, I will supply the camera and the film. We’ll make our images in and around the park, process the film, and then spend the next day printing.
The second weekend will be devoted to making digitally enlarged negatives and printing from them. We will cover scanning, preparing your file, and printing the negative. I have a required text for the course, Ron Reeder’s “Digital Negatives for Palladium and Other Alternative Processes” which you can order on Amazon. Ron gives a very concise, clearly illustrated and explained step-by-step for how to produce a proper digitally enlarged negative, tailored to the process you want to print with. His technique is not limited to platinum/palladium, but once learned can be applied to any and all alternative processes.
To register for the class, click the link below.