Category Archives: Classes

More student work from Advanced Topics in Platinum/Palladium

Trolley Stairs, Glen Echo Park
Trolley Stairs, Glen Echo Park

This is a blended platinum/palladium print (60% platinum, 40% palladium) print, on Bergger COT320 paper. This was by a student from my Intro class, but I reprinted it for this session (the student left the negative behind after the Intro class, and I happened to really like the shot anyway). This one was coated using a glass rod as opposed to a brush, to demonstrate the difference in the coating technique, and the final appearance of the print.

Crystal Pool, by Patrick Brown
Crystal Pool, by Patrick Brown

This is a palladium print on light Kozo paper, by Patrick Brown, one of my students in Advanced Topics. He was also in my Intro class. It’s so nice to get follow-on students so you can see their progress!

Kozo paper is a Japanese paper made from tree bark, and it is surprisingly strong for as delicate as it is – this is perhaps a 90 lb paper. It does have a tendency to dissolve in aqueous solutions, but if properly masked when developing, the image area can be preserved, even if the edges do get fringed a bit. This is a perfect example. I included the paper margins to show more clearly what the paper texture looks like.

We had some challenges this class session – the original idea was to try out some different paper types, and I had obtained a sampler of several kinds. We started the morning with Stonehenge, which was supposed to be a good paper, but something was dramatically wrong with the batch we got, as we were making 30 minute exposures and still coming up weak and flat. After this is over, I’ll get a little more for myself and try pre-acidifying it to see if that helps, but no mention of acidification was made in the sample kit and I couldn’t find any reference to acidifying it online. Fortunately we didn’t waste too much time before figuring out it was the paper at fault and not the chemistry, and life moved on.

Student work – from my Advanced Platinum Printing course

Just wanted to post a print made by one of my students, from my Advanced Topics in Platinum/Palladium printing. The advanced topics class covers contrast control techniques, working with different papers, making digital negatives, and gum-over-platinum prints. This was made from a digital negative we created in class from a medium-resolution JPEG! I’m impressed. Patrick will have a print to be proud of as a result of this class.

Orthodox Cathedral, by Patrick Brown
Orthodox Cathedral, by Patrick Brown

By the way, I will be re-running my Intro to Platinum/Palladium course at Photoworks, October 20-21. If you are interested, please sign up now, while there’s still room!

Upcoming Fall Classes at Glen Echo Photoworks

I’m teaching more classes at Glen Echo Photoworks this fall and winter. I’ll be offering Advanced Topics in Platinum/Palladium, Intro to Platinum/Palladium, and a lecture/presentation on Identifying and Collecting Antique Photos.

Advanced Topics in Platinum/Palladium runs September 15-October 6 (Saturdays 9am-4pm), and covers advanced contrast control techniques, paper choices, troubleshooting techniques, and gum-over platinum. Although I did not have making digitally enlarged negatives in the original curriculum design, I’m going to make it an option at student’s request.

Intro to Platinum/Palladium will be held the weekend of October 20-21 from 9am-4pm each day. Topics covered include history, technical basics (chemistry, equipment, paper), major process controls (negatives, exposure, processing) and fine controls (contrast, process variations).

On the evening of Wednesday, November 17 from 7-9 pm, I’ll be teaching a mini-workshop on Identifying and Collecting Antique Photographs. The course will be a mini-photo history class from the Daguerreotype to silver-gelatin and color, and will be illustrated with examples from my personal collection. Which, if you’ve been following my blog for any length of time, you know is pretty cool.

Gum over Ziatype
Advanced Pt/Pd Topics
Monarch Novelties, 14th Street (palladium print) – Intro to Pt/Pd
Gentleman With Top Hat, dated October 15, 1849
Gentleman With Top Hat, 10/15/1849 – Intro to Collecting

First Session of Intro to Platinum/Palladium Printing a success

I finished up my first session of my Intro to Platinum/Palladium Printing class today. I had eight students, all highly motivated and enthusiastic, and it was a big help in making the class succeed. I was a bit nervous as this was my first time running the class, and it was sold out. There was a very diverse audience – about half and half male and female, and age ranges from early 20’s to late 60s (maybe older than that, but it’s not a very polite thing to ask). I was really thrilled that everything went smoothly – on day one, we all talked about the process, shared work and little bios of our artistic backgrounds, and then went out in Glen Echo Park to walk around and shoot some images. We made 10 negatives all told, enough for everyone in the class to own one, with a couple spares. Since platinum/palladium is a contact printing process, we shot all the film with my 5×7. Most of the students had never used a view camera before, so it was an additional learning experience for them. I took the film home with me and developed it that night, so that students would have real live working negatives, properly developed, for the class, and to keep a sample to see what a good negative looks like.

Today, we got in to the darkroom early, set up and went through the process, end to end. I began with a coating demonstration, then exposed the print, developed, cleared, washed and dried it. Then I cut my students loose and let them coat and print away.

Students Coating and Printing
Students Coating and Printing

We used a combination of artificial UV light source and natural daylight – it was a cloudy overcast day, so actually not a bad day for doing pt/pd prints, but exposure times were LONG outdoors – with some negatives, up to 25 minutes. For a quick-and-dirty portable UV light source, I used a 16-socket PhotoDiox lamp house with black-light compact fluorescent tubes. It worked out great for exposing, if a little slow (the average exposure with it was 12 minutes), but we could only do one at a time with it. We still managed to get two prints done for each student, which is not bad for a single day printing session with so many people trying to use a small facility.

Exposing a Print
Exposing a Print

We got the chance to try both traditional develop-out palladium prints and printing-out Ziatypes (a variation on the theme but the image if fully formed during exposure and requires only a water wash step instead of development. Here are my students posing with their prints –

Class Photo - May 5-6 Intro To Platinum/Palladium Printing, Photoworks
Class Photo – May 5-6 Intro To Platinum/Palladium Printing, Photoworks

And here’s a finished print of one of the student images. The print is still wet, and the crappy Olympus digital P&S I was using didn’t white balance well, so my apologies in advance if the shot looks a little yellow –

Stairs, Glen Echo
Stairs, Glen Echo

Upcoming Exhibition and Class

I’ve got two news items to announce. I’ll be in an invitational show at Glen Echo Photoworks from April 12-May 7, and I’m teaching my Introduction to Platinum/Palladium Printing class May 5-6 also at Glen Echo Photoworks.

Please come to the opening reception for the show, April 22 – I’ll be speaking briefly about my work. I’ll be showing some selections of my work from Argentina.

April 13-May 7
Alternative Visions – An Alternative Process Photography Exhibition
Scott Barnes, Andrew Currie, Scott Davis, Sheila Galagan, Barbara Maloney, Janet Matthews, Richard Pippin, George Smyth, Grace Taylor
Opening reception and Gallery Talk 6-6:30pm. Sunday April 22 5-7:30

If you are interested in registering for the Intro to Platinum/Palladium, you can find the link on the Photoworks website

The class is a hands-on two day course on the basics of platinum/palladium printing. Topics covered include history, technical basics (chemistry, equipment, paper), major process controls (negatives, exposure, processing), and fine controls (contrast, process variations). This is a film and wet darkroom focused course – I will be providing a 5×7 camera and film, and we will shoot film negatives and make prints from the same. Digital negative making will NOT be covered due to the number of potential variables involved in working from student supplied images.

Please note: As of the date of this announcement, there are only two spaces remaining in the class – don’t hesitate if you are interested. If this class sells out, I will discuss running it again in the fall with the Photoworks staff.

Glen Echo Photoworks demo November 9th

I received great news today – with over a week to go before the wednesday night demo, I have 10 people registered. This is terrific. I’m really looking forward to the event, and I can’t wait to meet all the people interested in the process. There’s still room to sign up if anyone is interested, so please head over to the Photoworks website and sign up.

Glen Echo PhotoWorks press release for FotoWeekDC 2011 events

Here is the press release about the Glen Echo Photoworks events coming up for FotoWeek DC. I will be participating in the “Celebration of Alternative Processes Symposium” on Sunday, November 6 and running a demo of Platinum/Palladium printing on Wednesday, November 9. I know a lot of the other presenters and they’re really great people and great artists. This will be a terrific event and I’m really looking forward to it.

PHOTOWORKS FOTOWEEK 2011

___________________________________________________________________________________

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Celebrate The Alternatives!

Alternative Process
Photo Symposium & Workshops

FotoWeek

 

Image by Barbara Maloney

    1
    Cyanotype Workshop with Barbara Maloney
       Date:  Saturday, November 5, 2011 
       Time:  10 AM – 4 PM 
Place:  Photoworks

      Arcade Building

             Glen Echo Park, MD 20812 

       Cost:  $125 
       Register: www.glenechopark.org or call 301-634-2226
       Info:  www.glenechophotoworks.org

       Whether you are new to non-silver processes or not,
       this one-day workshop promises to be a lot of fun.
       We will make cyanotype photographs, photograms and collages.
       The class includes toning, hand-color and overprinting gum bichromate.
 

    2
    Celebration of Alternative Process Symposium

       Date:  Sunday, November 6, 2011 

       Time:  11 AM – 4 PM  

Place:  Photoworks

      Arcade Building

             Glen Echo Park, MD 20812 

       Cost:  FREE — Lunch Break — Drinks & Desserts Provided
       RSVP:  Event is FREE.  Please RSVP at photoworks.gallery@gmail.com

       Info:  www.glenechophotoworks.org
       A group of artists whose work embraces the use of historic
       photography
processes and hand-applied emulsions
       will show and discuss their work and processes every 30 minutes.
       Guest Artists are listed below, in order of their presentations… 
    
       Barbara Maloney, “Temperaprint, Photo Etching, Cyanotype”
       Scott Davis, “Platinum and Palladium”
       Sheila Galagan, “Lith Printing”
       Andrew Currie, “Tintype”
       Grace Taylor, “VanDyke Brown”
       George Smyth, “Bromoil”
       Keith Williams, “Monobath, IR, UV”
       Richard Pippin, “Lith Printing”  


    3

    Platinum & Palladium Printing & Variations
    Workshop with Scott Davis

       Date:  Wednesday, November 9, 2011 
       Time:  7 PM – 9 PM  
Place:  Photoworks Studio

      Arcade Building

             Glen Echo Park, MD 20812 

       Cost:  $40  
       Register: www.glenechopark.org
       Info:  www.glenechophotoworks.org

       Scott Davis will demonstrate the beautiful and noble platinum,
       palladium and ziatype printing processes.  Discussion includes
       tools, chemistry, paper choices, coating techniques, processing,
       contrast control, and techniques for affecting image color.
       Tips and tricks for great prints will be shared

    4

    Bromoil Workshop with George Smyth

Date:  Sunday, November 13, 2011
Time:  10 AM – 4 PM
Place:  Photoworks

      Arcade Building

             Glen Echo Park, MD 20812 

       Cost:  $120 plus $30 supply cost 
       Register: www.glenechopark.org
       Info:  www.glenechophotoworks.org

       Bromoil is an early photographic process popular with the Pictorialists
       and is presently being revived by fine art photographers with endless
       possibilities for expression.  Topics covered are:  digital negatives,
       silver gelatin papers, mixing chemistry, and bleaching prints.
       Students will have the opportunity to ink a few prints (provided).
       Smyth will conclude with the “finishing” and presentation of prints.

Photoworks Photography School will offer
Alternative Process Workshops
in Spring 2012 as part of the course curriculum.
An Alternative Process Exhibit will be held
in the Photoworks Gallery in April 2012.

 

_______________________________________  

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     PHOTOWORKS
     7300 MacArthur Blvd
     Glen Echo, MD 20812
     301-634-2274

 

Dates announced for Platinum/Palladium printing Demo, 11-09-2011 at Photoworks Glen Echo

I will be doing a live demonstration of the platinum/palladium printing process at Photoworks in Glen Echo, Maryland as part of the FotoWeek festival. The date and time has been finalized – Wednesday, November 9, from 7-9 PM. Topics to be covered include: tools, paper, chemistry, coating techniques, processing, contrast control and altering image color. The session fee is $40. The session will be held in the upstairs classroom in the Photoworks facility.

Photoworks location and directions

FotoWeek DC events at Photoworks in Glen Echo

Photoworks in Glen Echo, Maryland (just outside Washington DC) will be putting on a slate of events as part of FotoWeek DC from November 5-12, 2011. I will be participating in the alternative process show-and-tell on Sunday, November 6, from 11AM to 4PM. I will be showing selections from my recent body of work of DC at night, all shot on large format film.

I will also be giving a platinum/palladium printing demo later that week (date/time to be determined) – admission is $40 plus a $10 materials fee. Here is the slate of presenters and schedule for November 6. I encourage everyone to come out and see the show, and if you’ve never been out to Photoworks before, please come check it out, it’s a lovely facility in the terrific (and photographically ripe) setting of Glen Echo Park, which is part of the National Park Service!

For more information about the park and its cultural, social and educational activities for people of all ages, here is a link to the park’s website:
Glen Echo Park

11:00 11:30 Barbara Maloney Intro/Temperaprint/Photoetching/Cyanotype
11:30 12:00 Scott McMahon Gum bichromate
12:00 12:30 Scott Davis Platinum/palladium
12:30 13:00 Sheila Galagan Lith Printing
13:00 13:30 Andrew Currie Tintype
13:30 14:00 break
14:00 14:30 Grace Taylor Vandyke brown
14:30 15:00 George Smyth Bromoil
15:00 15:30 Keith Williams Monobath/IR/UV
15:30 16:00 Richard Pippin Lith Printing

Upcoming classes/exhibits/jurying

I’ve gotten some further confirmation, so I can post more information about this now:

I’ll be showing work at PhotoWorks in Glen Echo, Maryland as part of PhotoWeek DC 2011. I’ll be displaying my platinum/palladium prints and talking about the process as part of a show-and-tell event on Sunday, November 6. I’ll update with links when they have a schedule of events published. I’ll also probably be doing a process demo some evening that week or the following weekend, November 12-13, and a full-fledged workshop in the spring of 2012.

On a separate note, I’ve been asked to be a judge next weekend at the Howard County Fair’s Home Arts department photography contest. If you’re going to be in the neighborhood, stop by and say hello and see the entries in the contest.